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Chloe Gómez is a 26-year-old lady. She has a store and is happy working. She has a boyfriend, Andy Berry. But Andy is very different from her. One day, Chloe starts receiving e-mails from someone unknown. Over time, they become good friends. They start writing about various topics. But little by little, Chloe begins to think if Andy really loves her.
Examining a wide range of movies from the last thirty-five years, Timothy Cochran traces two recurring assumptions implied by self-conscious music-making in recent cinema: that music is a potent means of expressing sincerity and experiencing humanistic depth, and that music can provide varied forms of transcendence and psychological escape.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
In 'The History of Women's Suffrage: The Origin of the Movement (Illustrated Edition)', the editors and contributors offer a comprehensive delve into the roots of the women's suffrage movement, interweaving a rich tapestry of literary styles from personal letters and speeches to rigorous essays. This collection stands as a monumental assembly of seminal works that chronicle the fight for women's voting rights, emphasizing the diversity of strategies, philosophies, and personal anecdotes that fueled the movement. The anthology shines with standout pieces that exemplify the courage, intellect, and perseverance of its contributors, presenting an indelible narrative that remains pivotal to understanding the suffrage movement's complexities and triumphs. In tracing the backgrounds of Harriot Stanton Blatch, Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Gage, one uncovers a collective force of unparalleled influence in the fight for equality and justice. Each, a titan in her own right, brought forth a unique perspective and steadfast dedication to the cause, informed by varied experiences and a shared vision. Their collaborations and individual endeavors align with broader cultural and literary movements of their time, weaving a rich historical and intellectual context that underscores the anthologys significance. This compilation is an invaluable resource for readers seeking to immerse themselves in the foundational voices of the women's suffrage movement. Offering a breadth of perspectives, 'The History of Women's Suffrage: The Origin of the Movement (Illustrated Edition)' invites readers to explore the multifaceted narratives and strategies that propelled the struggle for womens voting rights. It is a must-read for those who wish to delve into the educational richness, uncover the diversity of thought and tactic, and engage in the ongoing dialogue about rights, representation, and resilience in the face of adversity.
This is the first comprehensive history devoted to the art of Ford Madox Brown (1821-93), in which his paintings establish him as a major figure in the most important new art movement of Victorian England, Pre-Raphaelitism. The book presents a new explanation of the development and basic aims of Pre-Raphaelite art as a whole and offers a revealing discussion of the power and importance of the humor and negative spirit that run throughout Brown's work. It also ties Brown's realist approach to British decorative taste at midcentury and redefines his place in the Aesthetic Movement, a cultural trend that dominated the latter half of the nineteenth century. In addition, the artist's socialist leanings and nationalistic tendencies, expressed in depictions of workers, children, women, and religious scenes, are set out more fully than in any previous literature on the artist.