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The unforgettable journey of an American businessman—from his humble origins to his extraordinary successes—and the compromises he made along the way When Willis Wayde first lays eyes on the Harcourt mansion near Clyde, Massachusetts, he is fifteen years old. His father is an engineer at Harcourt Mill, and Willis is awestruck by the family’s wealth and power. Seeking guidance from Henry Harcourt, Willis meets Bess, the old man’s granddaughter. Their friendship eventually blossoms into love as the elder Harcourt takes the young man under his wing, recognizing in Willis a kindred spirit whose instinct for making money matches his own. Pleased with his good fortune, Willis is nevertheless acutely aware of the great social gulf that separates the Waydes from the Harcourts. Determined to make his own way, he sets out on a path that will take him far beyond New England and the insular, old-money world of Henry and Bess. Then the Depression hits, wiping out the Harcourt family fortune. When he comes back into their life, Willis has the power to rescue the last vestige of the family’s prestige: the mill. Torn between his nostalgia for a simpler, more sentimental time and his sharply honed business acumen, Willis must make a fateful decision.
“Women and Thomas Harrow is Grade A Marquand, spellbindingly readable, smooth as cream in its polished technical craftsmanship, sardonically witty and filled with a special sort of wry and melancholy worldly wisdom.” —The New York Times Playwright Thomas Harrow followed his first Broadway smash with Hollywood celebrity and became the toast of theaters from coast to coast. But the road to riches and fame has been anything but smooth. Now in his fifties, Thomas’s three unhappy marriages have caused significant emotional and financial damage, and the disastrous failure of his musical Porthos of Paris will now force him to sell the beloved Federalist house he bought in his hometown of Clyde, Massachusetts. Tom’s search for the causes of his current distress takes him back to his youth and through each decisive moment of his life: the literary successes, the hack work, the love affairs that turned sour. He married three charming, vivacious women—Rhoda, Laura, and Emily—yet never figured out how to share his thoughts and feelings with them. Partly the work was to blame, as the demands of his artistic life often ran counter to domestic arrangements. But with the wisdom of experience, Tom can also see that his character judgments were often mistaken, and that, despite his wit, charm, and intelligence, there is a fundamental part of himself that remains shrouded in mystery. Is there still time to unlock his heart, or has the window for love closed to him? An honest and moving portrait of a successful man’s never-ending quest for happiness, Women and Thomas Harrow is one of John P. Marquand’s most autobiographical novels.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
This is the first book to analyze our suburban literary tradition. Tracing the suburb's emergence as a crucial setting and subject of the twentieth-century American novel, Catherine Jurca identifies a decidedly masculine obsession with the suburban home and a preoccupation with its alternative--the experience of spiritual and emotional dislocation that she terms "homelessness." In the process, she challenges representations of white suburbia as prostrated by its own privileges. In novels as disparate as Tarzan (written by Tarzana, California, real-estate developer Edgar Rice Burroughs), Richard Wright's Native Son, and recent fiction by John Updike and Richard Ford, Jurca finds an emphasis on the suburb under siege, a place where the fortunate tend to see themselves as powerless. From Babbitt to Rabbit, the suburban novel casts property owners living in communities of their choosing as dispossessed people. Material advantages become artifacts of oppression, and affluence is fraudulently identified as impoverishment. The fantasy of victimization reimagines white flight as a white diaspora. Extending innovative trends in the study of nineteenth-century American culture, Jurca's analysis suggests that self-pity has played a constitutive role in white middle-class identity in the twentieth century. It breaks new ground in literary history and cultural studies, while telling the story of one of our most revered and reviled locations: "the little suburban house at number one million and ten Volstead Avenue" that Edith Wharton warned would ruin American life and letters.
John P. Marquand - American Writers 46 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.