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Sin puertas visibles (No Visible Doors) is a fully bilingual anthology that features emerging women poets whose work provides a taste of the adventurous new spirit infusing Mexican literature. All eleven poets represented have had at least one book published in Mexico, yet none of their work has been translated into English until now.Featuring the work of: Cristina Rivera-Garza, Carla Faesler, Angelica Tornero, Ana Belen L—pez, Silvia Eugenia Castillero, M—nica Nepote, Dana Gelinas, Maria Rivera, Ofelia Perez Sepœlveda, Dorantes, and Laura Sol—zano. Mexico poesses one of Latin America's most important poetic traditions, but its depth and range are virtually unknown to readers north of the border. Reflecting the diversity and complexity f contemporary mexican poetry, the poems presented here are by turns meditative and explosive, sensuous and inventive, ironic and tender—in short, they are subversive, provocative, and bold.
This new book by eminent scholar Michael Davidson gathers his essays concerning formally innovative poetry from modernists such as Mina Loy, George Oppen, and Wallace Stevens to current practitioners such as Cristina Rivera-Garza, Heriberto Yépez, Lisa Robertson, and Mark Nowak. The book considers poems that challenge traditional poetic forms and in doing so trouble normative boundaries of sexuality, subjectivity, gender, and citizenship. At the heart of each essay is a concern with the "politics of form," the ways that poetry has been enlisted in the constitution—and critique—of community. Davidson speculates on the importance of developing cultural poetics as an antidote to the personalist and expressivist treatment of postwar poetry. A comprehensive and versatile collection, On the Outskirts of Form places modern and contemporary poetics in a cultural context to reconsider the role of cultural studies and globalization in poetry.
The Boom Femenino in Mexico: Reading Contemporary Women’s Writing is a collection of essays that focuses on literary production by women in Mexico over the last three decades. In its exploration of the boom femenino phenomenon, the book traces the history of the earlier boom in Latin American culture and investigates the implications of the use of the same term in the context of contemporary women’s writing from Mexico. In this way it engages critically with the cultural, historical and literary significance of the term illuminating the concept for a wide range of readers. It is clear that the entry of so many women writers into an arena traditionally reserved for men has prompted discussion around concepts such as ‘women’s writing’ and the very definition of ‘literature’ itself. Many of the contributors grapple with the theoretical tensions that such debates provoke offering an important opportunity to think critically about the texts produced during this period and the ways in which they have impacted on the Mexican and international cultural spheres. The project is comprehensive in its scope and, for the first time, brings together scholars from Mexico, the U.S. and Europe in a transnational forum. The book posits that despite certain aesthetic and thematic commonalities, the increased output by women writers in Mexico cannot be appraised as a unified literary movement. Instead it embraces a wide range of different generic forms and the subjects under study in the essays in the book include the best-selling work of Ángeles Mastretta, Elena Poniatowska and Laura Esquivel as well as the social and political preoccupations of journalists, Rosanna Reguillo and Cristina Pacheco. Contributors offer readings of the aesthetic visions of writers as diverse as Carmen Boullosa, Ana García Bergua, and Eve Gil while other essays examine the nuances of contemporary gender identity in the work of Ana Clavel, Sabina Berman, Brianda Domecq and María Luisa Puga. There are essays devoted to poetry by indigenous Mayan women and an analysis of the complex place of poetry within the broader framework of literary production. The problems that emerge as a result of literary cataloguing based on gender politics are also considered at length in a number of essays that take a panoramic view of literary production over the period. Various critical approaches are employed throughout and the collection as a whole demonstrates that academic interest in Mexican women’s writing of the boom femenio is thriving. Above all, the essays here provide a space in which the location of women within prevailing cultural paradigms in Mexico and their role in the mapping of power in evolving textual canons may be interrogated. It is clear from the collection that interest in such issues is still alive and that the debate is far from over.
Este libro es el resultado de mas de dos décadas de profunda investigación sobre el misterio que encierran esas naves no identificadas llamadas OVNIS que han surcado los cielos en todas partes del mundo, estando presentes desde tiempo inmemorial en la historia de la humanidad. Testimonios y experiencias con seres de otros planetas, muchas de ellas trágicas y aterradoras, vividas por personas que han confiado en la seriedad, profesionalismo y discreción del autor, las comparten aquí por primera vez sin importarles ser catalogados como personas fantasiosas o con algún mal mental. Roswell, Nuevo México, La Zona del Silencio, Chichen-Itzá, el Área 51 en Nevada, El Pinacate Zona Volcánica entre Arizona y Sonora, son algunos de los muchos lugares que el autor, Miembro Activo y Field Investigator de MUFON (Mutual UFO Network) a visitado para obtener información de primera mano... Rafael Sanchez Navarro es el autor de una teoría expuesta y explicada en forma sencilla aquí en este libro, teoría que esta siendo muy bien acogida en el mundo científico. El Embudo de la Energía Pulsante, teoría que de comprobarse, explicaría el misterio que rodea La Zona del Silencio, ubicada al Norte de México. En este trabajo posiblemente encuentres las respuestas a todo aquello que quizás alguna vez te dijeron que era solo "fantasía".