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Simply Porter is a collection of the most famous compositions by Cole Porter. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: * Another Op'nin', Another Show * Anything Goes * Begin the Beguine * Blow, Gabriel, Blow * Don't Fence Me In * Easy to Love * Ev'ry Time We Say Goodbye * I Get a Kick Out of You * I Love Paris * I've Got You Under My Skin * In the Still of the Night * It's De-Lovely * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets (She's Unable to Lunch Today) * Night and Day * So in Love.
In a future forever changed by a pandemic, a girl survives in total isolation. A woman is dying. Cleo Porter has her medicine. And no way to deliver it. Like everyone else, twelve-year-old Cleo and her parents are sealed in an apartment without windows or doors. They never leave. They never get visitors. Their food is dropped off by drones. So they’re safe. Safe from the disease that nearly wiped humans from the earth. Safe from everything. The trade-off? They’re alone. Thus, when they receive a package clearly meant for someone else--a package containing a substance critical for a stranger’s survival--Cleo is stuck. As a surgeon-in-training, she knows the clock is ticking. But people don’t leave their units. Not ever. Until now.
Instructions for creating quilts with complex designs that resemble graffiti art.
A brewing veteran and renowned expert on British beers, Terry Foster has written the only in-depth book on brewing this classic style with modern ingredients and equipment. Porter reviews the history of George Washington’s favorite beer and teaches you how to create this rich, full-bodied ale for your own enjoyment.The Classic Beer Style Series from Brewers Publications examines individual world-class beer styles, covering origins, history, sensory profiles, brewing techniques and commercial examples.
From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, art, and healing—now in paperback It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic Emmy-winning performance in the celebrated TV show Pose; before he was the groundbreaking Tony and Grammy Award–winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, director, and all-around legend, Porter was a young boy in Pittsburgh who was seen as different, who didn’t fit in. At five years old, Porter was sent to therapy to “fix” his effeminacy. He was endlessly bullied at school, sexually abused by his stepfather, and criticized at his church. Porter came of age in a world where simply being himself was a constant struggle. Billy Porter’s Unprotected is the life story of a singular artist and survivor in his own words. It is the story of a boy whose talent and courage opened doors for him, but only a crack. It is the story of a teenager discovering himself, learning his voice and his craft amid deep trauma. And it is the story of a young man whose unbreakable determination led him through countless hard times to where he is now; a proud icon who refuses to back down or hide. Porter is a multitalented, multifaceted treasure at the top of his game, and Unprotected is a resonant, inspirational story of trauma and healing, shot through with his singular voice.
Eddie Porter, a professional gambler, arrived at the village of Fallston, North Carolina in 1930 with the rarest of commodities: money. He was there to investigate the prospect of buying a sprawling, run down tobacco farm. Eddie knew, at once, that he has found the place he had long been seeking. It was sound rather than site that told Eddie this. The people of Fallston had the exact same accent and voice inflections of the man he was seeking. It has taken Eddie a dozen years to find this place. After a week in Fallston, Eddie calmly bet the bulk of his fortune and the last ten years of his life on Fallston. In June of 1940, Eddie Porter was found murdered in his home in Fallston.Ten year old Jubal Scott was the first to reach the scene. Jubal caught a glimpse of Eddies killer, before he, too was knocked unconscious and left for dead. Soon, the Sheriff of Green County, Jubals father Mason Scott and Eddie Porters daughter join forces to hunt for his killer. Months of sleuthing later, the trio have only a budding romance between Monica Porter and Mason Scott to show for their efforts. Tensions mount with each attempt on Jubals life. Finally, Monica discovers a letter from her father naming John Lofton, a local, as the man who killed his friend in France during World War I. Soon after Eddies murder, Lofton is the victim of an apparent suicide. Monica Porters says, Case Closed! Mason Scott, however, remains unconvinced. The case reaches an exciting climax when Jubal Scott recognizes the real killers picture in a newspaper. Discover how Eddie Porters final corageous act of love changed his vengeful quest into a remarkable legacy of love.
In 1942, the directors of the New York Stock Exchange met to discuss a problem. The exchange—its air charged with testosterone, its floor scuffed by the frantic paces of men racing one another for shares of the American dream—was off-limits to women. This, it was agreed, was how it should be. However, it had recently become public knowledge that one of New York’s most prolific and respected financial writers, S. F. Porter, was a woman. If Porter trained her eye on the all-male stock exchange, the NYSE might find itself the subject of some unwanted controversy during the electrified "Rosie the Riveter" days of World War II. But should women really be allowed into the stock exchange? The board finally saw its way around the dilemma and voted on a resolution: "Sylvia is one of the boys. We hereby award her honorary pants." Sylvia Porter (1913–1991) was the nation’s first personal finance columnist and one of the most admired women of the twentieth century. In Sylvia Porter: America’s Original Personal Finance Columnist, Lucht traces Porter’s professional trajectory, identifying her career strategies and exploring the role of gender in her creation of a once-unique, now-ubiquitous form of journalism. A pioneer for both male and female journalists, Porter established a genre of newspaper writing that would last into the twenty-first century while carving a space for women in what had been an almost exclusively male field. She began as an oddity—a woman writing about finance during the Great Depression—and rose to become a nationally recognized expert, revered by middle-class readers and consulted by presidents. As the first biography of Sylvia Porter, this book makes an important contribution to the history of women and the media.