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Simply Joplin is a collection of the most popular piano solos by Scott Joplin. These pieces have been carefully selected and arranged by Mary Sallee for Easy Piano, making many of Joplin's most charming rags accessible to pianists of all ages. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: Bethena * A Breeze from Alabama * The Chrysanthemum * The Easy Winners * The Entertainer * Maple Leaf Rag * The Nonpareil * Original Rags * Peacherine Rag * Ragtime Dance * Solace * Weeping Willow. 80 pages.
Simply Joplin is a collection of the most popular piano solos by Scott Joplin. These pieces have been carefully selected and arranged by Mary Sallee for Easy Piano, making many of Joplin's most charming rags accessible to pianists of all ages. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation. Titles: * Bethena * A Breeze from Alabama * The Chrysanthemum * The Easy Winners * The Entertainer * Maple Leaf Rag * The Nonpareil * Original Rags * Peacherine Rag * Ragtime Dance * Solace * Weeping Willow
(Piano Collection). "The Entertainer," "Maple Leaf Rag" and other ragtime classics specially arranged for the student or intermediate pianist. With a minimum of musical adjustment we've made them a lot easier to play.
In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
When it was first published in 1994, King of Ragtime: Scott Joplin and his Era was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
These rollicking, easy-to-play ragtime favorites include "Maple Leaf Rag," "The Entertainer," "Tiger Rag," and other melodies by such favorites as Scott Joplin, James Scott, Joseph Lamb, and Eubie Blake. All songs available as downloadable MP3s.
(Easy Piano Composer Collection). 12 of the best from "The King of Ragtime," complete with an introduction, a biography, and extensive playing tips to help the beginning ragtime player. Songs include: The Entertainer * Maple Leaf Rag * Bethena * The Easy Winners * and more.
To mark the 100th anniversary of Scott Joplin's Maple Leaf Rag, authors Jasen and Jones have written a fascinating history of the ragtime era throughout the United States. Following the craze as it spread from St. Louis through the mid-West & South, to the West & finally to the East Coast & New York, they provide a cultural history of America through its popular culture.
(Woodwind Solo). Contents: The Entertainer * Scott Joplin's New Rag * The Easy Winners * Pleasant Moments * The Cascades.