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This book is designed for absolute beginner musicians who want to start playing popular melodies. All song melodies in this book feature numbers written instead of the traditional music score system, making it accessible for absolute beginners who cannot read sheet music. You can play by number if you're not familiar with musical notes. Numbers are used because most modern tongue drums have the numbers engraved or painted on their keys. In tongue drums with numbered musical notation, numbers 1 to 7 represent the keys of the diatonic major scale. Dots above or below the numbers indicate notes from higher or lower octaves, respectively. Your drum can be numbered from 1 to 8, where 8 corresponds to the note C of the next octave. For simplicity, we marked the note C of the next octave as 1 with a dot above it, as this is the convention used by most popular tongue drum models. It's important to note that the circles do not represent semi-tones. Each circle on the sheet corresponds to a specific note number, matching a key on your tongue drum. The duration of the notes is shown by the parentheses following the circles. The more parentheses after the circle, the longer the note's duration. Each tongue drum's sound scale varies significantly, making it impossible to tailor songs for every model in one book. Therefore, you might need to skip some songs if your drum lacks certain tones required for those pieces. Every page includes QR codes that link to the appropriate song. While these examples might not feature our simplified melodies, they help in understanding the melodies and rhythm. Contents: Alice the Camel All Join Hands and Circle to the Left Animal Fair Barnyard Song Bend and Stretch Big Clocks Bim Bum Biddy Bluebird Bought Me A Cat Buckeye Jim Cackle Cackle Mother Goose Camptown Races Chicken on a Fence Post Come Back Home My Little Chicks Creeping Creeping Little Flea Crocodile Diddle Diddle Dumpling Do Your Ears Hang Low Elevator Song Finger Family Five Little Ducks Five Little Monkeys Five Little Monkeys Swinging in a Tree Georgie Porgie Halloween Song Hickety Pickety My Black Hen I Go Up the Apple Tree I Went to Visit a Farm One Day Im A Little Teapot Im A Nut Jig Jog Johnny Works With One Hammer Kangaroo Skippy Roo Lightly Row Li'l Liza Jane Little Sally Water My Hat O Christmas Tree Oh How Lovely Is The Evening Old Mother Hubbard One Elephant One Potato One Two Buckle My Shoe See-Saw Margery Daw Soft Kitty Star Light Teddy Bear Ten Little Pigs The Cuckoo and the Donkey There Was A Princess Long Ago This Little Light of Mine This Little Pig Went to Market This Old Man Three Blue Pigeons Tommy Thumb Too Ra Loo Ra Loo Ral Trees Grow Tall Two Little Blackbirds Sitting on a Hill Two Little Dicky Birds When Goldilocks Went to the House of the Bears Why Doesn't My Goose
Bring the iconic style and effortless cool of Holly Golightly to your everyday life with this illustrated guide to fashion, décor, and entertaining inspired by the classic 1960s film, Breakfast at Tiffany’s. Before there was Carrie, before there was Hannah, before there was Kendall. . . there was Holly Golightly. In the iconic 1961 film Breakfast at Tiffany’s, Holly was the original metropolitan It Girl, refusing to kowtow to the rules and expectations of contemporary society. She didn’t always have her life together, but she always lived it on her own terms. Now, sixty years after the unforgettable film, Breakfast at Tiffany's: Holly Golightly's Guide to Style and Entertaining teaches you how to live life the Golightly way. Tapping into Holly's timeless style and effortless sense of cool, this book highlights rules and guidelines for bringing the look, feel, and spirit of Breakfast at Tiffany’s into your everyday life. With chapters on fashion, grooming, décor, entertaining, and more, this book includes curated looks, tips, and advice for all women, providing the tools we need to embrace the Holly Golightly inside us.
The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi drum, mandala, or lotus drum) and the handpan (aka hank drum, UFO drum, zen drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. You don't need classical music training or knowledge of music theory to play them. The main purpose is relaxation, meditation, and traveling through your inner world. Playing traditional music notes is difficult for people who have no musical knowledge. You need to know the rhythmic value of each note, its place on the staff, note duration, and its combination with other notes. To be aware of all this simultaneously demands music experience and advanced skills. Nevertheless, even if you have never studied music, you can begin to play complicated melodies, and also experiment with your tongue drum in a meditative way. No previous training or skills are necessary to enjoy these fascinating instruments. It is impossible to play them incorrectly. Anyone can play them: those who want to develop a good sense of rhythm and an ear for music, those who are seeking relaxation after a hard day at work, those who have always had an interest in learning how to play a musical instrument, and those who want to introduce something unusual into their lives and explore their inner selves. All songs in this book have been written without using the classic music score system because it is for absolute beginners who cannot read sheet music. We collect very simple and well-known songs and melodies with easy rhythms. You can begin to play just now using circles that contain either a number, without having to consider note duration, key, or time signatures. These numbers correspond to those on the keys of your tongue drum. So you just need to follow the numbers. We use circles with numbers because most modern tongue drums have numbers engraved or painted on their keys. We do not show the note duration - we just group the circles closer to each other to show the rhythms. You can experiment with a duration on your own. Because most tongue drums include and are tuned to involve the notes of the main octave, all songs from this book are possible to play in one octave. This book includes very simple, popular children's and folk songs, but even well-known children's songs played on the drum will create an unusual magical sound. Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. Contents: Alphabet Song A Hunting We Will Go A Sailor Went to Sea Acka Backa Are You Sleeping Baa Baa Black Sheep Baby Bumble Bee Bell Horses Bim Bum Biddy Bobby Shafto Brahms Lullaby Chumbara Cobbler, Mend My Shoe Cock-a-Doodle Doo Ding Dong DiggiDiggiDong Do You Know the Muffin Man? Doggie Doggie Fiddle-De-Dee Five Little Ducks Five Little Monkeys Frog in the Meadow Happy Birthday Hot Cross Buns Humpty Dumpty I Like to Eat Apples and Bananas I Love Little Kitty It's Raining Itsy Bitsy Spider Jack and Jill Jingle Bells Jolly Old Saint Nicholas Kookaburra La Cucaracha Little Jack Horner London Bridge Mary Had a Little Lamb Miss Mary Mack My Hat Ninety-Nine Bottles Ode to Joy Oh Susannah Oh We Can Play on the Big Bass Drum Old Bald Eagle Old Blue Old McDonald Old Mother Hubbard One, Two, Three, Four Rain, Rain, Go Away Ring Around the Rosie Row Row Your Boat Rub-a-Dub-Dub See-Saw Margery Daw Ten in the Bed The Beep and the Pup The Big Sheep The Mulberry Bush The Wheels on the Bus This Old Man Tinga Layo To Market, to Market Twinkle, Twinkle Little Star We Wish You a Merry Christmas
The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi drum, mandala or lotus drum) and the handpan (aka hank drum, UFO drum, zen drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. You don't need classical music training or knowledge of music theory to play them. The main purpose is relaxation, meditation, and traveling through your inner world. No previous training or skills are necessary to enjoy these fascinating instruments. It is impossible to play them incorrectly. Anyone can play them: those who want to develop a good sense of rhythm and an ear for music, those who are seeking relaxation after a hard day at work, those who have always had an interest in learning how to play a musical instrument, and those who want to introduce something unusual into their lives and explore their inner selves. This book is aimed at those who want to add popular melodies to their experimentation. All songs in this book have been written without using the classic music score system, because it is for absolute beginners who cannot read sheet music. We use circles with numbers because most modern tongue drums have numbers engraved or painted on their keys. We do not show the note duration -- we just group the circles closer to each other to show the rhythms. You can experiment with duration on your own. Because most tongue drums include and are tuned to involve the notes of the main octave, all songs from this book are possible to play in one octave. This book includes very simple, popular children's and folk songs, but even well-known children's songs played on the drum will create an unusual magical sound. Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. If you have flat keys on your instrument, please use the classic music score for the piano. Contents Introduction Rub-a-Dub-Dub The Wheels on the Bus Miss Mary Mack Happy Birthday Doggie Doggie Mary Had a Little Lamb Oh We Can Play on the Big Bass Drum Twinkle, Twinkle Little Star A Hunting We Will Go Kookaburra Ode to Joy Do You Know the Muffin Man? Old Bald Eagle La Cucaracha A Sailor Went to Sea Are You Sleeping The Mulberry Bush Old McDonald Bim Bum Biddy London Bridge Jingle Bells Tinga Layo Itsy Bitsy Spider We Wish You a Merry Christmas Brahms Lullaby Ninety-Nine Bottles Jolly Old Saint Nicholas Oh Susannah Row Row Your Boat Acka Backa Hot Cross Buns Bell Horses
We call this series “I don’t read music” since we are targeting beginners of all ages: children, teens, parents, grandparents. Folk music traditionally is not learned from sheet music or notes. Instead, it is learned by repetition and from being passed from generation to generation. We believe in this method of teaching, which is easier and more enjoyable. All 70 songs in this book have been written without using the classic music score system, because it is for absolute beginner who can not read sheet music. This book is aimed for those who want to add popular melodies to their experimentation. We use circles with numbers because most modern tongue drums have numbers engraved or painted on their keys. We do not show the note duration. You can experiment with a duration on your own. We recommend finding each of these songs on YouTube and listening to the rhythm before beginning to play. Our sheet music is only a guide. The most important thing is to listen and repeat the recordings. All songs from this book are possible to play in one octave. These songs are suitable for a diatonic 8-note tongue drum, which should have numbers 1, 2, 3, 4, 5, 6, 7, and 1 of the next octave. Please note: if you have a model of the tongue drum with 5 tongues, or if some keys from the octave are missing, you will not be able to play all of the songs in this book. The songbook includes very simple, popular children’s and folk songs, but even well-known children's songs played on the tong drum will create an unusual magical sound. Table of contents PART 1 A Hunting We Will Go Acka Backa Bell Horses Bobby Shafto Doggie Doggie Frog in the Meadow Hot Cross Buns London Bridge Long-legged Sailor Mary Had a Little Lamb Miss Mary Mack Ninety-Nine Bottles Old Bald Eagle One, Two, Three, Four Rain, Rain, Go Away Ring Around the Rosie Rub-a-Dub-Dub See-Saw Margery Daw Ten in the Bed The Wheels on the Bus PART 2 Alphabet Song A Sailor Went to Sea Are You Sleeping Baa Baa Black Sheep Baby Bumble Bee Cobbler, Mend My Shoe Cotton Eyed Joe Ding Dong DiggiDiggiDong Do You Know the Muffin Man? Doctor Foster Five Little Ducks Five Little Monkeys Happy Birthday Humpty Dumpty I Like to Eat Apples and Bananas I Love Little Kitty It's Raining Jack and Jill Jingle Bells La Cucaracha Lavender’s Blue Little Jack Horner Michael, Row the Boat Ashore My Hat Oh We Can Play on the Big Bass Drum Old Blue Old McDonald Old Mother Hubbard Row Row Your Boat The Backer The Beep and the Pup The Mulberry Bush This Old Man Twinkle, Twinkle Little Star We Wish You a Merry Christmas PART 3 Bim Bum Biddy Brahms Lullaby Chumbara Cock-a-Doodle Doo Fiddle-De-Dee Itsy Bitsy Spider Jolly Old Saint Nicholas Kookaburra Li’l Liza Jane Ode to Joy Oh Susannah Peace Like a River The Big Sheep Tinga Layo To Market, to Market
The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, Hapi drum, mandala, or lotus drum) and the handpan (aka hank drum, UFO drum, zen drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. You don't need classical music training or knowledge of music theory to play them. The main purpose is relaxation, meditation, and traveling through your inner world. No previous training or skills are necessary to enjoy these fascinating instruments. It is impossible to play them incorrectly. Anyone can play them: those who want to develop a good sense of rhythm and an ear for music, those who are seeking relaxation after a hard day at work, those who have always had an interest in learning how to play a musical instrument, and those who want to introduce something unusual into their lives and explore their inner selves. This book is aimed at those who want to add popular melodies to their experimentation. We use numbers above the classic notes because most modern tongue drums have numbers engraved or painted on their keys. This is great for the absolute beginner who cannot read sheet music. Because most tongue drums include and are tuned to involve the notes of the main octave, all songs from this book are possible to play in one octave. Each tongue drum is very different and it is impossible to accommodate songs for all kinds of tongue drums in one book. The songs that have been collected in this book can be played on most drum models. If you have less than 1 octave of keys on your drum, you may need to skip some songs. However, if your drum has many sharp notes, you will need a book that contains chromatic songs. Here, we have collected only simplified diatonic melodies. Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. If you have flat keys on your instrument, it is recommended that you use the classic sheet music for the piano.. This book includes simple, popular traditional folk songs from 30 countries. Contents Introduction A Ram Sam Sam - Moroccan Folk Song Ahrirang - Korean Song Anile, Anile - Indian Tamil Song Au Clair de la Lune - French Folk Song Bound for South Australia - Australian Folk Song Bim Bum Biddy - American Song Che Che Koolay - Ghanian Folk Son Cumpleaños Feliz! - Colombian Song ¿Dónde Están las Llaves? - Spanish Folk Song Debka Hora - Hebrew Song Epo I Tai Tai e - New Zealandia Maori Song Frère Jacques - French Song Giro Giro Tondo - Italian Folk Song Gretel, Pastetel - German Song Hotaru Koi - Japanese Folk Song Kalinka - Russian Folk Song Kanzenzenze - Congolese Folk Song Kum Ba Yah - African American Spiritual Kum Bachur - Atzel Jewish Song La Cucaracha - Mexican Song Lost My Gold Ring - Jamaican Folk Song Mein Hut - German Song Pounto to Dakhtilidy - Greek Folk Song Singapura, Oh Singapura - Singaporean Song The Grand Old Duke of York - English Folk Song Tongo - Song from Samoa (Polynesia) Un Petit Cochon - French Song Vous Diraije Maman - French Song Zhao Peng You (Looking looking for my friend) - Chinese Song Zimbole - African Song
Here is all the charm of Barrie, of Peter Pan and Tinker Bell, of the children, Indians, Pirates and Lost Boys of Never Land in the sparkling musical adaptation, suitable for schools and youth theatres as well as dramatic and musical societies. This is a new version of the musical, encompassing the revisions Mr Chater-Robinson made for the 1995 West End production and tour. The delightful score - for solo keyboard, 4-piece or 7-piece band, 22-piece orchestra or backing track CD - adds to the charm of the original classic and will endear the theatrical fantasy to both old and new audiences.
During the years of America’s ascendancy, the great ships brought waves of immigrants to the promised land. In sight of the Statute of Liberty, the huddled masses disembarked in search of the American dream. In the imagined future, the great ships play a different role. In a work of outstanding originality, Jim Crace’s The Pesthouse envisions a future America in ruins and a reversal of history: desperate Americans seeking passage to the promised land of Europe. Crace’s future United States is a lawless wasteland. The economy collapses, industry ceases, and the remaining populace returns to subsistence farming. The only hope rests with reaching the east coast and obtaining passage by ship to Europe. Like many Americans, Franklin Lopez and his brother, Jackson, leave their farm to begin the long trek east. Within sight of their goal, Franklin is forced, by an enflamed knee, to stop. While Jackson continues forward, Franklin seeks rest in a seemingly abandoned stone building in a forest. Inside, Jackson discovers Margaret. Margaret is feverish with a deadly illness and is confined to the Pesthouse with little hope of recovery. Franklin should flee. Instead, he is drawn to Margaret and stays by her side while she sweats out the fever. After her recovery, Margaret joins Franklin on the journey east. This journey is fraught with danger. Rule-of-law no longer exists and the land is plagued by roaming bandits and slave traders. The threat of danger slowly draws Margaret and Franklin closer to each other. A bond of love begins to form. They also draw comfort from joining a group of like-minded pilgrims. The illusion of safety is soon shattered. While resting from a day of travel, the group is taken captive by mounted bandits. Franklin is taken as a slave. On account of her recent illness, Margaret is spared along with an elderly couple and a baby. Margaret must continue on without Franklin. A bewildered Margaret slowly pushes eastward with the elderly couple and the baby. She is eventually separated from them and must take sole responsibility for the baby. With hope fading, Margaret stumbles upon the refuge of the Ark; a religious community which provides food and shelter in exchange for denouncing all metal technologies. Margaret accepts the laws of the Ark and is allowed to enter with her baby. While safe, Margaret secretly hopes to be reunited with Franklin. Their paths cross again under tragic circumstances. The Ark is attacked by the same mounted bandits that enslaved Franklin. While the Ark is looted and the community massacred, Margaret and her baby escape. They are reunited with Franklin by chance following a slave uprising in the vicinity of the Ark. Narrowly escaping their pursuers, Franklin, Margaret and the baby continue the journey to the East coast. Upon finally reaching their destination, the dream is shattered. Margaret discovers there is no room for women with young children on the ships bound to Europe. There is no choice but to turn back. With the end of one dream a new one is born. Inspired by their growing love, Franklin and Margaret decide to return west, with the baby, as a family. Jim Crace concludes “going westward, they would go free.”
Music is an integral part in the life of the Native Americans, playing a key role in ceremonies, recreational activities, self expression, and healing. Many different instruments are used in Native American music, including drums, flutes, and other percussion instruments. These songs were adapted here for Tongue Drum and Handpan and they are possible to play on most drum models. The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi, or steeldrum) and the handpan (aka hank drum, UFO drum, zen drum, meditation, healing, yoga or chakra drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. In musical science, a unique Native American style of singing can be distinguished. It is characterized by rhythmic breathing, a tense voice, and syllabic sounds being more important than lyrics. These technical features helped the shaman achieve a trance state. Although the tongue drum is a modern musical instrument, is perfectly suitable for any tribal songs. Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. If your drum has flat keys, it is recommended that you use classic sheet music for piano. We write the note numbers above the notes because our sheet music is aimed at absolute beginners. Just follow numbers and enjoy. Here you can find traditional songs, handed down from generation to generation: ceremonial (such as corn grinding or moccasin game songs) or healing songs. Also, we add a QR code to most songs. Follow the link and find this song on YouTube, so that you can listen to the rhythm before beginning to play. For which tongue drum are these songs suitable? Each tongue drum is very different and it is impossible to accommodate songs for all kinds of tongue drums in one book. The songs which have been collected in this book can be played on most drum models. If you have less than 1 octave of keys on your drum, you may need to skip some songs. However, if your drum has many sharp notes, you will need a book that contains chromatic songs. Here, we have collected only simplified diatonic melodies. Contents Ani Couni. Arapaho Song. (Version 1) Ani Couni. Arapaho Song. (Version 2) Ani Couni. Arapaho Song. (Version 3) Medicine Song. Apache Song Bebi Notsa. Creek folk song Buffalo Dance. Kiowa folk song Chippewa Lullaby. Chippewa folk song Corn Grinding Song. Zuni folk song Dust of the Red Wagon. Ute folk song Eagle Dance Song. Algonquin folk song Epanay. Sioux folk song Eskimo Ice Cream. Inuit folk song Hiya Hiya. Pawnee folk song Happy Song. Navajo folk song Ho Ho Watanay. Iroquois Lullaby. (2 versions) Hosisipa. Sioux folk song Hwi Ne Ya He. Presumably an Apache song Happiness Song. Navajo folk song Inuit Lullaby. Inuit folk song Moccasin Game Song. Navajo folk song Nessa, Nessa. Ojebwe Lullaby Mos Mos. Hopi folk song My Paddle. Folk song O Hal'lwe. Nanticoke folk song Okki Tokki Unga. Eskimo fishing song Pleasure Dance. Choctaw folk song Sioux Lullaby. Sioux folk song Song of the Deer Dancing. Chippewa folk song Song to the Sun. Zuni folk song Uhe' Ba Sho. Omaha folk song Wanagi Wacipi Olowan. Dakota folk song Wioste Olowan. Dakota folk song We N’ De Ya Ho Cherokee Morning song Ya Ya We. Wichita song Zuni Sunset Song. Zuni folk song