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This book considers what evidence the "new Simonides" fragments offer for Simonides' elegiac compositions on the Persian Wars. The current orthodoxy is that they represent three separate elegies on individual battles, one on Artemisium, one on Salamis, and one on Plataea. Kowerski evaluates what evidence these fragments provide for these compositions, and in doing so, questions the validity of the current interpretation of the "new Simonides."
In his examination of the public life and poetic career of Simonides, Molyneux has provided a thorough examination of all the documentary evidence available with respect to one of history's major choral lyric poets.
Simonides is tantalising and enigmatic, known both from fragments and from an extensive tradition of anecdotes. This monograph, the first in English for a generation, employs a two-part diachronic approach: Richard Rawles first reads Simonidean fragments with attention to their intertextual relationship with earlier works and traditions, and then explores Simonides through his ancient reception. In the first part, interactions between Simonides' own poems and earlier traditions, both epic and lyric, are studied in his melic fragments and then in his elegies. The second part focuses on an important strand in Simonides' ancient reception, concerning his supposed meanness and interest in remuneration. This is examined in Pindar's Isthmian 2, and then in Simonides' reception up to the Hellenistic period. The book concludes with a full re-interpretation of Theocritus 16, a poem which engages both with Simonides' poems and with traditions about his life.
Over the course of his life (550-460 BC), the Greek poet Simonides produced poetic work of every kind then extant. Unfortunately, Simonides' corpus has survived only in fragments, though classical scholars have been studying his work for generations. The 1992 discovery of the Oxyrhynchus Papyri revolutionized the study of Simonides, casting particular light on the epic of Plataea. This edited volume gathers the best of the recent research on Simonides' newly expanded oeuvre into a single collection that will be an important reference for scholars of Greek poetry.
The Battle of Plataea in 479 BCE is one of world history's unjustly neglected events. It decisively ended the threat of a Persian conquest of Greece. It involved tens of thousands of combatants, including the largest number of Greeks ever brought together in a common cause. For the Spartans, the driving force behind the Greek victory, the battle was sweet vengeance for their defeat at Thermopylae the year before. Why has this pivotal battle been so overlooked? In After Thermopylae, Paul Cartledge masterfully reopens one of the great puzzles of ancient Greece to discover, as much as possible, what happened on the field of battle and, just as important, what happened to its memory. Part of the answer to these questions, Cartledge argues, can be found in a little-known oath reputedly sworn by the leaders of Athens, Sparta, and several other Greek city-states prior to the battle-the Oath of Plataea. Through an analysis of this oath, Cartledge provides a wealth of insight into ancient Greek culture. He shows, for example, that when the Athenians and Spartans were not fighting the Persians they were fighting themselves, including a propaganda war for control of the memory of Greece's defeat of the Persians. This helps explain why today we readily remember the Athenian-led victories at Marathon and Salamis but not Sparta's victory at Plataea. Indeed, the Oath illuminates Greek anxieties over historical memory and over the Athens-Sparta rivalry, which would erupt fifty years after Plataea in the Peloponnesian War. In addition, because the Oath was ultimately a religious document, Cartledge also uses it to highlight the profound role of religion and myth in ancient Greek life. With compelling and eye-opening detective work, After Thermopylae provides a long-overdue history of the Battle of Plataea and a rich portrait of the Greek ethos during one of the most critical periods in ancient history.
Cultural Responses to the Persian Wars addresses the huge impact on subsequent culture made by the wars fought between ancient Persia and Greece in the early fifth century BC. It brings together sixteen interdisciplinary essays, mostly by classical scholars, on individual trends within the reception of this period of history, extending from the wars' immediate impact on ancient Greek history to their reception in literature and thought both in antiquity and in the post-Renaisssance world. Extensively illustrated and accessibly written, with a detailed Introduction and bibliographies, this book will interest historians, classicists, and students of both comparative and modern literatures.
In the story of the great lyric poet Simonides, Mary Renault brings alive a time in Greece when tyrants kept an unsteady rule and poetry, music, and royal patronage combined to produce a flowering of the arts. Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.
In this collected volume fourteen experts in the fields of Classics and Ancient History study the textual strategies used by Herodotus and Livy when recounting the disastrous battles at Thermopylae and Cannae. Literary, linguistic and historical approaches are used (often in combination) in order to enhance and enrich the interpretation of the accounts, which for obvious reasons confronted the authors with a special challenge. Chapters drawing a comparison with other battle narratives and with other genres help to establish genre-specific elements in ancient historiography, and draw attention to the particular techniques employed by Herodotus and Livy in their war narratives.
Features in-depth coverage of Spartan history and culture
The two great Persian invasions of Greece, in 490 and 480-79 B.C., both repulsed by the Greeks, provide our best opportunity for understanding the interplay of religion and history in ancient Greece. Using the Histories of Herodotus as well as other historical and archaeological sources, Jon Mikalson shows how the Greeks practiced their religion at this pivotal moment in their history. In the period of the invasions and the years immediately after, the Greeks--internationally, state by state, and sometimes individually--turned to their deities, using religious practices to influence, understand, and commemorate events that were threatening their very existence. Greeks prayed and sacrificed; made and fulfilled vows to the gods; consulted oracles; interpreted omens and dreams; created cults, sanctuaries, and festivals; and offered dozens of dedications to their gods and heroes--all in relation to known historical events. By portraying the human situations and historical circumstances in which Greeks practiced their religion, Mikalson advances our knowledge of the role of religion in fifth-century Greece and reveals a religious dimension of the Persian Wars that has been previously overlooked.