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"The Watts Towers of Simon Rodia are one of the unique treasures of Los Angeles and the product of one man's obsession. Rodia, a poor Italian immigrant, settled in a sleepy railway junction south of downtown in 1921 and spent the next thirty-four years single-handedly assembling a frenzy of shapes and color. Rising to one hundred feet, the towers were built without machine equipment, scaffolding, bolts, rivets, welds - or plans!" "Bud Goldstone, who knew Rodia personally, and Arloa Paquin Goldstone have worked to preserve the towers since 1959. They tell the exciting story of how the towers were first rescued from demolition by the City of Los Angeles itself and then saved from natural and man-made disasters. They present new biographical information about Rodia and his innovative techniques and discuss the towers as art, as architecture, and as a singular expression of urban culture in Southern California."--Page 4 of cover.
The incredible artwork of an Italian immigrant who followed his dream of monumental proportions in the impoverished Watts neighborhood of Los Angeles is revealed in this fascinating and engaging true story. A Reading Rainbow selection! Simon (Sam) Rodia had no formal engineering or architectural training. Yet, over the course of three decades, he constructed an artistic masterpiece in his own backyard – the Watts Towers. Using all kinds of things other people had thrown away, such as broken bottles and tiles, pieces of mirror and glass, seashells, and bits of pottery, he adorned the collection of 17 interconnected sculptural towers. His imaginative salvaging and perseverance can be seen today, as people from all over the world still come to marvel at Sam’s dream.
Between 1921 and 1955, Italian immigrant Simon Rodia transformed broken glass, seashells, pottery, and a dream to "do something big" into a U.S. National Landmark. Readers watch the towers rise from his little plot of land in Watts, California, through the eyes of a fictional girl as she grows and raises her own children. Chronicled in stunningly detailed collage that mimics Rodia's found-object art, this thirty-four-year journey becomes a mesmerizing testament to perseverance and possibility. A final, innovative "build-your-own-tower" activity makes this multicultural, intergenerational tribute a classroom natural and a perfect gift-sure to encourage kids to follow their own big dreams.
"Twelve page illustrated booklet introduces the tower and Simon Rodia, the creator. The Watts Towers, Towers of Simon Rodia, or Nuestro Pueblo are an example of outsider Art. The artist built a collection of 17 interconnected sculptural structures in the Watts community of Los Angeles, within the Simon Rodia State Historic Park. Map" -- Diatropebooks.com.
This volume gathers groundbreaking critical essays on Sabato (Simon) Rodia's renowned Watts Towers (Los Angeles, California) from diverse disciplinary perspectives, extensively highlighting his migration context as never before, as well as the Towers in the context of human and community development within the "Watts Towers Common Ground Initiative."
This publication presents Betye Saar's sketchbooks--which she has kept during her entire career--for the first time and offers insights into the artist's creative process. A child of the Great Depression and one of the only African American students in her UCLA art program, Betye Saar has, over the course of more than six decades, made work that exposes stereotypes and injustices based on race and gender. From early prints and watercolors to Joseph Cornell-inspired assemblages and full-scale sculptural tableaux, her work has inspired generations of artists. This ingeniously designed publication plays off the format of Saar's original sketchbooks. Made throughout her extraordinary career, Saar's sketches are an integral part of her creative process and offer a greater understanding of the themes woven into her finished works, which are also featured in the book. Saar's sources and influences range from Simon Rodia's Watts Towers and Haitian Vodou fetishes to Australian Aboriginal paintings, Native American leatherwork, and African American history, literature, and music. An original, intimate, and valuable resource for Saar's many fans, this book will also educate future generations about Saar's significant contributions to American art. Published with the Los Angeles County Museum of Art