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A trip to Silly Street is just the thing for any kid with a case of the sillies. With its endless selection of merriments—including unusual pets, wacky hats, balloon rides, bubble gum–chewing crows, and more—it's the perfect place for expressing your zany side and laughing out loud. These fourteen poems, hand selected from Jeff Foxworthy's popular Silly Street, will tickle new readers who are ready to read themselves to silliness and back again.
In this hilarious collection of poems, comedian Jeff Foxworthy creates a neighborhood filled with fun, family, friends, and more. Here you'll meet Cousin Lizzy, Uncle Ed and Aunt Foo Foo, cows with horns that don't go beep, dads in sweaters, also sheep. From the thrill of flying to the imaginary planet Woosocket to bonding with a friend over a shared hatred of spinach, these poems capture the very essence of being a kid. Filled with sly humor and always affectionate, "Dirt on My Shirt" is sure to delight kids, big and little, everywhere.
Fifty years of poems and wry insight celebrating one of the most dynamic careers in twentieth century American poetry.
Children play a game of hide-and-seek. Illustrations contain hidden objects for which the reader may search.
Perhaps Paul Kareem Taylor said it best in his piece called On the Road Again: Barbara Hamby's American Odyssey: "Reading Barbara Hamby's poetry is like going on a road trip, one where the woman behind the wheel lets you ride shotgun as she speeds across the open highways of an America where drive-in movie theaters still show Janet Leigh films on Friday nights, hardware stores have not been driven out of business by soulless corporate titans, and where long poetic lines first introduced by Walt Whitman and resurrected by Ginsberg are pregnant with a thousand reasons to marvel at the world we inhabit."
Joseph Brodsky spent his life advocating for the place of the poet in society. As Derek Walcott said of him, “Joseph was somebody who lived poetry . . . He saw being a poet as being a sacred calling.” The poems in this volume span Brodsky’s career, which was marked by his expulsion from the Soviet Union in 1972. Together, they represent the project that, as Brodsky said, the “condition we call exile” presented: “to set the next man—however theoretical he and his needs may be—a bit more free.” This edition, edited and introduced by Brodsky’s literary executor, Ann Kjellberg, includes poems translated by Derek Walcott, Richard Wilbur, and Anthony Hecht, as well as poems written in English or translated by the author himself. Selected Poems, 1968-1996 surveys Brodsky’s tumultuous life and illustrious career and showcases his most notable and poignant work as a poet.
The poems in The House on Boulevard St. were written within earshot of David Kirby’s Old World masters, Shakespeare and Dante. From the former, Kirby takes the compositional method of organizing not only the whole book but also each separate section as a dream; from the latter, a three-part scheme that gives the book rough symmetry. Long-lined and often laugh-out-loud funny, Kirby’s poems are ample steamer trunks into which the poet seems to be able to put just about anything—the heated restlessness of youth, the mixed blessings of self-imposed exile, the settled pleasures of home. As the poet Philip Levine says, “The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror. He has evolved a poetic vision that seems able to include anything, and when he lets it sweep him across the face of Europe and America, the results are astonishing.”
Despite the odds stacked up against them, the Remnants seem to be surviving in the Rock's harsh environment while living peacefully with the inhabitants, but this new world still has its set of problems that Billy cannot handle.
This collection is a love letter to language with poems that are drunk and filled with references to the hyperkinetic world of the twenty-first century. Yet Zeus and Hera tangle with Leda on the interstate; Ava Gardner becomes a Hindu princess; and Shiva, the Destroyer, reigns over all. English is the primary god here, with its huge vocabulary and omnivorous gluttony for new words, yet the mystery of the alphabet is behind everything, a funky puppet master who can make a new world out of nothing.