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Lachlan, John and Phoebe MacDonald, three young children tragically separated after the massacre at the Ballarat goldfields, try to make their way in a world filled with poverty and war. John is determined to find his lost siblings and meanwhile works hard to make a name for himself. A business partnership leads to riches and rewards that he never dreamed of. Lachlan has always known what it is to struggle for survival. But even a life of bare knuckle fighting and destitution cannot prepare him for the war he finds himself in against the Maori of New Zealand, nor the feelings he has for his Commanding Officer's sister. Phoebe barely remembers what it is to have a family and yearns for a love that will make her feel complete, and a home to call her own. Three tales of courage, hope and forbidden love set against the backdrop of the New Zealand Maori wars and an emerging Australian nation.
This book looks at movements of communities which formed the lower and middle rungs of society in medieval and early colonial India. It presents migration, mobility and memories from a specifically Indian perspective, breaking away from previous Eurocentric studies. The essays in the volume focus on labour, peasant and craft migrations, and in fleshing out the causes and trajectories taken by these communities, they speak to each other by addressing similar issues as well as documenting varying responses to analogous situations.A fascinating history of migrations ofpeople from below the volume adopts a trans-disciplinary approach and uses inscriptions, official records, and literary texts along with community narratives and folk tradition. This will be of great interest to scholars and students of migration and diaspora studies, medieval and modern South Asian history, social anthropology and subaltern studies.
An historically rich novel that brings to life the fascinating story of America's first female state senator, Martha Hughes Cannon, who was also a doctor, suffragist, and champion of public health in the frontier territory of Utah in the late 19th century. As a young girl traveling to Utah by wagon in 1861, Martha, or Mattie as she was called, was deeply influenced by the early struggles her family endured as frontier pioneers, including the premature deaths of her baby sister and father. From those early experiences, she found her calling. Alleviating physical suffering and healing became her goals, and Mattie worked with astounding dedication and resolve to achieve those goals. She began teaching school at age fourteen and worked as a typesetter for the influential Women's Exponent newspaper to pay for college where she graduated with a degree in chemistry. In 1880, Mattie stepped into the lecture hall of the University of Michigan medical school, the only woman in the class and one of a handful of women to attend the school in its history. The room erupted at her entrance--laughter, scoffing, voices calling out, and more than one person muttering about the "hen medic." Many male professors, thinking it indelicate, refused to discuss anatomy if women students were in the room, and they were often forced to observe from an annex area outside the regular classroom. Resolved and single-minded, Mattie graduated from medical school at the age twenty-three, the only female in her class. As a doctor, she returned to frontier Utah, set up a medical practice, and established classes for midwives where she lectured on obstetrics. As a suffragette, she was outspoken at the Columbia Exposition of Chicago, where she delivered a rousing speech on behalf of women's rights. She married in secrecy at age twenty-seen, and later lived in exile for two years because her husband practiced plural marriage, which was illegal, and she didn't want to testify against him. She returned to Utah in 1888 and took an active part in politics and women's suffrage. She ran for office as a Democrat against the Republican candidate, who was her husband and won, becoming the first woman ever elected as a state senator in the US. This is the first historical fiction novel based on the real life of Martha Hughes Cannon, a woman whose extraordinary life as a pioneer woman paralleled the life of the nation, struggling to grow and expand westward, wrestling with the rights and freedoms guaranteed to all its citizens, including women, and overcoming tremendous odds and roadblocks by forging the uniquely American spirit of the west: independence, innovation, dedication, and stick-to-itiveness which defined her generation and this chapter in American history.
The western frontier was officially pronounced closed in 1890, the year Harvey Fergusson was born in Albuquerque. He spent his life reopening it in a series of novels stretching from the classic Wolf Song to the belatedly acclaimed Grant of Kingdom and The Conquest of Don Pedro. In this first full biography and critical study, Robert F. Gish sees Fergusson as a modern frontiersman in love with the outdoors, women, and writing. The scion of New Mexico family prominent in business and politics, Fergusson moved restlessly from one new frontier to another, always seeking to recreate in his life and work the adventure and freedom enjoyed by his ancestors. After a strenuous open-air life by the Rio Grande he went east to raise a ruckus us a journalist and then to Hollywood as a screenwriter, all the while testing his sexual mettle. Finally freelance writing was the only frontier available to one of his imaginative energy. Fergusson?s early novel Wolf Song is still considered one of the best ever written about the mountain man. Gish shows the writer embracing the gloriously masculine and atavistic role of a ?lone rider? even as he scorned ?the worship of the primitive.? Fergusson struck up a friendship with H. L. Mencken and Theodore Dreiser (who influenced his literary style) and played a part in the development of Taos and Santa Fe as meccas for artists and writers. Based on extensive research, including Fergusson?s diaries and correspondence, Frontier?s End goes a long way toward reconciling the regional with the mainstream in American literature in the person of a serious novelist whose importance is finally being recognized.
The origins of capitalism can be found in the Middle Ages.