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On a searing summer's day paramedic Holly Garland rushes to an emergency to find a man collapsed with a bullet wound in the back of his head, CPR being performed by two bystanders, and her long-estranged brother Seth watching it all unfold. Seth claims to be the dying man’s best friend, but Holly knows better than to believe anything he says and fears that his re-appearance will reveal the bleak secrets of her past - secrets which both her fiance Fraser and her colleagues have no idea exist, and which if exposed could cause her to lose everything.
On a searing summer's day paramedic Holly Garland rushes to an emergency to find a man collapsed with a bullet wound in the back of his head and her long-estranged brother Seth watching it all unfold.Seth claims to be the dying man's best friend, but Holly knows better than to believe anything he says and fears that his reappearance will reveal the bleak secrets of her past – secrets which if exposed could cause her to lose everything.Detective Ella Marconi suspects Seth too, but she's also sure the dead man's wife is lying, and the deceased's boss seems just too helpful. Then a shocking double homicide makes Ella realise that her investigations are getting closer to the killer, increasing the risk of an even higher body count.
On a searing summer's day paramedic Holly Garland rushes to an emergency to find a man collapsed with a bullet wound in the back of his head and her long-estranged brother Seth watching it all unfold. Seth claims to be the dying man's best friend, but Holly knows better than to believe anything he says and fears that his reappearance will reveal the bleak secrets of her past - secrets which if exposed could cause her to lose everything. Detective Ella Marconi suspects Seth too, but she's also sure the dead man's wife is lying, and the deceased's boss seems just too helpful. Then a shocking double homicide makes Ella realise that her investigations are getting closer to the killer, increasing the risk of an even higher body count.
Australian crime fiction has grown from the country's origins as an 18th-century English prison colony. Early stories focused on escaped convicts becoming heroic bush rangers, or how the system mistreated those who were wrongfully convicted. Later came thrillers about wealthy free settlers and lawless gold-seekers, and urban crime fiction, including Fergus Hume's 1887 international best-seller The Mystery of a Hansom Cab, set in Melbourne. The 1980s saw a surge of private-eye thrillers, popular in a society skeptical of police. Twenty-first century authors have focused on policemen--and increasingly policewomen--and finally indigenous crime narratives. The author explores in detail this rich but little known national subgenre.
On a searing summer's day paramedic Holly Garland rushes to an emergency to find a man collapsed with a bullet wound in the back of his head, CPR being performed by two bystanders, and her long-estranged brother Seth watching it all unfold. Seth claims to be the dying man's best friend, but Holly knows better than to believe anything he says and fears that his re-appearance will reveal the bleak secrets of her past-secrets which both her fiance Fraser and her colleagues have no idea exist, and which if exposed could cause her to lose everything. Detective Ella Marconi suspects Seth too, but she's also sure the dead man's wife is lying, and the deceased's boss seems just too helpful. But then a shocking double homicide related to the case makes Ella realise that her investigations are getting closer to the killer, but also increasing the risk of an even higher body count.
Reels for 1973- include Time index, 1973-