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After identifying the misconceptions attached to the figure of the Mughal Courtesan and then defining it in terms of the dual-component structure of adaa, in the face of a dearth of literature that exists on the culture and the agency of the courtesan, this analysis would reinterpret the status of the courtesan figure within the domain of feminist theories and self-assertion. The female desire for autonomy, according to Elaine Showalter, defines a female exclusivity in terms of the dynamic phase, which is a combination of the feminine conflict between self-fulfillment and duty, the feminist political consciousness, and the female desire for autonomy. If one operates the courtesan figure in the Showalter domain, then the means to resist gender hierarchies through literary practices lie in a combination of both demand for exclusivity and real struggle into a truly subversive aesthetic which would have allowed the courtesan to have walked the corridors of power. Juliet Mitchells argument states that the gendered treatment of women came into existence through the ideological form of the novel, with females constructing themselves as the women they are under bourgeois norms by reading and writing novels. Rereading the Silencing of the Sirens would uncover another such exclusive female tradition studying the female consciousness from the courtesans point of view.
Sirens are sounds that confront us in daily life, from the sounds of police cars and fire engines to, less often, tornado warnings. Ideologies of sirens embody the protective, the seductive and the dangerous elements of siren sounds – from the US Cold War public training exercises in the 1950s and 1960s to the seductive power of the sirens entrenched in popular culture: from Wagner to Dizzee Rascal, from Kafka to Kurt Vonnegut, from Hans Christian Andersen to Walt Disney. This book argues, using a wide array of theorists from Adorno to Bloch and Kittler, that we should understand 'siren sounds' in terms of their myth and materiality, and that sirens represent a sonic confluence of power, gender and destructiveness embedded in core Western ideologies to the present day. Bull poses the question of whether we can rely on sirens, both in their mythic meanings and in their material meanings in contemporary culture.
New York City attorney Victor takes his Ukrainian-born former lover, Siren Myskina, for dead until he receives an unexpected phone call at work. Jolted by the voice from his past, Victor must unearth the true identity of the woman who had warned him to run when they made love for the first time. Siren's Silence portrays the tale of two young lovers whose relationship comes to an abrupt end shortly after their cross-country journey to Stillwater, Minnesota. Victor Frantiska - the handsome son of a four-star general - and Siren Myskina - a stunning mysterious green-eyed girl - are both freshmen at Duke when they first meet. Siren immediately captured Victor's heart. What strings their fate together is not Siren's beauty but her oddity of personality, a personality that spawns Victor's desperate attempts to root out the source of her elusiveness. This contemporary literary work, influenced by authors such as Thomas Wolfe and F. Scott Fitzgerald, weaves in lyrical elements to create a tapestry that narrates an intricate tale of love, lust, obsession and suspense that vividly reflects the reality of our time. It is for students, teachers, scholars, and avid readers of classic literary novels. The theme of this novel - love is war - serves as a reminder to all of us that love can bring peace, or it can bring terror, uncertainty, and unbearable pain.
When Ro is plunged into the ocean by the siren she's being paid to kill, presented the sirens' side of the story, and pressed to join them or die, Ro must decide whether to complete her mission, join the sirens, or something in between.
Numerous women in our culture have experienced shame, degradation, and despair as a result of having been sexually traumatized early in life. Some of these women end up in unhappy marriages or abusive relationships; some fall prey to a variety of addictions, silently or publicly; and some find themselves working in the sex industry. And for many survivors, their situations—and the situations that have brought them there—are secrets that have no voice. In Singing with the Sirens, experts Ellyn Bell and Stacey Bell address the long term complex trauma that results from the sexual abuse and exploitation of girls and young women, drawing on their personal and professional experiences to explore the link between the sexual abuse of children, issues of attachment and safety, and the commercial exploitation of young people. But this is not strictly a scholarly book or a memoir of personal experience; rather, the authors address this problem from a perspective of self-realization and transformation, taking the reader on a journey through mythological tales toward finding healing from within. Poetic, hopeful, and powerful, Singing with the Sirens is a call for wounded women everywhere to reclaim their own truth, spirit, and to sing with their authentic voice.
Haunted by silence, a mute teenage girl is mysteriously given back her voice...and it is divine. "Lyrical and enchanting, SILENT ECHO will resonate in your heart long after you turn the last page. I can’t wait for the sequel!” —Lorie Langdon, author of the DOON series. Rendered mute at birth, Portia Griffin has been silent for 16 years. Music is her constant companion, along with Felix, her deaf best friend who couldn’t care less whether or not she can speak. If only he were as nonchalant about her newfound interest in the musically gifted Max Hunter. But Portia’s silence is about to be broken with the abrupt discovery of her voice, unparalleled in its purity and the power it affords to control those around her. Able to persuade, seduce and destroy using only her voice, Portia embarks on a search for answers about who she really is, and what she is destined to do. Inspired by Homer’s ODYSSEY, SILENT ECHO is an epic story filled with fantasy, romance and original music. "SILENT ECHO is a gripping, original read, with a heroine you won't forget. Katniss Everdeen -- watch out for Portia Griffin." —Erica Wagner, author of SEIZURE
In fierce, textured voices, the women of Ovid's Metamorphoses claim their stories and challenge the power of myth I am the home of this story. After thousands of years of other people’s tellings, of all these different bridges, of words gotten wrong, I’ll tell it myself. Seductresses and she-monsters, nymphs and demi-goddesses, populate the famous myths of Ovid's Metamorphoses. But what happens when the story of the chase comes in the voice of the woman fleeing her rape? When the beloved coolly returns the seducer's gaze? When tales of monstrous transfiguration are sung by those transformed? In voices both mythic and modern, Wake, Siren revisits each account of love, loss, rape, revenge, and change. It lays bare the violence that undergirds and lurks in the heart of Ovid’s narratives, stories that helped build and perpetuate the distorted portrayal of women across centuries of art and literature. Drawing on the rhythms of epic poetry and alt rock, of everyday speech and folk song, of fireside whisperings and therapy sessions, Nina MacLaughlin, the acclaimed author of Hammer Head, recovers what is lost when the stories of women are told and translated by men. She breathes new life into these fraught and well-loved myths.
Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.