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Silas Marner: The Weaver of Raveloe is the third novel by Mary Ann Evans. It was published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.
This is the first comprehensive study in any language of anagnorisis (recognition) - one of the least familiar terms in Aristotelian poetics, yet used to describe one of the most familiar features of drama and narrative fiction. The book traces the history of the term 'anagnorisis' and explores some of the ways in which it continues to be of value as a focus for theoretical reflection. Then, in a series of critical essays, the author analyses examples of recognition plots drawn from French, German, and English literature,including Corneille, Racine and Goethe, Shakespeare, James, and Conrad. Examined thus from many angles, recognition can at last been seen to deserve its place in the limelight, as a topic of the first importance, perhaps the most strictly literary of all topics in poetics. The book is aimed at a very wide readership, with English translations provided for quotations where necessary.
Each chapter of Literary Allusion in Harry Potter consists of an in-depth discussion of the intersection between Potter and a canonical literary work; a discussion which aims to transform the reader’s understanding of Rowling’s literary achievement as well as to encourage wider reading and discovery of writers with who they may not be familiar.
“A riveting saga that intertwines elements of fantasy and science fiction . . . [The] tightly plotted, adventurous trilogy constitutes superb storytelling.” —Publishers Weekly Teens dragon master Jakkin and beloved healer-in-training Akki hide in mountain cave network beside Heart’s Blood warm hatchlings, exchanging mind-picture “sendings.” But who could leave a huge pile of stripped dragon bones neatly interwoven? The monstrous secret is bloodier than they could imagine. Can they save anyone, even sacrificing themselves? “An ambitious and rewarding work of speculative fiction.” —School Library Journal “The author combines well-wrought dragon lore with exciting adventure and good characterization.” —Booklist “A brilliantly imagined planetary complex where the evils of our own urban society can be scrutinized in a serious but exciting tale about a legendary species and about young people who have learned to accept its right to peaceful co-existence.” —Growing Point “Engrossing and engaging.” —Kirkus Reviews
A guide to living fully and humanely by learning the wisdom of authentic manual work. Most of us modern people live in a world of constant abstraction, immersed in our heads and our screens. But there is a deeper wisdom in working with your hands in the real world. In The Wisdom of Our Hands, craftsman and educator Doug Stowe shows how working with handcrafts, either professionally or as a hobby, is essential for a full education and a full life. Based on his 45 years as a woodworker and 20 years as a teacher of handcrafts, Stowe argues that human beings have a natural need to express themselves creatively through tangible work. The use of one's hands and whole body to make physical things promotes both physical and mental health and fosters a sense of mastery in both young and adult students. A life of craftsmanship is also an opportunity and obligation to define one's own values. Drawing on his experiences living and working in Eureka Springs, Arkansas, a town dedicated to handcrafts and arts, Stowe demonstrates how craft work creates community, forges deeper social bounds, and fosters a saner attitude about the value of relative value of human labor and material goods. A quietly radical and spiritual blueprint for a deeper and more connected way of life, The Wisdom of Our Hands is a transformational book.
Gold! - his own gold - brought back to him as mysteriously as it had been taken away! Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold. Combining the qualities of a fable with a rich evocation of rural life in the early years of the nineteenth century, Silas Marner (1861) is a masterpiece of construction and a powerful meditation on the value of communal bonds in a mysterious world.
Silas Marner and Two Short Stories, by George Eliot, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from todays top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the readers viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences--biographical, historical, and literary--to enrich each readers understanding of these enduring works. George Eliot's third novel, Silas Marner (1861) is a powerful and moving tale about one man's journey from exile and loneliness to the warmth and joy of the family. The story opens as Silas Marner, falsely accused of theft, loses everything, including his faith in God. Embittered and alienated from his fellow man, he moves to the village of Raveloe, where he becomes a weaver. Taking refuge in his work, Silas slowly begins to accumulate gold--his only joy in life--until one day that too is stolen from him. Then one dark evening, a beautiful, golden-haired child, lost and seeing the light from Silas's cottage, toddles in through his doorway. As Silas grows to love the girl as if she were his own daughter, his life changes into something precious. But his happiness is threatened when the orphan's real father comes to claim the girl as his own, and Silas must face losing a treasure greater than all the gold in the world. This volume also includes two shorter works by Eliot--The Lifted Veil, a dark Gothic fantasy about a morbid young clairvoyant, and Brother Jacob, a deliciously satirical fable about a confectioner's apprentice. George Levine is Kenneth Burke Professor of English Literature at Rutgers University, and director of the University's Center for the Critical Analysis of Contemporary Culture. He has written extensively about Victorian literature and culture, and has for a long time focused attention on Darwin and the relations between science and literature, particularly in his Darwin and the Novelists. He has written and edited many books, on subjects ranging from Frankenstein to the works of Thomas Pynchon. Most recently, he has edited The Cambridge Companion to George Eliot and written a study of Victorian scientific thought and literature, Dying to Know.
A collection of essays extended from The New York Times' most-read article of 2016. Anyone we might marry could, of course, be a little bit wrong for us. We don’t expect bliss every day. The fault isn’t entirely our own; it has to do with the devilish truth that anyone we’re liable to meet is going to be rather wrong, in some fascinating way or another, because this is simply what all humans happen to be – including, sadly, ourselves. This collection of essays proposes that we don’t need perfection to be happy. So long as we enter our relationships in the right spirit, we have every chance of coping well enough with, and even delighting in, the inevitable and distinctive wrongness that lies in ourselves and our beloveds.