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Seventeen-year-old Sikander, dreams of studying and living in America, but in a blind rage after a family quarrel, he leaves his Peshawar, Pakistan home. Encountering mujahideen warriors, he joins them in their fight against the occupying Soviets in neighboring Afghanistan. American assistance is stepped up with advanced weapons, like the Stinger missile, and the mujahideen begin prevailing against the Soviets. After just two years following Sikander's arrival, a Soviet withdrawal begins and Sikander returns as a war-wise hero, settling down to build a normal life in Pakistan. Discovering romance, Sikander, becomes a happily married successful entrepreneur in Pakistan, when he finds his life abruptly thrown into turmoil as he's caught up in aftermath of 9/11. He must draw on the lessons from his mujahideen past as he takes on a perilous journey reaching as far as America, changing his life forever. --publisher.
Pioneering Pakistani American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting miniature painting to explore gender roles and sexuality, cultural identity, racial and other underrepresented narratives, and colonial and postcolonial histories. This lively volume presents her powerful early work, created between 1987 and 2003, from South Asian, West Asian, and Western perspectives, illuminating new understandings for a wide audience. Charting her early development as an artist in Lahore and the United States, the book reclaims her critical role in bringing miniature painting into dialogue with contemporary art, especially in Pakistan, international art discourse of the 1990s, and contemporary global practices and debates.
Growing up in a multigenerational, multicultural home in Lahore, Pakistan, where her family's Muslim traditions are filled with food, rituals, and love, Shahzia is a tomboy who loves skateboarding, biking, swimming, and flying her kite. She also loves stories of all kinds and is always surrounded by books. At the Catholic school she attends, she studies Western literature, and at home, her father regales her and her siblings with fantastical tales from a Russian storybook on animals. Shahzia's love for books leads to a fascination with illustrations, like the ones she sees in illuminated manuscripts and South Asian miniature portraits, and she discovers a talent for drawing. She soon realizes that making art is much like learning a new language--it requires practice and hard work, but it gives her a new tool to express herself. Through art, Shahzia is able to create the different worlds she reads about, using her imagination to take her beyond the walls of the home she grows up in. Written by artist Shahzia Sikander herself and featuring a new painting created especially for the book alongside artwork from her private archive and MoMA's collection, Shahzia: My Life as an Artist is a colorful introduction to a multicultural perspective that will inspire young readers to use art and imagination to explore new worlds.
Catalogue produced to accompany the exhibition SHAHZIA SIKANDER: NEMESIS held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, from January 24 - April 11, 2004; and at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut, from September 19, 2004 - January 2, 2005.
Free of being prescribed while using a very prescribed and structured form. I like that tension. Miniature painting comes with a set of rules It's the materiality, the seductiveness of the surface, the investment, the submission, the hours that are put in In the end, they are very meditative and meaningful gestures, like ritual. In this sense, miniature painting is more about subverting modernity than subverting tradition. --Shahzia Sikander (from the interview with Bhabha)
Thirteen-year-old Sikander Aziz has to team up with the hero Gilgamesh in order to stop Nergal, the ancient god of plagues, from wiping out the population of Manhattan in this adventure based on Mesopotamian mythology.
While conventional warfare has an established body of legal precedence, the legality of drone strikes by the United States in Pakistan and elsewhere remains ambiguous. This book explores the legal and political issues surrounding the use of drones in Pakistan. Drawing from international treaty law, customary international law, and statistical data on the impact of the strikes, Sikander Ahmed Shah asks whether drone strikes by the United States in Pakistan are in compliance with international humanitarian law. The book questions how international law views the giving of consent between States for military action, and explores what this means for the interaction between sovereignty and consent. The book goes on to look at the socio-political realities of drone strikes in Pakistan, scrutinizing the impact of drone strikes on both Pakistani politics and US-Pakistan relationships. Topics include the Pakistan army-government relationship, the evolution of international institutions as a result of drone strikes, and the geopolitical dynamics affecting the region. As a detailed and critical examination of the legal and political challenges presented by drone strikes, this book will be essential to scholars and students of the law of armed conflict, security studies, political science and international relations.
Is it possible to speak of a contemporary art with an Islamic difference? This question is the subject of an exhibition that brings together artists who come from the Islamic world. Tapping into certain aesthetic, political, and spiritual notions, this book seeks to highlight the nuanced reactions of each individual artist.
After losing everything when her father's kingdom is brutally and suddenly taken over, sixteen-year-old Princess Amrita flees the royal palace with her companion, the seer and former slave Thala, and together they hope to find the legendary Library of All Things, where they can access the stories of their lives and their loved ones, change their future, and save the kingdom.