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This book portrays the introduction of the mathematical sign zero as a major signifying event, both within the writing of numbers and as an emblem of parallel events in other sign systems.
The novel is set in Washington, D.C., in 1979 and focuses on the Hobbs family. Lester Hobbs, nineteen years old, is mentally retarded and mute ― until the day he suddenly begins to rap at the top of his lungs about life with his parents and older siblings. That development has a profound effect on the rest of the family, whose members struggle to figure out what it means, for Lester and themselves. Lester's wise-cracking brother, Greg, the middle child, who has long alternated between being protective of Lester and being jealous of the attention Lester receives, tries with a spectacular lack of success to profit from his brother's new ability. Lester and Greg's sister, Sherrie ― bright, pretty, responsible, and aloof ― tries to learn the medical explanation for Lester's condition, which leads her to an affair with George Greer, a brilliant, married, womanizing neurologist. Meanwhile, Lester's mother, Maddie, tries to adjust emotionally to the change in her son, and Pat, the father, works to figure out the right course of action once the cause of Lester's rapping is revealed.
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Written with characteristic verve, Quotation Marks considers, among other subjects, how we depend upon the most quotable men and women in history, using great writers to bolster what we ourselves have to say. The entertaining turns and reversals of Marjorie Garber's arguments offer the rare pleasure of a true essayist.
Before media, before the Internet...there was talk itself. Talk Talk Talk is an incisive, exhilarating collection of essays by some of the best thinkers -- and talkers -- of our time. These stellar contributors locate everyday chatter as the basis of a stunning range of artistic and cultural forms: from Antigone's speech-acts to Freud's "talking cure"; from seventeenth-century demon possession to the Marx Brothers' "immigrant talk"; literature, theatre, standup comedy, "ethnic" talk, technologized talk and much, much more. Contributors include: Homi Bhabha, Judith Butler, Stanley Cavell, Marjorie Garber, Sherry Turkle.
This is the second in a series of highly-visual, four-color titles that combine step-by-step lessons with two hours of video instruction. The first book, "Adobe Photoshop CS One-on-One," broke new ground with its innovative format. This book follows in its footsteps, showing readers how to master InDesign, the popular page layout/publishing program that's quickly becoming the market leader.
Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and—quite stunningly given the Reformation context—humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.