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More and more popular musical artists today use odd time signatures to give their music a unique sound. This practice goes back to the 1960s, with Dave Brubeck and The Beatles, and continued with artists like King Crimson, Rush, Sting, Metallica, Tool, and Radiohead. To many musicians, these meters are complex and mysterious. However, nothing could be farther from the truth. Odd time signatures should be easy to understand, as they are simply meters with an odd number of beats to the bar. The Drummer's Guide to Odd Time Signatures will help you understand how to hear and feel these meters and to use them in a variety of musical situations and genres. Take your drumming to the next level, and master the art of playing in odd time signatures! A CD demonstrating the musical examples in the book is included. "Rick Landwehr's Drummer's Guide to Odd Time takes the drumset player on a step by step journey into the world of odd times. Beginning with a simple waltz and advancing to 11/4 time signatures. Every example is clear and concise, providing insight and logic, simplifying complex meter concepts. The fun Afro-Cuban, Brazilian and Jazz examples will broaden any player's bag of tricks. I welcome this book to my library, and look forward to using it with my students." - Casey Scheuerell, Berklee College of Music, Jean-Luc Ponty, Gino Vannelli, Chaka Khan "Way to go, Rick! An excellent, clear and concise pathway to develop understanding and control of odd time signature grooves." - Skip Hadden: Berklee College of Music, Weather Report, Author of World Fusion Drumming (Alfred)
Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles. This full eBook version is in fixed-layout format to ensure layout and image quality is consistent with the original hardback edition. Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavours of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable. This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis. This is the full eBook version of the original hardback edition.
Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959, alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became one of the first jazz albums to be certified platinum, while its featured track, "Take Five," became the best-selling jazz single of the twentieth century, surpassing one million copies. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track "Blue Rondo à la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative uses of the more common 3/4 and 4/4 meters on other tracks, Time Out has played an important role in the development of modern jazz. In this book, author Stephen A. Crist draws on nearly fifteen years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural contexts, he offers fascinating insights into the composition and development of some of the album's best-known tunes. From Brubeck's 1958 State Department-sponsored tour, during which he first encountered the Turkish aksak rhythms that would form the basis of "Blue Rondo à la Turk," to the backstage jam session that planted the seeds for "Take Five," Crist sheds an exciting new light on one of the most significant albums in jazz history.
When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.
The search for the soul of place is one of my passions as traveler, writer, and writing teacher. My work is often inspired by places: islands, ruins, old houses and buildings, and the atmospheres found there. For several years, I have been researching the "genius loci," the spirit or soul of place. The Romans and the Etruscans believed that every place--every mountain, field, body of water--had an indwelling spirit or soul, which was beneficial or harmful to human activity. And every house and household was believed to have a tutelary spirit. The soul of place was a force which shaped the character and atmosphere of a place and at the same time, an entity with which human beings were constantly interacting and communicating. This idea has stimulated me for a long time, and it has greatly influenced my writing.
Music Fundamentals for Dance is a text for student dancers, choreographers, and dance educators written by an experienced educator and choreographer. This book presents foundational knowledge of the elements of music and describes their application to dance performance, choreography, and teaching. It includes a web resource offering exercises, activities, projects, downloadable examples of music, and web links that provide a range of active learning experiences.
The Basic Rudiments Music Theory Answer Book (Ultimate Music Theory) is easy to use and is identical to the Basic Rudiments Music Theory Workbook. Basic Music Theory Answer Book (148 pages) features these concepts and more! MATCHING BOOK - Same orientation and page numbers as workbook EASY FORMAT - Hand written answers to provide effortless reading SAVES TIME - Quick and accurate marking during lesson time CONVENIENT RESOURCE - Instant access to handy answer pages Ultimate Music Theory's time saving accelerated learning techniques will empower you to: Learn Music Faster - Proven Step-by-Step System! Master Musicianship Skills - Excellence in Online Courses! Teach with Passion - UMT Techniques Build Confidence! Make More Money - UMT Certification Course for Teachers! Build Knowledge - Online Music Courses, Music Theory Workbooks & Answers, Theory Exams & Answer Books, Ultimate Music Theory App and More!"Enriching Lives Through Music Education"
"The Doctrine of Signatures is one of the first and most significant works in our time to show how closely connected the liberal arts are to clinical medicine. It is the seminal work in the recent history of the philosophy of medicine, a field that is enjoying a renaissance throughout the world today." -- Edmund D. Pellegrino, M.D.
An “ingenious, horrifying” (The Guardian) first contact story by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” “Few books capture the obscure, elliptical way that threats move from the background to the foreground of reality like The Kraken Wakes. . . . Feels all too familiar in today’s age of anti-vaxxer disinformation and QAnon conspiracists.” —Alexandra Kleeman, from the Introduction What if aliens invaded and colonized Earth’s oceans rather than its land? Britain, 1953: It begins with red dots appearing across the sky and crashing to the oceans’ deeps. At first, many people believe that these aliens are interested in only what’s down below. But when the polar ice-caps begin to melt, it becomes clear that these beings are not interested in sharing the Earth and that humankind might just be on the brink of extinction. . . .