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In "Sight Unseen" the Neighborhood Club, a group of six friends, decide to hold a séance for fun- only to have a blood-curdling crime reenacted before their eyes. Soon, they are hot on the trail of a murderer. "The Confession" is a grim but powerful portrait of a woman's guilt, depression and mental breakdown.
Elderly Miss Emily Benton was a lady in every sense of the word---and the last person on earth anyone would ever suspect of wrongdoing. She had graciously allowed agnes Blakiston and her servant, Maggie, to occupy the Benton home for the summer rent-free, but the women soon reliazed that there was something terribley wrong.
Mary Roberts Rinehart (August 12, 1876 - September 22, 1958) was an American writer, often called the American Agatha Christie, although her first mystery novel was published 14 years before Christie's first novel in 1920. Rinehart is considered the source of the phrase "The butler did it" from her novel The Door (1930), although the novel does not use the exact phrase. Rinehart is also considered to have invented the "Had-I-But-Known" school of mystery writing, with the publication of The Circular Staircase (1908). (wikipedia.org) Mary Roberts graduated from the Pittsburgh Training School for Nurses in 1896. That same year she married physician Stanley M. Rinehart. She and her husband started a family, and she took up writing in 1903 as a result of difficulties created by financial losses. Her first story appeared in Munsey's Magazine in 1903. The Circular Staircase (1908), her first book and first mystery, was an immediate success, and the following year The Man in Lower Ten, which had been serialized earlier, reinforced her popular success. Thereafter she wrote steadily, averaging about a book a year. A long series of comic tales about the redoubtable "Tish" (Letitia Carberry) appeared as serials in the Saturday Evening Post over a number of years and as a series of novels beginning with The Amazing Adventures of Letitia Carberry (1911). Rinehart served as a war correspondent during World War I and later described her experiences in several books, notably Kings, Queens and Pawns (1915). She produced as well a number of romances and nine plays. Most of the plays were written in collaboration with Avery Hopwood; her greatest successes were Seven Days, produced in New York in 1909, and The Bat, derived from The Circular Staircase and produced in 1920. She remained best known, however, as a writer of mysteries, and the growing popularity of that genre after World War II led to frequent republication of her works. Her most memorable tales combined murder, love, ingenuity, and humour in a style that was distinctly her own. Her autobiography, My Story, appeared in 1931 and was revised in 1948. At Rinehart's death her books had sold more than 10 million copies. (britannica.com)
Excerpt from Sight Unseen and the Confession The rather extraordinary story revealed by the experiments of the Neighborhood Club have been until now a matter only of private record. But it seems to me, as an active participant in the investigations, that they should be given to the public; not so much for what they will add to the existing data on psychical research, for from that angle they were not unusual, but as yet another exploration into that still uncharted territory, the human mind. The psycho-analysts have taught us something about the individual mind. They have their own patter, of complexes and primal instincts, of the unconscious, which is a sort of bonded warehouse from which we clandestinely withdraw our stored thoughts and impressions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Sight unseen: A beautiful young woman at a bizarre seance witnesses a crime of passion before it actually happens.
It was sinister, mysterious, dark. Its immediate effect on my imagination was apprehension - almost terror. Murder or suicide, here among the shadows a soul, an indestructible thing, had been recently violently wrenched from its body. The body lay in the room overhead. But what of the spirit?
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