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The Siege Master's Song:The Recollections of Lord Godric MacEuan on the First Crusade, Volume Twoby Tom VetterWhen justice is denied, vengeance will do.I am Baron Godric MacEuan. As sheriff-at-large for Scotland, I rode the entire kingdom for King Malcolm Canmore, dealing with the worst of men to protect the innocent and enforce the king's law.Now, I am young, and often underestimated because of it. But that is a serious mistake, for I have a talent for destruction. And not even your castle can save you, for I destroy castles, too.Yet when good King Malcolm was treacherously slain, I could not save him, nor bring his killer to trial ... because his murderer was King William Rufus of England.Punish a king? You cannot. But you can take vengeance.So King Rufus rules England, and thinks himself safe to act as he likes because he wears its crown.But no man is truly safe from another set upon vengeance. Even a king. Especially from a man with my skills.------------------------------------------------------------SECOND VOLUME IN THE SIEGE MASTER SERIES, THE EPIC STORY OF THE FIRST CRUSADE TOLD AS NEVER BEFORE: AS THE FIRST-HAND RECOLLECTIONS OF A SCOTTISH KNIGHT WHO BATTLES TURKS, TURNCOATS, STARVATION, AND DEATH ITSELF TO WIN A CRUSADE AND RECOVER HOLY JERUSALEM. 384 pages. Release December 2016.
Finalist for the 2015 Pulitzer Prize in Biography. "Profoundly evocative and altogether admirable…The writing and detail are so brilliant that I found the volume revelatory." —Tim Page, Washington Post Nearly 100 years after bursting onto Chicago’s music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn’t count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.
Accepting female generals, capturing beauties, and building a harem! He had crossed over to another world to become the only man of the famous sect, and he was tasked with the task of "passing down his generations"! He did not hesitate to make a move on his solitary princess consort; he courageously pursued the unruly and spicy loli! I was a wicked young master, smiling at Fuyan. The operation of the command of the world, unhindered and unrestrained in the four seas. Furthermore, it was the legendary story of how young evil beings of the Modern Realm built their harem in a different world...
A gripping tale of greed and sibling rivalry involves pirates and buried treasure, intrigue at the French court, a sojourn in India, and a shocking discovery in the American wilderness.