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Ellery Queen and his father take refuge with a killer in this classic manor-house mystery starring one of crime fiction’s most legendary sleuths. Driving along a lonely mountain road, detective Ellery Queen and his father, Richard, round a bend and nearly run headlong into a forest fire. To escape, they race up the mountain and take shelter at the cliffside manor of Dr. John Xavier, a surgeon of considerable repute. Ellery quickly suspects something strange is going on inside the house—from Xavier’s bizarre references to his work to the pair of eyes Ellery sees burning in the dark—but before he can confront Xavier about what he’s doing in his laboratory, the good doctor is found shot dead while playing solitaire—and the only clue is a ripped six of spades. With the help of his father, a gruff police inspector, Ellery sets about solving the crime. The suspects include the victim’s valet, a pair of conjoined twins, and the mysterious Mr. Smith. In this game, the stakes are life and death. One of the earliest novels starring the storied Ellery Queen, The Siamese Twin Mystery is a classic golden-age murder mystery. From the manor-house setting to the gothic atmosphere, it presents an Edgar Award–winning author at his very best.
Ellery Queen takes refuge from a wildfire at a remote mountain house — and arrives just before the owner is murdered... When Ellery Queen and his father encounter a raging forest fire during a mountain drive, the only direction to go is up — up a winding dirt road that leads to an isolated hillside manor, inhabited by a secretive surgeon and his diverse cast of guests. Trapped by the fire, the Queens settle into the uneasy atmosphere of their surroundings. Things become even more tense the following morning when the doctor is discovered dead, apparently shot down while playing solitaire the night before. The only clue is a torn six of spades. The suspects include a society beauty, a suspicious valet, and a pair of conjoined twins. When another murder follows, the killer inside the house becomes as threatening as the mortal flames outside its walls. Faced with a complex set of alibis, motives, and evidence, Ellery Queen must rely on his powers of deduction and logic to uncover the murderer’s identity — but can he solve this whodunnit before the fire devours its subjects? Featuring bizarre circumstances, eerie atmosphere, and a dazzling solution, The Siamese Twin Mystery is a fair play mystery in which the reader has all the necessary information needed to solve the puzzle. The seventh Ellery Queen novel (which can be read in any order), it finds the legendary sleuth facing one of the most memorable cases of his career.
Dr. Harry Brown discovers the corpse of an unknown woman in his apartment and the detective, Ellery Queen, investigates the baffling murder of a scientist
From the legendary "Dionne quintuplets" to the phenomenon of "twin telepathy", Twin Tales explores the fascinating history and mystery of multiple birth.
In Lori Lansens’ astonishing second novel, readers come to know and love two of the most remarkable characters in Canadian fiction. Rose and Ruby are twenty-nine-year-old conjoined twins. Born during a tornado to a shocked teenaged mother in the hospital at Leaford, Ontario, they are raised by the nurse who helped usher them into the world. Aunt Lovey and her husband, Uncle Stash, are middle-aged and with no children of their own. They relocate from the town to the drafty old farmhouse in the country that has been in Lovey’s family for generations. Joined to Ruby at the head, Rose’s face is pulled to one side, but she has full use of her limbs. Ruby has a beautiful face, but her body is tiny and she is unable to walk. She rests her legs on her sister’s hip, rather like a small child or a doll. In spite of their situation, the girls lead surprisingly separate lives. Rose is bookish and a baseball fan. Ruby is fond of trash TV and has a passion for local history. Rose has always wanted to be a writer, and as the novel opens, she begins to pen her autobiography. Here is how she begins: I have never looked into my sister’s eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially. Ruby, with her marvellous characteristic logic, points out that Rose’s autobiography will have to be Ruby’s as well — and how can she trust Rose to represent her story accurately? Soon, Ruby decides to chime in with chapters of her own. The novel begins with Rose, but eventually moves to Ruby’s point of view and then switches back and forth. Because the girls face in slightly different directions, neither can see what the other is writing, and they don’t tell each other either. The reader is treated to sometimes overlapping stories told in two wonderfully distinct styles. Rose is given to introspection and secrecy. Ruby’s style is "tell-all" — frank and decidedly sweet. We learn of their early years as the town "freaks" and of Lovey’s and Stash’s determination to give them as normal an upbringing as possible. But when we meet them, both Lovey and Stash are dead, the girls have moved back into town, and they’ve received some ominous news. They are on the verge of becoming the oldest surviving craniopagus (joined at the head) twins in history, but the question of whether they’ll live to celebrate their thirtieth birthday is suddenly impossible to answer. In Rose and Ruby, Lori Lansens has created two precious characters, each distinct and loveable in their very different ways, and has given them a world in Leaford that rings absolutely true. The girls are unforgettable. The Girls is nothing short of a tour de force.
Nearly a decade after his triumphant Charlie Chan biography, Yunte Huang returns with this long-awaited portrait of Chang and Eng Bunker (1811–1874), twins conjoined at the sternum by a band of cartilage and a fused liver, who were “discovered” in Siam by a British merchant in 1824. Bringing an Asian American perspective to this almost implausible story, Huang depicts the twins, arriving in Boston in 1829, first as museum exhibits but later as financially savvy showmen who gained their freedom and traveled the backroads of rural America to bring “entertainment” to the Jacksonian mobs. Their rise from subhuman, freak-show celebrities to rich southern gentry; their marriage to two white sisters, resulting in twenty-one children; and their owning of slaves, is here not just another sensational biography but a Hawthorne-like excavation of America’s historical penchant for finding feast in the abnormal, for tyrannizing the “other”—a tradition that, as Huang reveals, becomes inseparable from American history itself.
_______________ 'Broke my heart and mended it' - Cecilia Ahern 'It will shake up preconceptions and move readers to tears' - Sunday Times Book of the Week 'Truly remarkable' - Irish Times _______________ WINNER OF THE YA BOOK PRIZE WINNER OF THE CILIP CARNEGIE MEDAL WINNER OF THE CBI BOOK OF THE YEAR AWARD WINNER OF THE CLIPPA POETRY AWARD _______________ Here we are. And we are living. Isn't that amazing? How we manage to be here at all. Grace and Tippi don't like being stared and sneered at, but they're used to it. They're conjoined twins - united in blood and bone. What they want is to be looked at in turn, like they truly are two people. They want real friends. And what about love? But a heart-wrenching decision lies ahead for Tippi and Grace. One that could change their lives more than they ever asked for... This moving and beautifully crafted novel about identity, sisterhood and love ultimately asks one question: what does it mean to want and have a soulmate? _______________ Experience every emotion with the finest verse novelist of our generation... Don't miss Sarah Crossan's other irresistibly page-turning books Moonrise, Toffee, Apple and Rain, and The Weight of Water.
Murder's on the menu in this savory debut. Gwen (nee Katz) Silver heard the brisket at her uncle's Jewish deli, Murray the Pastrami Swami--the only one of its kind in Nashville, Tennessee--was "to die for." But she didn't realize that meant literally. . . When Gwen learns she's inherited Murray's, the native New Yorker leaves her chaotic career and messy divorce behind to start over in Nashville. But the venture seems doomed from the start. Murray's taken his recipes and secret list of food suppliers to the grave with him, and ruthless real estate developer Royce Sinclair will stop at nothing to try and sandwich Murray's into his already overstuffed portfolio. Then, on Kosher Karaoke Night, longtime customer Buster Sergeant bites into his brisket. . .and bites the dust. The coroner says food poisoning, but Gwen's not convinced. Now, with the help of hunky police detective Beau McClintock, "Nashville Katz"--as Gwen is quickly nicknamed--will find herself adding "private investigator" to her resume--and a new love to her life. A native of Brooklyn, New York, Delia Rosen is the author of A Brisket, A Casket and One Foot in the Gravy. She now lives in Maine. She spends her time between writing and searching for good bagels.
“Ingenious, sensual, gleeful. . . . It demands of its readers only imagination, and rewards them with hilarity, terror, and marvels.”—Jonathan Lethem, author of Motherless Brooklyn Nora and Blanche are cojoined twins. Nora, the dominant twin, thirsts for love and adventure, while Blanche has been asleep for nearly 30 years. Determined to shed herself of her her sister’s dead weight, Nora leaves for London in search of the mysterious Unity Foundation, which promises to make two one. But once Nora arrives in London, the past begins to surface, forcing her into a most reluctant voyage into memory—a search for meaning and understanding, that will push Nora to the brink of insanity. Grotesque, funny, and dazzlingly told, Shelley Jackson’s first novel is an imaginative and touching portrait of two lives in a cleft world yearning for wholeness.