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The Jargon Society, a boundary-pushing publisher of poetry and experimental writing, was founded by Jonathan Williams (1929–2008) in 1951. Jargon quickly gained a reputation as the home of the poetic and literary avant-garde, including noted midcentury poets like Charles Olson and Lorine Niedecker. Williams himself looms large in this story as the publisher at Jargon until his death, making this book as much about his life and work as the press he founded, which today operates through the Black Mountain College Museum in Asheville, North Carolina. Andy Martrich authors this story in a manner befitting Jargon's ethos of literary experimentation by focusing on the books the Society cataloged but never published. While it's not uncommon for a small press to plan for books that don't make it to publication, Martrich argues that Jargon's incessant financial difficulties, coupled with Williams's impressive network, makes its trail of unfinished projects unique and an ideal way to chronicle the press itself. Using archival research, interviews with volunteers at Jargon, and more, Martrich gives readers not only an intimate look into a Southern press and publisher but also an important history of modern and experimental literature in twentieth-century America. Shy of the Squirrel's Foot includes an epilogue by Anne Midgette, an afterword by Nicole Raziya Fong, and Jargon's complete annotated bibliography, which details every book the press published, compiled in one place for the first time.
Describes the construction and launching of the USS North Carolina and discusses the battleship's participation in major campaigns in the Pacific theater during World War II. Carefully selected photographs illustrate the text, bringing to life the vessel's dramatic history.
The evangelical publishing community has been growing for more than two hundred years. Candy Gunther Brown explores the roots of this far-flung conglomeration of writers, publishers, and readers, from the founding of the Methodist Book Concern in 1789 to the 1880 publication of the runaway best-seller Ben-Hur.
In this study of devotional hagiographical texts and contemporary ritual performances of the Shi'a of Hyderabad, India, Karen Ruffle demonstrates how traditions of sainthood and localized cultural values shape gender roles. Ruffle focuses on the annual mo
[A] well-written, comprehensively researched biography.--Publishers Weekly "Will both edify the scholar while captivating and entertaining the general reader. . . . Cutrer's research is impeccable, his prose vigorous, and his life of McCulloch likely to remain the standard for many years.--Civil War "A well-crafted work that makes an important contribution to understanding the frontier military tradition and the early stages of the Civil War in the West.--Civil War History "A penetrating study of a man who was one of the last citizen soldiers to wear a general's stars.--Blue and Gray "A brisk narrative filled with colorful quotations by and about the central figure. . . . Will become the standard biography of Ben McCulloch.--Journal of Southern History "A fast-paced, clearly written narrative that does full justice to its heroically oversized subject.--American Historical Review
American Catholic women rarely surface as protagonists in histories of the United States. Offering a new perspective, Kathleen Sprows Cummings places Catholic women at the forefront of two defining developments of the Progressive Era: the emergence of the "New Woman" and Catholics' struggle to define their place in American culture. Cummings highlights four women: Chicago-based journalist Margaret Buchanan Sullivan; Sister Julia McGroarty, SND, founder of Trinity College in Washington, D.C., one of the first Catholic women's colleges; Philadelphia educator Sister Assisium McEvoy, SSJ; and Katherine Eleanor Conway, a Boston editor, public figure, and antisuffragist. Cummings uses each woman's story to explore how debates over Catholic identity were intertwined with the renegotiation of American gender roles.
Reynolda: Her Muses, Her Stories is your invitation to explore Reynolda House Museum of American Art, North Carolina's nationally acclaimed art museum showcasing paintings, sculpture, and decorative arts in the restored 1917 home of tobacco magnate R. J. Reynolds and his wife, Katharine. Their sixty-four-room bungalow sits at the center of an estate that beckons thousands of visitors each year to its formal gardens, meadows, woodlands, shops, and restaurants. In this volume, David Park Curry has captured the essence of Reynolda House Museum of American Art through a lavishly illustrated essay that blends Reynolda's fifty years as a beloved family home with her second life as a museum of American art. Using the lenses of time, landscape, home, social context, history, and memory, Curry connects you to the remarkable place called Reynolda. Highlighting the fascinating--and often surprising--stories of the myriad ways signature works of art came into this stellar collection, Martha R. Severns offers insights about the artists, writers, donors, and, most importantly, the museum's founder, Barbara Babcock Millhouse. Each of the eighty concise essays is afforded a generous two-page layout that includes a full-page color image. This beautifully illustrated book takes you through an American place and an American collection. Consider it your personal tour with behind-the-scenes access to all the stories you might wish to learn, but cannot, in the limited span of a single visit to this Museum.
An engaging blend of environmental theory and literary studies, Nature's State looks behind the myth of Alaska as America's "last frontier," a pristine and wild place on the fringes of our geographical imagination. Susan Kollin traces how this seemingly marginal space in American culture has in fact functioned to alleviate larger social anxieties about nature, ethnicity, and national identity. Kollin pays special attention to the ways in which concerns for the environment not only shaped understandings of Alaska, but also aided U.S. nation-building projects in the Far North from the late nineteenth century to the present era. Beginning in 1867, the year the United States purchased Alaska, a variety of literary and cultural texts helped position the region as a crucial staging ground for territorial struggles between native peoples, Russians, Canadians, and Americans. In showing how Alaska has functioned as a contested geography in the nation's spatial imagination, Kollin addresses writings by a wide range of figures, including early naturalists John Muir and Robert Marshall, contemporary nature writers Margaret Murie, John McPhee, and Barry Lopez, adventure writers Jack London and Jon Krakauer, and native authors Nora Dauenhauer, Robert Davis, and Mary TallMountain.