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Illustrated guide for step-by-step beginning and advanced weaving. 424 pages; over 600 illustrations; indexed
A history and description of southwestern textiles along with a catalog of Pueblo, Navajo, Mexican, and Spanish American blankets, ponchos, and sarapes.
For spinners and weavers alike! Get in-depth information on fiber properties and color choices, as well as beautifully photographed samples. Spin to Weave is not simply a how-to-spin book, but a how-to-spin-exactly-what-you-want book. Weavers who spin their own yarns have the ability to choose fiber type, method of twist insertion (woolen, worsted), twist amount and/or direction, finishing methods, and grist. Author Sara Lamb focuses on the process of spinning for specific results, providing detailed instructions, a sampling of projects, variations, and a gallery of pieces by other spinners. Sara takes the reader to the very source of woven fabric--introducing the thought processes and concepts related to choosing fibers and how to spin them with finished fabric in mind.
Here is a complete guide to making your own dye from a wide variety of plants — acorn to zinnia. Covers dyeing procedures, mordants, preparing fibers, every step. List of suppliers. Bibliography.
Textile enthusiasts, the ultimate reference you've been waiting for is here--Ikat! Ikat: The Essential Handbook to Weaving with Resists is your introduction to the fundamentals of a resurging trend in woven cloth. Award-winning weaver and instructor Mary Zicafoose has spent more than 30 years exploring the possibilities of ikat and now shares her wealth of knowledge with you. Dig into the pages of this handbook to discover: • Historical background on ikat with gorgeous visual refernces. • Instruction in warp, weft, and double ikat techniques, written and illustrated in clear sequential steps. • Instructions to build ikat wrapping boards. • An addendum on painted "faux" ikat using dye pastes and brushes. • Acid and indigo dye system recipes and procedures. • Compelling projects with detailed instruction taking you from undyed yarn to woven ikat cloth. • A gallery of contemporary ikat created by a range of diversely talented dyers and weavers. All this and more is waiting for you in Ikat: The Essential Handbook to Weaving with Resists.
"For several thousand years, all dyes were of animal, vegetable, or mineral origin, and many ancient civilizations possessed excellent dye technologies. The first synthetic dye was produced in 1856, and the use of traditional dyes declined rapidly thereafter. By 1915 few non-synthetics were used by industry or craftspeople. The craft revivals of the 1920s explored traditional methods of natural dyeing to some extent, particularly with wool, although the great eighteenth- and nineteenth-century dye manuals, which recorded the older processes, remained largely forgotten. In The Art and Craft of Natural Dyeing, J.N. Liles consolidates the lore of the older dyers with his own first-hand experience to produce both a history of natural dyes and a practical manual for using pre-synthetic era processes on all the natural fibers--cotton, linen, silk, and wool. A general section on dyeing and mordanting and a glossary introduce the beginner to dye technology. In subsequent chapters, Liles summarizes the traditional dye methods available for each major color group. Scores of recipes provide detailed instructions on how to collect ingredients--flowers, weeds, insects, wood, minerals--prepare the dyevat, troubleshoot, and achieve specific shades"--Publisher's description.
Break out of blocks with split-shed weaving. This technique gives any weaver with a 4-shaft loom the ability to weave pictorial imagery using continuous wefts without the need for complicated equipment, pick-up sticks, dobby mechanisms, graphed designs, or warp thread counting. One can weave structures that include variations of twills, tied weaves, double weft-faced weaves, taqueté, samitum, Bronson, double weave, lampas, piqué, waffle and more! Every pattern is accompanied by color images with detailed enlargements. Easy-to-understand drafts include drawdowns that illustrate all possible pattern combinations, as well as tie-up and treadling diagrams for jack, direct tie-up, table, countermarch and counterbalance looms.The beginning chapters are designed to allow the weaver to create a multi-pattern sampler on a single warp. The book progression enables one to advance from one shuttle structures to two-shuttle weaves, then to multi-shuttle weaving, allowing the weaver to mix colors and create shading. The book includes simplified treadling instructions for several loom types that can be copied and attached to the loom for easy reference while weaving. There are also instructions for creating a cartoon that remains flat and that will not wrinkle when beating.Deborah Silver is an artist, author, and weaving instructor. Her weavings employ the split-shed technique, transforming traditional pattern structures into a signature method of hand-weaving. All weft yarns travel from selvedge to selvedge, differentiating this cloth from tapestry. Her past works have been inspired by the increased cross-culturalism in the world which has been facilitated by technology. Her recent art is drawn from American women's history and from memorials found in old cemeteries. Deborah's weavings have been shown in numerous local and international juried exhibitions, receiving many awards, including the Complex Weavers Award and First Place at "Complexity 2018: Innovations in Weaving". She received a Cleveland Jewish Arts and Culture Fellowship award in 2015, and an Ohio Arts Council Individual Excellence Award in 2019.Deborah continues to explore the many facets of split-shed weaving in her art, discovering new ways to combine her imagery with pattern structures.