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Experience the story of the world's most famous Jewish song, as told by the song herself. In her spare, poetic text, Freda Lewkowicz has personified the song of Hava Nagila and made her the narrator of her own story, known simply as "Hava." Renowned Indian-American Jewish illustrator Siona Benjamin, who is known for her blue characters, draws Hava as a young blue girl in a sari. Follow Hava as she spreads joy and hope throughout the world.
Even the most pious Jew need not shed so many tears over the destruction of Jerusalem as the women were in the habit of shedding when Stempenyu was playing. The first work of Sholom Aleichem’s to be translated into English—this long out-of-print translation is the only one ever done under Aleichem’s personal supervision—Stempenyu is a prime example of the author’ s hallmark traits: his antic and often sardonic sense of humor, his whip-smart dialogue, his workaday mysticism, and his historic documentation of shtetl life. Held recently by scholars to be the story that inspired Marc Chagall’s “Fiddler on the Roof” painting (which in turn inspired the play that was subsequently based on Aleichem’s Tevye stories, not this novella), Stempenyu is the hysterical story of a young village girl who falls for a wildly popular klezmer fiddler—a character based upon an actual Yiddish musician whose fame set off a kind of pop hysteria in the shtetl. Thus the story, in this contemporaneous “authorized” translation, is a wonderful introduction to Aleichem’s work as he wanted it read, not to mention to the unique palaver of a nineteenth-century Yiddish rock star.
Audio disc contains: musical examples.
In Shtetl (Yiddish for "small town"), critically-acclaimed author Eva Hoffman brings the lost world of Eastern European Jews back to vivid life, depicting its complex institutions and vibrant culture, its beliefs, social distinctions, and customs. Through the small town of Braƒsk, she looks at the fascinating experiments in multicultural coexistence--still relevant to us today-- attempted in the eight centuries of Polish-Jewish history, and describes the forces which influenced Christian villagers' decisions to conceal or betray their Jewish neighbors in the dark period of the Holocaust.
In the early 1990s, thousands of emigres arrived in the United States from the former Soviet Union. Most of them were Jewish. Forced to leave behind many of their most precious possessions, including photographs and books, they brought with them only the few items they were allowed to squeeze into two small suitcases. But they also brought their most valuable possession of all--their memories. Book jacket.
An anti-romantic comedy about the misadventures of four women who meet on a singles' bike trip.
This first English translation of Sholom Aleichem's rediscovered novel, Moshkeleh the Thief, has a riveting plot, an unusual love story, and a keenly observed portrayal of an underclass Jew replete with characters never before been seen in Yiddish literature. The eponymous hero, Moshkeleh, is a robust chap and horse thief. When Tsireleh, daughter of a tavern keeper, flees to a monastery with the man she loves--a non-Jew she met at the tavern--the humiliated tavern keeper's family turns to Moshkeleh for help, not knowing he too is in love with her. For some unknown reason, this innovative novel does not appear in the standard twenty-eight-volume edition of Sholom Aleichem's collected works, published after his death. Strikingly, Moshkeleh the Thief shows Jews interacting with non-Jews in the Russian Pale of Settlement--a groundbreaking theme in modern Yiddish literature. This novel is also important for Sholom Aleichem's approach to his material. Yiddish literature had long maintained a tradition of edelkeyt, refinement. Authors eschewed violence, the darker side of life, and people on the fringe of respectability. Moshkeleh thus enters a Jewish arena not hitherto explored in a novel.
At once a thrilling whodunnit, a maddening romance, and an invigorating plunge into history, The Tsimbalist is a tale of Jews and Russians, depicting their complicated friendships, their dangerous enmities, and their illicit loves, all seen through the eyes of Avrom, a barber, musician, all-around mensch, and born detective. The year is 1871. The inhabitants of Balativke live in delicate balance -until a young Russian aristocrat is found murdered near the home of Koppel, a poor Jew. With the police unable to unravel the mystery of the aristocrat's murder, and blame falling upon Koppel amid a rising tide of anti-Jewish feeling, a desperate Avrom attempts to prevent disaster for his community by searching out the truth himself. Learning as much about the people he lives among as he does about the slain Arkady Olegovich, Avrom finds that few are who they seem. But could one of his neighbors really be a murderer?