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National parks are widely revered as “America’s best idea”—they are abundantly popular and remarkably noncontroversial in the United States. American presidents use these parks to stake their claims to environmentalism, assert a singular national history, and define a unified national identity, often doing so inside the parks themselves. However, the establishment and history of almost every national park has been riddled with conflict over competing claims to land, knowledge, and economic interests. Like any major area of public policy, the fissures present in debates over the national parks also represent important fracture lines in the public understanding of the meaning of America and of individual claims to citizenship. The park system, in other words, does a lot of political work for both presidents and the mass public, even though much of that work goes largely unnoticed. This book explores that political work by addressing themes of national origins and the dispossession of Indigenous peoples; monuments to the national past, heritage, and the assertion of a national narrative; environmentalism and natural resources; and exploitation of the national landscape for economic gain. In For the Enjoyment of the People, Mary Stuckey looks at the politics of the parks as well as what the parks can teach us about citizenship and what it means to be American. Stuckey asserts that through the national parks we can hope to explain the past, clarify the present, and project the future. Combining interdisciplinary conversations about tourism, public memory, national history, park history, the presidency, and national identity, Stuckey contributes insightful ideas to the conversation on the history of national parks while examining the natural, military, and patriotic nature of America’s best idea.
Ideology dominates social research, encouraged by rejections of nature and the past, and often ignores the direct experience of actual people. This archaeological study takes a different approach, grounding concepts of culture, landscape and art in ecological relations that embrace all of life. An ecological approach considers that life exists in the interactions of people with the environment surrounding them. This theoretical grounding therefore supports research at a local scale and validates the analysis of individual effort. The case studies explore individual perception, action and expression in a startlingly diverse set of objects and features from the past: natural and constructed monuments, ancient and recent rock paintings, petroglyphs, fresco paintings and impressionist landscape art. While traditional cultural approaches render ordinary people as proxies, these individuals, as members of families and communities, do the actual work of society, using their senses, bodies and minds. The analysis here therefore turns away from traditional speculations about the meanings of cultural things to look for evidence of the personal choices of travelers, inhabitants, pilgrims and artists as they acted, and attempt to gain insights from these decisions about the past as lived. The book will be of interest to scholars, researchers and advanced students in culture and society who may be restless in theatres of discourse dominated by self-affirming narratives, who wish to consider the fields of possibility in an environmental perspective that integrates culture with nature and humans with other beings in a singular, physical world.
The Akropolis: Monuments and Military Dominance -- The Agora: Form, Function, and Ideology -- The Astu: The Architectural Matrix of the Polis -- The Demes: Delineation and Interconnectivity -- Buildings and Democracy -- Appendix I: Building Chronology in Athens and Attika, 508/7 - 480/79 B.C.E. -- Appendix II: IG I3 4B, The Hekatompedon Decree: Text, Translation, and Brief Commentary -- Appendix III: Dating the Old Bouleuterion and Stoa Basileios.
We have no evidence that there is any personal Superbeing who has anything to do with our lives. The best evidence we have is that we live in a universe of chance and probability, with physical laws that can describe only the interaction of large objects. The only god we know is the god of chance which chooses, by natural selection, those who have adapted to their environment, and unceremoniously, without remorse, eliminates those who do not adapt. If we accept this apparent fact, we will make entirely different decisions about how we manage our personal lives, and the structure of our societies. We will see that blind allegiance to the wild mythologies of our major religions is ripping apart the fabric of our societies. The religions of Judaism, Christianity and Islam are schizophrenically bipolar. Until we realize we are blindly hating and killing each other on the basis of false myths, peaceful co-existence of all people will not be possible.
Shares the accomplishments of Gutzon Borglum, the sculptor responsible for the creation of Mount Rushmore, revealing his motivations for constructing the monument and the response he received after its completion.
The Bible is laced with stories in which strangers behave better than believers. What do these encounters with "others"--people from different cultures, religions, genders, economic and social classes--teach us about our own spiritual values, about the faith and God behind them? In Sacred Strangers, Nancy Haught leads readers through these stories, line by line, offering insight to open hearts to sacred strangers at a time when personal encounters can make us or break us--as people, Americans, and citizens of the world.
In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.