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Based on his widely read columns for The New Yorker, Ian Frazier's uproarious first novel, The Cursing Mommy's Book of Days, centers on a profoundly memorable character, sprung from an impressively fertile imagination. Structured as a daybook of sorts, the book follows the Cursing Mommy—beleaguered wife of Larry and mother of two boys, twelve and eight—as she tries (more or less) valiantly to offer tips on how to do various tasks around the home, only to end up on the ground, cursing, surrounded by broken glass. Her voice is somewhere between Phyllis Diller's and Sylvia Plath's: a hilariously desperate housewife with a taste for swearing and large glasses of red wine, who speaks to the frustrations of everyday life. Frazier has demonstrated an astonishing ability to operate with ease in a variety of registers: from On the Rez, an investigation into the lives of modern day Oglala Sioux written with a mix of humor, compassion, and imagination, to Dating Your Mom, a sidesplitting collection of humorous essays that imagines, among other things, how and why you might begin a romance with your mother. Here, Frazier tackles another genre with his usual grace and aplomb, as well as an extra helping of his trademark wicked wit. The Cursing Mommy's failures and weaknesses are our own—and Frazier gives them a loving, satirical spin that is uniquely his own.
The debut collection of raucous, dark, strange, satirical stories from the former Late Show with Stephen Colbert writer and New Yorker contributor, featuring a foreword by Stephen Colbert “Jen Spyra’s stories are shocking, silly, smart, and absurdly funny. Underline both those words, I don’t care how much it costs!”—Tina Fey A bride so desperate to get in shape for her wedding that she enrolls in a new kind of workout program that promises the moon but costs more than she bargained for. A snowman who, on the wish of a child, comes to life in a decidedly less savory way than in the childhood classic. And in the title story, a time-hopping 1940s starlet tries to claw her way to the top in modern-day Hollywood, despite being ridiculously unwoke. In this uproarious, addictive debut, Jen Spyra takes a culture that seems almost beyond parody and holds it up to a funhouse mirror, immersing the reader in a world of prehistoric influencers, woodland creatures plagued by millennial neuroses, and an all-out birthday bash determined to be the most lavish celebration of all time, by any means necessary. Welcome, brave soul, to the world of Jen Spyra.
Very short humorous stories
Opening in 1969 in New England, I KNOW WHERE I AM WHEN I'M FALLING is as rich in relationships as the colours and textures of the time. Ruby Lambert, is the eldest daughter in the eccentric Lambert family who get caught up in the life of Angus Aleshire, a charming, smart and athletic boy who they try to help and who shares Ruby's unconventional bent and love of the piano. Ruby and Angus fall in love but Angus has a dark side. His boyish charms start to wear thin losing him family and friends along the way and when his clever schemes and misbehavior get him in trouble, culminating with an art heist, he tries even Ruby’s love for him. The story spans thirteen years, and poses uncomfortable questions about the blindness of love, nurture versus nature and life through rose tinted glasses. Ruby struggles to square her vision of Angus’s potential with the unsettling and mounting reality.
Thirty-five humorous essays exploring middle age, motherhood, marriage, divorce, cancer, and other potholes along the road of life. Finalist for the Thurber Prize for American Humor In Would Everybody Please Stop?, Jenny Allen asks the tough questions: Why do people say “It is what it is”? What’s the point of fat-free half-and-half? Why don’t the women detectives on TV carry purses, and where are we supposed to think they keep all their stuff? And haven’t we heard enough about memes? Reporting from the potholes midway through life’s journey, Allen addresses these and other more serious matters, like the rude awakenings of being single after twenty-five years, of mothering a teenager, and of living with a serious illness. She also discusses life’s everyday trials, like the horrors of attempting a crafts project, the anxieties of being a houseguest, and the ever-changing rules of recycling. Allen is a performer at heart—her one-woman show I Got Sick Then I Got Better premiered in 2009, and she regularly acts in other plays—and she brings that same spirit to these thirty-five short essays, which read like the work of a female Dave Barry. Writing on places both real (like a swag den for celebrities at Sundance and the parking lot at L.L.Bean’s flagship store) and imaginary (a Buddhist retreat attended by Martha Stewart, Elmer Fudd’s psychotherapy appointment), Allen’s wit and compassion give a fresh slant on life’s ups and downs.
Dispatches from the front lines of American culture by the great humorist Ian Frazier, “America’s greatest essayist” (Los Angeles Times), has gathered his insights on the most urgent issues of today in Cranial Fracking. From climate change (what did Al Gore say at his colloquium on the rising temperatures in Hell?) to the state of culture (what do you do when you’re afflicted with Loss of Funding?) to Texas (what should we do with Texas?), he has all the answers. Or, at the very least, a lot of questions. Frazier is endlessly curious and perpetually delighted, and seeing the absurdity of the world through his eyes is irresistible. Once more, the author of Hogs Wild and Travels in Siberia has struck oil.
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NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran. When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”
Clara Lugo grew up in a home that would have rattled the most grounded of children. Through brains and determination, she has long since slipped the bonds of her confining Dominican neighborhood in the northern reaches of Manhattan. Now she tries to live a settled professional life with her American husband and son in the suburbs of New Jersey—often thwarted by her constellation of relatives who don’t understand her gringa ways. Her mostly happy life is disrupted, however, when Tito, a former boyfriend from fifteen years earlier, reappears. Something has impeded his passage into adulthood. His mother calls him an Unfinished Man. He still carries a torch for Clara; and she harbors a secret from their past. Their reacquaintance sets in motion an unraveling of both of their lives and reveals what the cost of assimilation—or the absence of it—has meant for each of them. This immensely entertaining novel—filled with wit and compassion—marks the debut of a fine writer.
A hilarious collection inspired by a former Saturday Night Live writer's real experiences in Hollywood, chronicling the absurdity of fame and the humanity of failure in a world dominated by social media influencers and reality TV stars. Simon Rich is "one of the funniest writers in America" (Daily Beast) -- a humorist who draws comparisons to Douglas Adams (New York Times Book Review), James Thurber, and P.G. Wodehouse (The Guardian). With Hits and Misses, he's back with a hilarious new collection of stories about dreaming big and falling flat, about ordinary people desperate for stardom and the stars who are bored by having it all. Inspired by Rich's real experiences in Hollywood, Hits and Misses chronicles all the absurdity of fame and success alongside the heartbreaking humanity of failure. From a bitter tell-all by the horse Paul Revere rode to greatness to a gushing magazine profile of everyone's favorite World War II dictator, these stories roam across time and space to skewer our obsession with making it big -- from the days of ancient Babylon to the age of TMZ.