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AN ANTHOLOGY FROM THE AUTHOR OF STONER Poetry in English as we know it was largely invented in England between the early 1500s and 1630, and yet for many years the poetry of the era was considered little more than a run-up to Shakespeare. The twentieth century brought a reevaluation, and the English Renaissance has since come to be recognized as the period of extraordinary poetic experimentation that it was. Never since have the possibilities of poetic form and, especially, poetic voice—from the sublime to the scandalous and slangy—been so various and inviting. This is poetry that speaks directly across the centuries to the renaissance of poetic exploration in our own time. John Williams’s celebrated anthology includes not only some of the most famous poems by some of the most famous poets of the English language (Sir Thomas Wyatt, John Donne, and of course Shakespeare) but also-—-and this is what makes Williams’s book such a rare and rich resource—the strikingly original work of little-known masters like George Gascoigne and Fulke Greville.
Outstanding anthology features more than 150 English and American masterpieces spanning over 400 years. "Death Be Not Proud," "The Tyger," "I Wandered Lonely as a Cloud," plus works by Tennyson, Whitman, Dickinson, Yeats, Frost, others. Includes 3 selections from the Common Core State Standards Initiative.
This edition contains all Milton's English poems, with the exception of Paradise Lost, together with translations and texts of all his Latin, Italian and Greek poems. It provides explanatory notes and a summary of modern criticisms for each poem.
This hardcover edition presents an international sampling of classic poetry. It features ancient Greek, Latin, and Persian poets such as Homer, Sappho, and Martial as well as Arabic, Chinese, German, Indian, Japanese, and Yiddish poems from the 12th century BC through the 20th century, plus English, Irish, and American classics by Yeats, Byron, Dickinson, and others.
English-born poet, whose world view developed from youthful rebellion to rediscovered Anglo-Catholicism. In his work Auden reconciled tradition and modernism. Auden is widely considered among the greatest literary figures of the 20th century.
“Nye’s sheer joy in communicating, creativity, and caring shine through.”—Kirkus Reviews A moving and celebratory poetry collection from Young People’s Poet Laureate and National Book Award Finalist Naomi Shihab Nye. This resonant volume explores the similarities we share with the people around us—family, friends, and complete strangers. Honey. Beeswax. Pollinate. Hive. Colony. Work. Dance. Communicate. Industrious. Buzz. Sting. Cooperate. Where would we be without honeybees? Where would we be without one another? In eighty-two poems and paragraphs (including the renowned Gate A-4), Naomi Shihab Nye alights on the essentials of our time—our loved ones, our dense air, our wars, our memories, our planet—and leaves us feeling curiously sweeter and profoundly soothed. Includes an introduction by the poet.
Including authoritative texts of poems by twenty-three major and minor poets--from John Donne, Edmund Spenser, William Shakespeare, and Ben Jonson to George Gasciogne and Fulke Greville--and Williams' critical preface, English Renaissance Poetry remains an invaluable introductory anthology of short poems from our first modern poetry.
This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.