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Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts.
Film Distribution in the Digital Age critically examines the evolution of the landscape of film distribution in recent years. In doing so, it argues that the interlocking ecosystem(s) of media dissemination must be considered holistically and culturally if we are to truly understand the transnational flows of cultural texts.
Designed for aspiring filmmakers or for a course in short film distribution, this book teaches the fundamentals of promoting and distributing short films and videos. Chapters cover the elements of utilizing social networking to self-promote, entering film festivals, negotiating with broadcast distributors, understanding the various outlets, and distributing alternative work such as Webisodes, demo reels, music videos, and commercials. Readers will follow a five-step distribution plan to maximize the potential of their projects and advance their careers as directors, cinematographers, or editors. The book includes a companion DVD with important contracts, forms, memos, top festivals, and short film buyers. Solutions to exercises and PowerPoint slides are available to instructors.
This work looks at the history of the short film and its current role. It focuses on contemporary short-film producers and directors, and its role as a training opportunity for new talent. It also covers issues of distribution, funding, exhibition, festivals, training and publications.
Designed for aspiring filmmakers or for a course in short film distribution, this book teaches the fundamentals of promoting and distributing short films and videos. Chapters cover the elements of utilizing social networking to self-promote, entering film festivals, negotiating with broadcast distributors, understanding the various outlets, and distributing alternative work such as Webisodes, demo reels, music videos, and commercials. Readers will follow a five-step distribution plan to maximize the potential of their projects and advance their careers as directors, cinematographers, or editors. The book includes a companion DVD with important contracts, forms, memos, top festivals, and short film buyers. Solutions to exercises and PowerPoint slides are available to instructors.
Have you made a short film and are wondering how to share it with the world? How to get it screened by festivals? How to sell it successfully? Or whether you should publish it online? Then this is the book for you.Hundreds of short films are released every day, but many of them get lost in the sheer flood of projects. Filmmakers are often frustrated because there are numerous distribution options, but they don't know which ones are best for their film. Others pay a lot of money for distribution, but without the desired success and finally give up with a broken heart. But there is another way!As an independent filmmaker and also as an employee of a large film agency, I have promoted short films for more than a decade. By evaluating thousands of projects, I learned how to release and market them most effectively and successfully.By now my own films have been screened at over 800 festivals worldwide, won numerous awards, and usually sold for a profit.In this book, I'll share with you all the insights I've gathered over the years.
This work looks at the history of the short film and its current role. It focuses on contemporary short-film producers and directors, and its role as a training opportunity for new talent. It also covers issues of distribution, funding, exhibition, festivals, training and publications.
To understand the creative fabric of digital networks, scholars of literary and cultural studies must turn their attention to crowdsourced forms of production, discussion, and distribution. Digital Encounters explores the influence of an increasingly networked world on contemporary Latin American cultural production. Drawing on a spectrum of case studies, the contributors to this volume examine literature, art, and political activism as they dialogue with programming languages, social media platforms, online publishing, and geospatial metadata. Implicit within these connections are questions of power, privilege, and stratification. The book critically examines issues of inequitable access and data privacy, technology’s capacity to divide people from one another, and the digital space as a site of racialized and gendered violence. Through an expansive approach to the study of connectivity, Digital Encounters illustrates how new connections – between analog and digital, human and machine, print text and pixel – alter representations of self, Other, and world.
Where does a young filmmaker begin? With the right short-film concept and this book! The right short can be a filmmaker's "business card" in Hollywood. Here's the authoritative handbook by one of Hollywood's most connected insiders that offers a step-by-step guide through the entire creative process of shooting a short film, as well as expert advice from established filmmakers, and a final game plan for promoting and selling the film once it's in the can.Topics covered include: € Concept € Budget € Finding equipment € Assembling a crew € Casting € Arranging for location € Locating festivals and ancillary markets € Working with the unions € Film vs. digital video Plus:€ A list of film schools € Oscar-winning shorts and nominees € A selection of short-film festivals € Actual short-film budgets € Sample scripts and shooting schedules € A helpful short-film glossary
Indie Cinema Online investigates the changing nature of contemporary American independent cinema in an era of media convergence. Focusing on the ways in which modes of production, distribution, and exhibition are shifting with the advent of online streaming, simultaneous release strategies, and web series, this book analyzes sites such as SundanceTV, YouTube, Netflix, Hulu, and other online spaces as a means of redefining independent cinema in a digital era. Analyzing the intersections among cinema studies, cultural studies, and new media studies within contemporary convergence culture, author Sarah E.S. Sinwell looks at sites of media convergence that are often ignored within most studies of digital media. Emphasizing the ways in which the forms and technologies of media culture have changed during the age of convergence, this book analyzes contemporary production, distribution, and exhibition practices as a means of examining the changing meanings of independent cinema within digital culture.