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"A new collection of poetry by Chris Nealon"--
Three stories, three lives, three journeys to find a place called home. Cheung Wing is escaping from war, Mei Lan’s had enough of the potato peeler, and Yi Di wants the impossible – her parents’ approval. Award-winning writer Mary Cooper and multilingual collaborator M W Sun have woven together stories of love and loss, struggle and survival into a powerful drama. Blending English, Mandarin and Cantonese, From Shore to Shore tells the untold stories of Chinese communities in the UK. Reviews "Drawn from conversations with Chinese people living in West Yorkshire, the stories are compelling not for any high drama but for the rich detail of lives lived. They have the impressionistic quality of a dream. There’s the boy separated from his mother during the Sino-Japanese war; the clever daughter born under China’s one-child policy, never good enough for the father who wanted a son; and the girl suffering playground racism after an early childhood in Hong Kong. Their displacement is not just from one side of the world to the other. It’s in the shifting attitudes of the generations, a clash of values as well as of cultures. What emerges is a quest for self-definition: what does it mean to be Chinese when being Chinese can mean so many things?" **** The Guardian Authors: Mary Cooper Award-winning writer, Mary Cooper, has written extensively for theatre, radio and television. She has written more than 30 stage plays which have been commissioned and toured by theatre companies throughout England and Wales. For radio, she has written seven single plays and a ten part series for BBC Radio Four. For screen, her short film Missing Out won the IVCA Award for Best Drama and for television she was a winner in the Granada/Yorkshire New Voices scheme. www.mary-cooper.co.uk MW Sun MW Sun 孙培德 was born in Shanghai but grew up in Hong Kong. She is a former news journalist reporting for the BBC, CNBC and Radio Television Hong Kong in London, China, Hong Kong and Singapore. Her short play, Arachnophobia, was produced by Yellow Earth Theatre. She is currently working on a commissioned new play and a novel.
Stephen Shore's Uncommon Places is indisputably a canonic body of work--a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore's unique vision of America as transmuted in this totemic series. Texts and image selections by Wes Anderson, Quentin Bajac, David Campany, Paul Graham, Guido Guidi, Takashi Homma, An-My Leê, Michael Lesy, Hans Ulrich Obrist, Francine Prose, Ed Ruscha, Britt Salvesen, Taryn Simon, Thomas Struth, and Lynne Tillman
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"Originally published in 1982, Stephen Shore's legendary Uncommon Places has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition over the past forty years. Uncommon Places: The Complete Works, published by Aperture in 2004, presents a definitive collection of the landmark series, and in the span of a decade, has become a contemporary classic. Now, for this lushly produced reissue, the artist has added twenty rediscovered images and a statement explaining what it means to expand a series now many decades old. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore in these images retains precise internal systems of gestures in composition and light, through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to his signature landscapes with which Uncommon Places is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits." -- Publisher's description.