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The Shogun's Scroll offers a look at the samurai strategies and ethics of medieval Japan distilled into language modern readers can relate to and follow. In the tradition of The Art of War and The Book of Five Rings, this book offers timeless advice on success in war and life. Written in the voice of Hidetomo Nakadai, a late twelfth-century scholar and servant in the court of Minamoto Yoritomo--the first shogun of Japan and one of the world's most ruthless generals--this treatise can be used as a guide for personal growth and motivation. The author draws on a lifetime of personal experiences with the philosophy of Japanese martial arts as well as countless historical sources to produce this profound work of docu-fiction. It is essential reading for those interested in martial arts, samurai, military history or Japanese history.
SOON TO BE AN FX LIMITED SERIES • A bold English adventurer. An invincible Japanese warlord. A beautiful woman torn between two ways of life. All brought together in an extraordinary saga aflame with passion, conflict, ambition, and the struggle for power. Here is the world-famous novel of Japan that is the earliest book in James Clavell’s masterly Asian saga. Set in the year 1600, it tells the story of a bold English pilot whose ship was blown ashore in Japan, where he encountered two people who were to change his life: a warlord with his own quest for power, and a beautiful interpreter torn between two ways of life and two ways of love. The principal figures are John Blackthorne, whose dream it is to be the first Englishman to circumnavigate the globe, to wrest control of the trade between Japan and China from Portuguese, and to return home a man of wealth and position; Toranaga, the most powerful feudal lord in Japan, who strives and schemes to seize ultimate power by becoming Shogun—the Supreme Military Dictator—and to unite the warring samurai fiefdoms under his own masterly and farsighted leadership; and the Lady Mariko, a Catholic convert whose conflicting loyalties to the Church and her country are compounded when she falls in love with Blackthorne, the barbarian intruder. In dramatizing how a Westerner, the representative man of his time, comes to be altered by his exposure to an alien culture, Mr. Clavell provides a spellbinding depiction of a nation seething with violence and intrigue as it moves from the medieval world to the modern. Praise for Shogun “I can’t remember when a novel has seized my mind like this one. . . . It’s not only something you read—you live it.”—New York Times Book Review “Adventure and action, the suspense of danger, shocking touching human relationships . . . a climactic human story.”—Los Angeles Times “A tale surging with action, intrigue and love . . . a huge cast . . . vast and dramatic . . . stunning . . . savage . . . beautiful . . . an extraordinary performance.”—Publishers Weekly “Exciting, totally absorbing...be prepared for late nights, meals unlasting, buisness unattended.”—Philadelphia Inquirer
First Published in 1995. Some thirty years have passed since the death of Noel Nouet. He was a revered teacher, historian, writer and talented woodblock artist who became the author’s person friend during the 1950s in Japan. The original French edition of this book (1961) began with Noel Nouer's description of what he intended his book to be. He had no claims, he said, to have written a scholarly work. Rather he wanted 'to present a kind of emakimono, picture-scroll, of Tokyo' that would be 'pleasant to peruse’.
Tosa Mitsunobu and the Small Scroll in Medieval Japan is the first book-length study to focus on short-story small scrolls (ko-e), one of the most complex but visually appealing forms of early Japanese painting. Small picture scrolls emerged in Japan during the fourteenth century and were unusual in constituting approximately half the height of the narrative handscrolls that had been produced and appreciated in Japan for centuries. Melissa McCormick's history of the small scroll tells the story of its emergence and highlights its unique pictorial qualities and production contexts in ways that illuminate the larger history of Japanese narrative painting. Small scrolls illustrated short stories of personal transformation, a new literary form suffused with an awareness of the Buddhist notion of the illusory nature of worldly desires. The most accomplished examples of the genre resulted from the collaboration of the imperial court painter Tosa Mitsunobu (active ca. 1469-1522) and the erudite Kyoto aristocrat Sanjonishi Sanetaka (1455-1537). McCormick unveils the cultural milieu and the politics of patronage through diaries, letters, and archival materials, exposing the many layers of allusion that were embedded in these scrolls, while offering close readings that articulate the artistic language developed to an extreme level of refinement. In doing so, McCormick also offers the first sustained examination in English of Tosa Mitsunobu's extensive and underappreciated body of artistic achievements. The three scrolls that form the core of the study are A Wakeful Sleep (Utatane soshi emaki), which recounts the miraculous union of a man and a woman who had previously encountered each other only in their dreams; The Jizo Hall (Jizodo soshi emaki), which tells the story of a wayward monk who achieves enlightenment with the help of a dragon princess; and Breaking the Inkstone (Suzuriwari soshi emaki), which narrates the sacrifice of a young boy for his household servant and its tragic consequences. These three works are easily among the most artistically accomplished and sophisticated small scrolls to have survived.
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'. “Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews “[A] stylishly written and provocative cultural history.”—Monumenta Nipponica “As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).
Rising from the fragrant, soothing water, Hideo allowed the liquid to stream down his face. His long hair trailed down his well-muscled neck in a satisfying weighty mass. Wiping his eyes and completely relaxed, Hideo looked first at the swords on the stand nearest him and then fell into a reverie. His earliest childhood memory was not of his beloved mother but of his fathers swords. The ritual was invariable. Before his father would kiss his mother, before his father would greet or dandle him, the man who had had the courage and audacity to marry the daughter of one of the Dictator Odas concubines removed his sandals with great care and walked to the black lacquer, double sword stand and, employing ever greater care, first removed the long sword from his sash and then the shorter sword. Each was positioned with incredible accuracy so that the handle and guard were outside of the cradle formed by the arms of the stand. The long sword was always placed above the shorter one. Their graceful curves, shining black lacquer scabbards, and silk-wrapped grips fascinated Hideo. They were so intimately associated with his fathera kindly but serious man of few words. Shogun Iemitsu chronicles a day in the life of two young samurai, Hideo and Kobiyashi, as they attend a festival, fall in love, and put down a rebellion against the Tokugawa government that changes their lives forever. Shogun Iemitsu is based entirely on historical events, and it is filled with breathtaking details of life under the Shoguns. A must-read for anyone who enjoyed James Clavell's Shogun. Shogun Iemitsu will thrill beyond your wildest expectations!
""In 13th century Japan, General Macbeth is victorious in battle and awarded the title of Ryoshu of Akita. Almost immediately he is visited by the legendary witches called the Three Yojos. In the thrall of their spell, he is consumed by ruthless ambition. He instigates a plot to become the new Shogun and, with the help and incitement of his wife, begins to slaughter his way to the royal crown and ultimately to meet his doom."--Publisher's description.
Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.
Tsunayoshi (1646–1709), the fifth Tokugawa shogun, is one of the most notorious figures in Japanese history. Viewed by many as a tyrant, his policies were deemed eccentric, extreme, and unorthodox. His Laws of Compassion, which made the maltreatment of dogs an offense punishable by death, earned him the nickname Dog Shogun, by which he is still popularly known today. However, Tsunayoshi’s rule coincides with the famed Genroku era, a period of unprecedented cultural growth and prosperity that Japan would not experience again until the mid-twentieth century. It was under Tsunayoshi that for the first time in Japanese history considerable numbers of ordinary townspeople were in a financial position to acquire an education and enjoy many of the amusements previously reserved for the ruling elite. Based on a masterful re-examination of primary sources, this exciting new work by a senior scholar of the Tokugawa period maintains that Tsunayoshi’s notoriety stems largely from the work of samurai historians and officials who saw their privileges challenged by a ruler sympathetic to commoners. Beatrice Bodart-Bailey’s insightful analysis of Tsunayoshi’s background sheds new light on his personality and the policies associated with his shogunate. Tsunayoshi was the fourth son of Tokugawa Iemitsu (1604–1651) and left largely in the care of his mother, the daughter of a greengrocer. Under her influence, Bodart-Bailey argues, the future ruler rebelled against the values of his class. As evidence she cites the fact that, as shogun, Tsunayoshi not only decreed the registration of dogs, which were kept in large numbers by samurai and posed a threat to the populace, but also the registration of pregnant women and young children to prevent infanticide. He decreed, moreover, that officials take on the onerous tasks of finding homes for abandoned children and caring for sick travelers. In the eyes of his detractors, Tsunayoshi’s interest in Confucian and Buddhist studies and his other intellectual pursuits were merely distractions for a dilettante. Bodart-Bailey counters that view by pointing out that one of Japan’s most important political philosophers, Ogyû Sorai, learned his craft under the fifth shogun. Sorai not only praised Tsunayoshi’s government, but his writings constitute the theoretical framework for many of the ruler’s controversial policies. Another salutary aspect of Tsunayoshi’s leadership that Bodart-Bailey brings to light is his role in preventing the famines and riots that would have undoubtedly taken place following the worst earthquake and tsunami as well as the most violent eruption of Mount Fuji in history—all of which occurred during the final years of Tsunayoshi's shogunate. The Dog Shogun is a thoroughly revisionist work of Japanese political history that touches on many social, intellectual, and economic developments as well. As such it promises to become a standard text on late-seventeenth and early-eighteenth-century Japan.