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Laura Joh Rowland's thrilling series set in Feudal Japan is as gripping and entertaining as ever with The Shogun's Daughter. Japan, 1704. In an elegant mansion a young woman named Tsuruhime lies on her deathbed, attended by her nurse. Smallpox pustules cover her face. Incense burns, to banish the evil spirits of disease. After Tsuruhime takes her last breath, the old woman watching from the doorway says, "Who's going to tell the Shogun his daughter is dead?" The death of the Shogun's daughter has immediate consequences on his regime. There will be no grandchild to leave the kingdom. Faced with his own mortality and beset by troubles caused by the recent earthquake, he names as his heir Yoshisato, the seventeen-year-old son he only recently discovered was his. Until five months ago, Yoshisato was raised as the illegitimate son of Yanagisawa, the shogun's favorite advisor. Yanagisawa is also the longtime enemy of Sano Ichiro. Sano doubts that Yoshisato is really the Shogun's son, believing it's more likely a power-play by Yanagisawa. When Sano learns that Tsuruhime's death may have been a murder, he sets off on a dangerous investigation that leads to more death and destruction as he struggles to keep his pregnant wife, Reiko, and his son safe. Instead, he and his family become the accused. And this time, they may not survive the day.
Perhaps not since Ralph Tyler's (1949) Basic Principles of Curriculum and Instruction has a book communicated the field as completely as Understanding Curriculum. From historical discourses to breaking developments in feminist, poststructuralist, and racial theory, including chapters on political theory, phenomenology, aesthetics, theology, international developments, and a lengthy chapter on institutional concerns, the American curriculum field is here. It will be an indispensable textbook for undergraduate and graduate courses alike.
SOON TO BE AN FX LIMITED SERIES • A bold English adventurer. An invincible Japanese warlord. A beautiful woman torn between two ways of life. All brought together in an extraordinary saga aflame with passion, conflict, ambition, and the struggle for power. Here is the world-famous novel of Japan that is the earliest book in James Clavell’s masterly Asian saga. Set in the year 1600, it tells the story of a bold English pilot whose ship was blown ashore in Japan, where he encountered two people who were to change his life: a warlord with his own quest for power, and a beautiful interpreter torn between two ways of life and two ways of love. The principal figures are John Blackthorne, whose dream it is to be the first Englishman to circumnavigate the globe, to wrest control of the trade between Japan and China from Portuguese, and to return home a man of wealth and position; Toranaga, the most powerful feudal lord in Japan, who strives and schemes to seize ultimate power by becoming Shogun—the Supreme Military Dictator—and to unite the warring samurai fiefdoms under his own masterly and farsighted leadership; and the Lady Mariko, a Catholic convert whose conflicting loyalties to the Church and her country are compounded when she falls in love with Blackthorne, the barbarian intruder. In dramatizing how a Westerner, the representative man of his time, comes to be altered by his exposure to an alien culture, Mr. Clavell provides a spellbinding depiction of a nation seething with violence and intrigue as it moves from the medieval world to the modern. Praise for Shogun “I can’t remember when a novel has seized my mind like this one. . . . It’s not only something you read—you live it.”—New York Times Book Review “Adventure and action, the suspense of danger, shocking touching human relationships . . . a climactic human story.”—Los Angeles Times “A tale surging with action, intrigue and love . . . a huge cast . . . vast and dramatic . . . stunning . . . savage . . . beautiful . . . an extraordinary performance.”—Publishers Weekly “Exciting, totally absorbing...be prepared for late nights, meals unlasting, buisness unattended.”—Philadelphia Inquirer
The Man in the High Castle meets Pacific Rim in this action-packed alternate history novel from the award-winning author of United States of Japan and Mecha Samurai Empire. NO ONE SURVIVES AN ALLIANCE WITH THE NAZIS. NOT WITHOUT USE OF FORCE. Seattle, 2019. After a severe injury, ace mecha designer and pilot Reiko Morikawa is recruited to a secret organization plotting a revolt against the corrupt governor (and Nazi sympathizer) of the United States of Japan. When their plan to save the USJ from itself goes awry, the mission is only saved from failure because the governor is killed by an assassin known as Bloody Mary. But the assassin isn't satisfied with just the governor. Bishop Wakana used to be a cop. Now he's an agent of the Tokko, the secret police. Following the trail of a Nazi scientist, Bishop discovers a web of weapons smuggling, black market mecha parts--and a mysterious assassin. This killer once hunted Nazis but now seems to be targeting the USJ itself. As the leaders of the United States of Japan come to realize the devil's bargain they made in their uneasy alliance with the Nazis, Bishop and Reiko are hot on the trail of Bloody Mary, trying to stop her before it's too late.
Rising from the fragrant, soothing water, Hideo allowed the liquid to stream down his face. His long hair trailed down his well-muscled neck in a satisfying weighty mass. Wiping his eyes and completely relaxed, Hideo looked first at the swords on the stand nearest him and then fell into a reverie. His earliest childhood memory was not of his beloved mother but of his fathers swords. The ritual was invariable. Before his father would kiss his mother, before his father would greet or dandle him, the man who had had the courage and audacity to marry the daughter of one of the Dictator Odas concubines removed his sandals with great care and walked to the black lacquer, double sword stand and, employing ever greater care, first removed the long sword from his sash and then the shorter sword. Each was positioned with incredible accuracy so that the handle and guard were outside of the cradle formed by the arms of the stand. The long sword was always placed above the shorter one. Their graceful curves, shining black lacquer scabbards, and silk-wrapped grips fascinated Hideo. They were so intimately associated with his fathera kindly but serious man of few words. Shogun Iemitsu chronicles a day in the life of two young samurai, Hideo and Kobiyashi, as they attend a festival, fall in love, and put down a rebellion against the Tokugawa government that changes their lives forever. Shogun Iemitsu is based entirely on historical events, and it is filled with breathtaking details of life under the Shoguns. A must-read for anyone who enjoyed James Clavell's Shogun. Shogun Iemitsu will thrill beyond your wildest expectations!
*Finalist for the Pulitzer Prize in Biography* *Winner of the 2020 National Book Critics Circle Award* *Winner of the PEN/Jacqueline Bograd Weld Award for Biography* A “captivating” (The Washington Post) work of history that explores the life of an unconventional woman during the first half of the 19th century in Edo—the city that would become Tokyo—and a portrait of a city on the brink of a momentous encounter with the West. The daughter of a Buddhist priest, Tsuneno was born in a rural Japanese village and was expected to live a traditional life much like her mother’s. But after three divorces—and a temperament much too strong-willed for her family’s approval—she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak. With Tsuneno as our guide, we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions. “A compelling story, traced with meticulous detail and told with exquisite sympathy” (The Wall Street Journal), Stranger in the Shogun’s City is “a vivid, polyphonic portrait of life in 19th-century Japan [that] evokes the Shogun era with panache and insight” (National Review of Books).
The East India Company, founded in London in 1600, was originally a spice trading organisation. But its governors soon began to think bigger. After a decade, they started to plan voyages to more fabulous places, notably India and Japan. Rich in silver, Japan was a desirable trading partner; crucially, it was also cold in winter. England's main export was woollen cloth, which would not sell in hot places, so the Company envisaged adding to its spice runs by sailing back and forth to Japan, exchanging wool for silver. Maps suggested that this could be done quickly, above Russian. But these maps also made Japan twenty times too large, the size of India in fact. Knowing the Spanish and Portuguese had preceded them, the Company prepared a special present for its first extended sailing to India and Japan. In the end, the Company missed India, but got to Japan in 1613. The Shogun, the military dictator of Japan, was presented with a silver telescope in the name of King James. It was the first telescope ever to leave Europe and the first made as a presentation item. Before this initial ship had even returned, the Company dispatched another, named the New Year's Gift, with an equally stunning cargo: almost 100 oil paintings. These would be given and sold to the Indian and Japanese courts. This book looks at the formation and history of the Company, but mostly examines the meaning of these two extraordinary cargoes. What were they supposed to mean, and what effect did they have on quizzical Asian rulers?
The East India Company, founded in London in 1600, was the world's biggest trading organization until the twentieth century. It was originally a spice trading organization, and its existence was precarious in its early years. But its governors soon began to think bigger. A decade after its foundation, they started to plan voyages to more adventurous places, notably Japan. Japan had silver, was cold in winter, and had no sheep, so was a perfect market for England's main export, woollen cloth. The Company planned to add to its spice-runs, sailing back and forth to Japan, exchanging wool for silver. This could be done quickly and easily, over the top of Russia - or so the maps of the day suggested (these same maps also showed Japan twenty times too large, about the size of India). Knowing the Spanish and Portuguese had got there before them, the Company prepared a special present to impress and win over their Japanese hosts. They chose as their first gift a silver telescope. The expedition carrying the telescope departed in 1611, and the Shogun was finally presented with the telescope in the name of King James I in 1613. It was the first telescope ever to leave Europe, and the first made as a presentation item. Before this voyage had even returned, the Company had dispatched another with an equally stunning cargo: nearly a hundred oil paintings. This is the story of these two extraordinary cargoes: what they meant for the fortunes of the Company, what the choice of them says about the seventeenth century England from which they came, and what effect they had on the quizzical Asian rulers to whom they were given.
A wide-ranging, readable account of an eccentric and exceptional man who crossed cultures and changed history.
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'. “Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews “[A] stylishly written and provocative cultural history.”—Monumenta Nipponica “As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).