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The authors recount their decades of UFO research, offering their views on controversial topics including government cover-ups and alien abductions.
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
American society has changed dramatically since A Culture of Conspiracy was first published in 2001. In this revised and expanded edition, Michael Barkun delves deeper into America's conspiracy sub-culture, exploring the rise of 9/11 conspiracy theories, the "birther" controversy surrounding Barack Obama's American citizenship, and how the conspiracy landscape has changed with the rise of the Internet and other new media. What do UFO believers, Christian millennialists, and right-wing conspiracy theorists have in common? According to Michael Barkun in this fascinating yet disturbing book, quite a lot. It is well known that some Americans are obsessed with conspiracies. The Kennedy assassination, the Oklahoma City bombing, and the 2001 terrorist attacks have all generated elaborate stories of hidden plots. What is far less known is the extent to which conspiracist worldviews have recently become linked in strange and unpredictable ways with other "fringe" notions such as a belief in UFOs, Nostradamus, and the Illuminati. Unraveling the extraordinary genealogies and permutations of these increasingly widespread ideas, Barkun shows how this web of urban legends has spread among subcultures on the Internet and through mass media, how a new style of conspiracy thinking has recently arisen, and how this phenomenon relates to larger changes in American culture. This book, written by a leading expert on the subject, is the most comprehensive and authoritative examination of contemporary American conspiracism to date. Barkun discusses a range of material-involving inner-earth caves, government black helicopters, alien abductions, secret New World Order cabals, and much more-that few realize exists in our culture. Looking closely at the manifestations of these ideas in a wide range of literature and source material from religious and political literature, to New Age and UFO publications, to popular culture phenomena such as The X-Files, and to websites, radio programs, and more, Barkun finds that America is in the throes of an unrivaled period of millenarian activity. His book underscores the importance of understanding why this phenomenon is now spreading into more mainstream segments of American culture.
A social and cultural history of exploitation films, which were produced on the fringes of Hollywood and often dealt with subjects forbidden by the Production Code.
Toward the end of the twentieth century, science fiction television took a dark turn. Series like The X-Files, Millennium, and Dark Skies wove menacing technologies, paranormal forces, and shadowy government agencies into complex tales of corruption and cover-ups. Mind control, alien abductions, secret government laboratories, and implacable “men in black” moved from the fringes to the mainstream of American culture, making weekly appearances in living rooms everywhere. Other series that played on fears of new technologies—such as virtual reality—set the stage for unfamiliar kinds of exploitation, while Dark Angel offered glimpses of a near-future wasteland devastated by a technological catastrophe. In The Paranormal and the Paranoid: Conspiratorial Science Fiction Television, Aaron John Gulyas explores the themes that permeated and defined science fiction television at the turn of the millennium. The author traces the roots of this phenomenon in an earlier generation of series including The Invaders, Kolchak: The Night Stalker,and Project U.F.O. and examines how changes in the cultural landscape led to the proliferation of these types of shows. This book delves into the internal mythology of shows like The X-Files, resurrects now-forgotten series like Wild Palms and VR.5, and provides an important glimpse into American culture at the close of the twentieth century. While exploring the pervasive grimness of these shows, Gulyas also examines how they offer hope in the form of heroes—like agents Scully and Mulder—who relentlessly dug through the tissue of lies and distortions to find and expose the truth. The Paranormal and the Paranoid will appeal to scholars of media studies, sociology, and science fiction—not to mention fans of these programs and even conspiracy theorists.
The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since itsinception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology.The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and itsrelationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television tovideogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important(sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on theworld, from the Enlightenment to the present day.
Channel 4's The Mill captivated viewers with the tales of the lives of the young girls and boys in a northern mill. Focusing on the lives of the apprentices at Quarry Bank Mill, David Hanson's book uses a wealth of first-person source material including letters, diaries, mill records, to tell the stories of the children who lived and worked at Quarry Bank throughout the nineteenth century. This book perfectly accompanies the television series, satisfying viewers' curiosity about the history of the children of Quarry Bank. It reveals the real lives of the television series' main characters: Esther, Daniel, Lucy and Susannah, showing how shockingly close to the truth the dramatisation is. But the book also goes far beyond this to create a full and vivid picture of factory life in the industrial revolution. David Hanson has written an accessible narrative history of Victorian working children and the conditions in which they worked.
A Kirkus Reviews Best Book of the Year The witty and exuberant New York Times bestselling author and record-setting Jeopardy! champion Ken Jennings relays the history of humor in “lively, insightful, and crawling with goofy factlings,” (Maria Semple, author of Where’d You Go Bernadette)—from fart jokes on clay Sumerian tablets to the latest Twitter gags and Facebook memes. Where once society’s most coveted trait might have been strength or intelligence or honor, today, in a clear sign of evolution sliding off the trails, it is being funny. Yes, funniness. Consider: Super Bowl commercials don’t try to sell you anymore; they try to make you laugh. Airline safety tutorials—those terrifying laminated cards about the possibilities of fire, explosion, depressurization, and drowning—have been replaced by joke-filled videos with multimillion-dollar budgets and dance routines. Thanks to social media, we now have a whole Twitterverse of amateur comedians riffing around the world at all hours of the day—and many of them even get popular enough online to go pro and take over TV. In his “smartly structured, soundly argued, and yes—pretty darn funny” (Booklist, starred review) Planet Funny, Ken Jennings explores this brave new comedic world and what it means—or doesn’t—to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected President of the United States purely on showmanship. “Fascinating, entertaining and—I’m being dead serious here—important” (A.J. Jacobs, author of The Year of Living Biblically), Planet Funny is a full taxonomy of what spawned and defines the modern sense of humor.
She was raised to fear them. But now she's become her own worst enemy… Save 40% off individual book prices. America, 2055. Cass is equal parts excited and nervous to leave her hometown. Stepping away from her technologically-conservative family for the first time, she sets off for college with dreams of saving humanity. But as the Sapien falls for her cybernetically-enhanced roommate, her deeply programmed beliefs begin to glitch… Confused in a world that no longer makes sense, Cass barely registers the horrific accident that leaves her near death. When she wakes up, she discovers the same technology she's always hated is the only thing keeping her alive. No longer purely human, Cass questions everything she thought she knew about good and evil. As tensions between man and machine head for a meltdown, Cass must choose a side before the conflict turns deadly… This Sapiens Run Trilogy Boxed Set is the cyberpunk dystopian thriller trilogy you’ve been waiting for. If you like strong female characters, dystopian futures, and exploring what it means to be human, then you’ll love Jamie Davis’s thought-provoking series. Buy Sapiens Run Trilogy Boxed Set to reboot prejudice today!