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Shiva and Dionysus are the Hindu and Greek gods of magical power, intoxication, ecstatic sexuality, and transcendence who initiate us into communion with the creative forces of life. Revealing the earliest sources of the traditions of Shiva and Dionysus, Alain Danielou reconstructs the fabric of our ancient relationship with creation, vividly relating practices that were observed from the Indus Valley to the coasts of Portugal at least six thousand years ago.
An extensive examination of the underpinnings of the Shaivite Tradition • Reveals the influence of Shaivism on the Western world • Discusses Shaivism’s understanding of sacred sexuality • Presents the connections between Vedic poetry and metaphysics In Shiva and the Primordial Tradition, Alain Daniélou explores the relationship between Shaivism and the Western world. Shaivite philosophy does not oppose theology, cosmology, and science because it recognizes that their common aim is to seek to understand and explain the nature of the world. In the Western world, the idea of bridging the divide between science and religion is just beginning to touch the edges of mainstream thought. This rare collection of the late author’s writings contains several never-before-published articles and offers an in-depth look at the many facets of the Samkhya, the cosmologic doctrines of the Shaivite tradition. Daniélou provides important revelations on subjects such as the science of dreams, the role of poetry and sexuality in the sacred, the personality of the great Shankara, and the Shaivite influence on the Scythians and the Parthians (and by extension, the Hellenic world in general). Providing a convincing argument in favor of the polytheistic approach, he explains that monotheism is merely the deification of individualism--the separation of humanity from nature--and that by acknowledging the sacred in everything, we can recognize the imprint of the primordial tradition.
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
"This study of Dionysus . . . is also a new theogony of Early Greece." —Publishers Weekly "An original analysis . . . of the spiritual significance of the Greek myth and cult of Dionysus." —Theology Digest
Exploring the fundamental concepts of the caste system, Alain Danielou addresses issues of race, individual rights, sexual mores, marital practices, and spiritual attainments. In this light, the author explains how Hindu society has served as a model for the realization of human potential, and exposes the inherent flaws and hypocrisies of our modern egalitarian governments.
This book focuses on the fate of the Greek mythological themes, divine and heroic figures, far in the East, primarily in the area of ancient Gandhara and Bactria (today in Uzbekistan). In alphabetic order, it covers primary iconographic schemes, which the art of these areas borrowed from the Hellenistic Mediterranean. We can compare how individual typical depictions of Greek deities changed and accommodated the taste and ideas of the local populace over the centuries. Aside from this, many of the originally Greek mythological characters, including their typical attributes, became, as this book clearly shows, the basis for images of various local Iranian, Indian and other deities.
Sex Roles and the Madness of Dionyos.
“Those who eat my flesh and drink my blood abide in me, and I in them.” Dennis R. MacDonald offers a provocative explanation of those scandalous words of Christ from the Fourth Gospel—an explanation that he argues would hardly have surprised some of the Gospel’s early readers. John sounds themes that would have instantly been recognized as proper to the Greek god Dionysos (the Roman Bacchus), not least as he was depicted in Euripides’s play The Bacchae. A divine figure, the offspring of a divine father and human mother, takes on flesh to live among mortals, but is rejected by his own. He miraculously provides wine and offers it as a sacred gift to his devotees, women prominent among them, dies a violent death—and returns to life. Yet John takes his drama in a dramatically different direction: while Euripides’s Dionysos exacts vengeance on the Theban throne, the Johannine Christ offers life to his followers. MacDonald employs mimesis criticism to argue that the earliest Evangelist not only imitated Euripides but expected his readers to recognize Jesus as greater than Dionysos.