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This is the story of a single mother, Shiori, with a daughter in Kindergarten, and a Freeter who is saving money for her dream. Shiori's daughter, Chii, ran away after an argument. Yuki found Chii in the mud by chance. After their meeting, Chii's newfound attachment to Yuki brings Shiori closer to her...
There are things that get harder to say as more time goes by. While waiting at the airport to pick up her niece, Yuzu Yashiro runs into her old friend from High School, Fubuki Hayama. Yuzu is quickly reminded of what Fubuki had once said to her, "I think that... I might like you." Despite that distant memory of what she said back then, Yuzu lets Fubuki stay the night at her place.
Young author Aki Fujino appeared poised to making it big in the world of publishing. Her debut title UTSUBORA was being pitched about to a number of editors and at least one person felt it was set to propel her into stardom. However, before she could ever have her book published, the young woman was found dead. Some believe it was a suicide, but those close to her feel there is something more sinister involved in this young talent's death. Aki's death has become something straight out of a mystery. Much like the story behind UTSUBORA, there is something more to Aki, Sakura and their relationship with an author named Mizorogi than meets the eye. And it is possible that the only way to solve this mystery may be to uncover all their secrets.
“If you want to achieve happiness… then you should wear something pink” Luna Chikai, a bubbly business woman, has taken this statement to heart in her everyday life. She loves the color pink and incorporates it in her everyday life. When she visits her client, Dr. Yuhi Hatanaka, she can’t help but notice the lack of pink in the doctor’s office. But she notices other things, like cute tea cups and floral accessories… just no pink to be found. It was at that moment Chikai made it her mission to bring something pink into Dr. Hatanaka’s office. Perhaps, if there was pink in her office, then Chikai can bring some sort of happiness into Dr. Hatanaka’s life.
MORE THAN SEX After reading the details of her husband’s affair in his secret diary, Shiori goes all out and sleeps with her younger co-worker, Tooru. Though it started as a fling, the more their bodies intertwine, the more her feelings grow. Is this really just a simple tryst? Or could it be love? The line is starting to blur. If only her desires could remain purely physical…
Ayame is a cold blooded assassin, who doesn’t think twice about taking out her next target. However, when her latest assignment doesn’t quite go according to plan, she is forced to try and make a quick getaway. The problem? One of the officers on duty just happens to be her type! Should she hurry up and easily make her escape? Or should she allow herself to be captured, so she can spend more time with the beautiful officer in front of her. Follow along as a hard boiled criminal falls hopelessly in love with the person desperately trying to catch her~
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Tomozaki isone of the best gamers in Japan, and in his opinion, the game of real life is one ofthe worst. No clear-cut rules for success, horribly balanced, and nothing makessense. But then he meets a gamer who's just as good as him, and she offers toteach him a few exploits...
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad forms of violence bred by drug trafficking. At first, Eduardo seems unable to connect. He movingly reads the words of Dostoyevsky, Henry James, Daphne du Maurier, and more, but doesn’t truly understand them. His eccentric listeners—including two brothers, one mute, who moves his lips while the other acts as ventriloquist; deaf parents raising children they don’t know are hearing; and a beautiful, wheelchair-bound mezzo soprano—sense his detachment. Then Eduardo comes across a poem his father had copied by the Mexican poet Isabel Fraire, and it affects him as no literature has before. Through these fascinating characters, like the practical, quick-witted Celeste, who intuitively grasps poetry even though she never learned to read, Fabio Morábito shows how art can help us rediscover meaning in a corrupt, unequal society.
A searing, beautiful novel meditating on war, violence, memory, and the sufferings of the Palestinian people Finalist for the National Book Award Longlisted for the International Booker Prize Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba—the catastrophe that led to the displacement and exile of some 700,000 people—and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.