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The exhibition My East is Your West, was a collateral event of the 56th Venice Biennale. It was commissioned by The Gujral Foundation. It united for the first time, at the Biennale, the historically conflicting nations of India and Pakistan in a space shared by artists from both countries. Shilpa Gupta (Mumbai) and Rashid Rana (Lahore) presented a new series of works at the Palazzo Benzon, situated in the centre of Venice on the Grand Canal. This presentation provided a unique platform for artists from South Asia to enter into a dialogue through the arts, representing the Indian subcontinent as one region.
'I took the test and prayed for the colour of the lines on the strip to stay as they were. But they did not. The test was positive. I felt my entire world come crashing down around me.' Meet Ananya Sharma, not your regular, teenage girl-next-door. Sure, she loves hanging out with her friends and engaging in whispered confidences at sleepovers, but when it comes to boys, she has competition on her mind rather than romance. At school, she is passionate about math and the sciences, and completely focussed on cracking the IIT entrance exams. But when distraction enters her life in the form of the handsome and charming Rohit, Ananya discovers love, longing and betrayal, all at once. Finding herself pregnant at the age of seventeen, she learns that the world is a very different place once you are on its wrong side. The discovery of the fault lines in her parents' relationship-which until then had seemed perfect to her-further breaks her. Will Ananya be able to reverse the downward spiral that her life has plunged into and find meaning once again? In this wonderfully stark and honest portrayal of a teenager's life, Ananya: A Bittersweet Journey has managed to encapsulate an entire generation's struggle of growing up in today's often troubled times.
This publication presents Indian artist Shilpa Gupta’s monumental inflatable sculpture, Untitled (2023). The sculpture depicts the dualities of our innermost struggles and the externalities around us. This book includes a curatorial essay that situates Gupta’s new work in relation to her art practice and other global sociopolitical forces as well as a full-colour photo documentation of the sculpture against the backdrop of Singapore’s skyline. It also features a guest essay written by a well-known mental health professional who engages with the artist’s take on the human condition.
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
This book will present a richly informative and analytical account of the work of the artist Shipla Gupta, her ideas and projects, and the global political contexts in which she situates them. The most significant feature of her new media works - which deal with themes such as body piracy, the politics of the sacred, securitization and surveillance - is that they are universally readable, which makes them accessible and relevant to both local and international audiences. And yet Gupta's works retain a reserve of ambivalence, secrecy and dynamic paradox. Edited by the Bombay-based cultural theorist, art critic and independent curator Nancy Adajania, this book will carry essays by contributors of international eminence such as Peter Weibel, the director of ZKM, Karlsruhe; Quddus Mirza, art critic, artist and curator from Pakistan. AUTHOR: Nancy Adajania is a cultural theorist, art critic and independent curator. ILLUSTRATIONS 200 colour images *
Testosterone makes us stronger, happier, and smarter. It also makes us meaner, more violent and more selfish. A scientific look into the vast and unexpected influence testosterone has on our behavior, our society, and our bodies. The brain of every man—and every woman—is shaped by this tiny molecule from before birth: it propels our drive for exploration and risk, for competition and creation, and even our survival. The effects of testosterone permeate the traditions, philosophy, and literature of every known culture—without it, the world would be a drastically different place. Testosterone also has a role in humanity's darker side, contributing to violence, hubris, poverty, crime, and selfishness. Recent revelations of the science of testosterone show that high levels will deplete compassion and generosity, and even reduce the affection we show our children. In The Virility Paradox, internationally renowned oncologist and prostate cancer researcher Charles Ryan explores this complex chemical system responsible for a diverse spectrum of human behaviors and health in both men and women. Ryan taps his vast experience treating prostate cancer with testosterone-lowering therapy, observing that this often leads to profound changes in the patients' perspectives on their lives and relationships. Often, for the better. Ryan uses the journeys of these patients and others to illustrate the vast and sometimes unexpected influence testosterone has on human lives. Through the stories of real men and women, he also explores the connections between testosterone and conditions like dementia, autism, and cancer, as well as the biological underpinnings of sexual assault and the effects it has on everything from crime to investing to everyday choices we make. Integrating the molecular and the medical, sociology and storytelling, The Virility Paradox;offers a fascinating look at how one hormone has shaped history, and the connections between our biology, our behavior, and our best selves.
Voice as Art considers how artists have used human voices since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce Nauman, Janet Cardiff and Mike Kelley through to contemporary practice by Shilpa Gupta, The Otolith Group and Elizabeth Price, the voice is tracked through modernism and postmodernism to posthumanism in relation to speaking subjects, sculptural objects, documents, dramaturgical utterance, forensic evidence, verbatim techniques and embodied listening. This book gives artists, researchers and art audiences ways to understand how voices exist in between theoretical discourses, and how with their utterances, artists create new dispositions in space by reworking genres to critique cultural form and meaning. This book will be of great interest to students and practitioners of sound art, visual culture and theatre and performance.
"Featured in NETFLIX film Daughters of destiny"--Cover.
Contemporary art in India has enjoyed a tremendous flourishing since the early 1990s, thanks in part to the country's economic growth and the increased availability of media technology. As Indian artists establish an ever-stronger presence on the global art scene, India: Art Now shows how their negotiations of the global and the local are yielding fascinating fruit. Included here are works by Rina Banerjee, Hemali Bhuta, Atul Dodiya, Sheela Gowda, Shilpa Gupta, Subodh Gupta, Jitish Kallat, Reena Kallat, Rashmi Kaleka, Bharti Kher, Ravinder Reddy, Vivan Sundaram and Thukral and Tagra, among others--artists who have found ways to express the aspirations and conflicts of a new generation, through media varying from painting, sculpture and photography to installation and interactive art. Leading Indian critics, scholars, writers and artists discuss new developments and artistic positions in Indian contemporary art, and its role on the global art scene.
dates.sites presents a timeline of the city of Bombay/Mumbai in the 20th century, anchored to its most adored public institution: cinema. Why this timeline when it is now generally accepted that dates are rigid and memories porous - and that the latter needs to be prioritized over the former? How does one create a timeline that is neither cast in stone nor vulnerable to the charge of 'manufacturing a past'? How does one evolve a timeline for a geographically defined entity in the context of its popular cultures that are defined by specific processes of production and distribution? These were some of the challenges that confronted the making of this volume. The volume is divided into sections by decades, and the decades in turn are separated by a series of calendars designed by artists, filmmakers, and designers. The text is a stitching together of found information and received knowledge from formal/informal, acknowledged/discarded sources. It is layered with images from either the public domain or personal archives. The relationship between text and image, far from being umbilical, is playfully associative. Just as contemporary readings are incorporated with dated markers in the written text, in the image text too, contemporary works are inserted alongside period images -and these incorporations and insertions appear with detectable joint-marks, in order to snap the spell of 'snippets from the past'. dates.sites thus becomes a deliberation on the contemporary with the aid of a speculated upon and collated past.