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Tracing multiple mobilities, entangled borderlands, microhistory and space, and human and nonhuman actors, Jan Musekamp demonstrates how an inner-Prussian railroad line turned into a transnational force, overcoming borders and connecting Europeans in a time of rising nationalism. Shifting Lines, Entangled Borderlands investigates the dichotomy between a globalizing world and tighter border control in nineteenth-century Central and Eastern Europe, focusing on the Royal Prussian Eastern Railroad (Ostbahn) between the 1830s and 1930s. The line was initially planned as a major internal modernizing project to connect Prussia's capital of Berlin to East Prussia's provincial capital of Königsberg (today's Kaliningrad). Soon, the Ostbahn connected to the growing Imperial Russian railroad network, thus becoming a backbone of European East-West transportation in trade, tourism, technological exchange, and migration. The First World War temporarily disrupted and reconfigured existing networks, adapting them to new political regimes and borders. However, World War II and its aftermath altered mobility patterns more permanently, dividing not only the Ostbahn tracks but the whole continent for decades to come. From border towns and major cities to unique structures, such as stations or bridges, this volume analyzes the obvious and not-so-obvious nodes of the Central and Eastern European rail network--and the spaces in between.
The history of Russian Germans (Russlanddeutsche) is one of intensive mobility across space and time. In this volume, authors from the fields of history, sociology, cultural studies, and sociolinguistics analyze key issues of the history and present of this globally connected diaspora group from an interdisciplinary angle.
In Asia, where authoritarian-developmental states have proliferated, statehood and social control are heavily contested in borderland spaces. As a result, in the post-Cold War world, borders have not only redefined Asian incomes and mobilities, they have also rekindled neighbouring relations and raised questions about citizenship and security. The contributors to the Routledge Handbook of Asian Borderlands highlight some of these processes taking place at the fringe of the state. Offering an array of comparative perspectives of Asian borders and borderlands in the global context, this handbook is divided into thematic sections, including: Livelihoods, commodities and mobilities Physical land use and agrarian transformations Borders and boundaries of the state and the notion of statelessness Re-conceptualizing trade and the economy in the borderlands The existence and influence of humanitarians, religions, and NGOs The militarization of borderlands Causing us to rethink and fundamentally question some of the categories of state, nation, and the economy, this is an important resource for students and scholars of Asian Studies, Border Studies, Social and Cultural Studies, and Anthropology. Chapter 12 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Bastards of Utopia, the companion to a feature documentary film of the same name, explores the experiences and political imagination of young radical activists in the former Yugoslavia, participants in what they call alterglobalization or "globalization from below." Ethnographer Maple Razsa follows individual activists from the transnational protests against globalization of the early 2000s through the Occupy encampments. His portrayal of activism is both empathetic and unflinching—an engaged, elegant meditation on the struggle to re-imagine leftist politics and the power of a country's youth. More information on the film can be found at www.der.org/films/bastards-of-utopia.html.
Following Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the centrality of space—as both filmic trope and social concern—to Thaw-era cinema. Opening with a discussion of the USSR's little-examined late-fifties embrace of panoramic cinema, the book pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira Muratova, among others. It demonstrates that these directors' works were motivated by an urge to interrogate and reanimate spatial experience, and through this project to probe critical issues of ideology, social progress, and subjectivity within post–Stalinist culture.
“Widdis’s rich and fascinating book has opened a new perspective from which to think about the Soviet cinema.” —Kritika This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a ‘sensory revolution’ to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: Film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.
Deploying analytical tools drawn from anthropology, history, and literary theory, Katerina Clark's pathbreaking study explores the evolution of the socialist realist novel as a myth-like genre. Blending intellectual and literary history, Clark traces the development of the novel's master plot from its origin in the mid-19th century to its end at the close of the 20th. Copyright © Libri GmbH. All rights reserved.
“First-class, rigorously researched, richly documented, and thought-provoking” essays on the consumer experience in socialist Eastern Europe (Graham H. Roberts, author of Material Culture in Russia and the USSR). As communist regimes denigrated Western countries for widespread unemployment and consumer excess, socialist Eastern European states simultaneously legitimized their power through their apparent ability to satisfy consumers’ needs. Moving beyond binaries of production and consumption, the essays collected here examine the lessons consumption studies can offer about ethnic and national identity and the role of economic expertise in shaping consumer behavior. From Polish VCRs to Ukrainian fashion boutiques, tropical fruits in the GDR to cinemas in Belgrade, The Socialist Good Life explores what consumption means in a worker state where communist ideology emphasizes collective needs over individual pleasures.
"In December 1807, Alexander I granted a commission ot Nadezhada Durova who, in male guise, served nearly ten years in the Russian light cavalry during the Napoleonic wars. The cavalry maiden, a selection of the edited journals of her military service, first published in 1836 with Pushkin's encouragement, is a lively narrative of Russian life on and off the battlefield in the Alexandrine era. Durova's story appeals in our own time as a unique and gripping contribution to the literature of female experience"--
From a 1994 conference (U. of California, Berkeley), Borderlands Research Group participants present their findings based on unprecedented access to the hinterlands of what is the now the CIS. Fourteen contributors provide context for the current self- deterministic ethnic turmoil in Chechyna and elsewhere far from the Kremlin, via discussions of tsarist colonial policies and historical, heartland majority attitudes toward the "ignoble savages and unfaithful subjects" (read Muslim) of Russia's diverse Orient. Annotation copyrighted by Book News, Inc., Portland, OR