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No Place of Rest pursues the literary traces of the traumatic expulsion of Jews from France in 1306. Through careful readings of liturgical, philosophical, memorial, and medical texts, Susan Einbinder reveals how medieval Jews asserted their identity in exile.
Now available in English, a provocative new biography of the founder of Hasidism
Challenging the prevalent view that in order to establish his “Dialogical” thought Martin Buber had to forsake his earlier “mystical” work, Israel Koren demonstrates instead that mystical paradigms serve as the foundation for Buber’s dialogue and endow it with greater depth. While most scholars portray Buber’s dialogical thought mainly in its Western and modern philosophical background, the author examines Buber’s interpretation of Hasidic themes such as Devekut (attachment to God) among others, in order to establish that his dialogical writings evolved out of his interpretation of Judaism in general, his understanding of the Hasidic conception of the world and the mission of man in Hasidism in particular. Buber’s work is therefore shown to be original mystical neo-Hasidic thought, which serves as a new link in the historical chain of Jewish mysticism.
This is a life, in stories, of Rabbi Israel Baal Shem Tov (1700-1760), the founder of Hasidism. The Baal Shem Tov, or the Besht, as he is commonly called, led a revival in Judaism that put love and joy at the center of religious life and championed the piety of the common folk against the rabbinic establishment. He has been recognized as one of the greatest teachers in Jewish history, and much of what is alive and vibrant in Judaism today, in all denominations, derives from his inspiration. Abraham Joshua Heschel, who was descended from several illustrious Hasidic dynasties, wrote: "The Baal Shem Tov brought heaven to earth. He and his disciples, the Hasidim, banished melancholy from the soul and uncovered the ineffable delight of being a Jew.">
Zvi Mark uncovers previously unknown and never-before-discussed aspects of Rabbi Nachman’s personal spiritual world. The first section of the book, Revelation, explores Rabbi Nachman’s spiritual revelations, personal trials and spiritual experiments. Among the topics discussed is the powerful “Story of the Bread,” wherein Rabbi Nachman receives the Torah as did Moses on Mount Sinai – a story that was kept secret for 200 years. The second section of the book, Rectification, is dedicated to the rituals of rectification that Rabbi Nachman established. These are, principally, the universal rectification, the rectification for a nocturnal emission and the rectification to be performed during pilgrimage to his grave. In this context, the secret story, “The Story of the Armor,” is discussed. The book ends with a colorful description of Bratzlav Hasidism in the 21st century.
Figuring the Feminine examines the female body as a means of articulating questions of literary authority and practice within the cultural spheres of the Iberian Peninsula (both Romance and Semitic) as well as in the larger Latinate literary culture. It demonstrates the centrality in medieval literary culture of the gendering of rhetorical and hermeneutical acts involved in the creation of texts and meaning, and the importance of the medieval Iberian textual tradition in this process, a complex multicultural tradition that is often overlooked in medieval literary scholarship. This study adopts an innovative methodology informed by current theories of the body and gender to approach Hispanic literature from a femininst perspective. Jill Ross offers new readings of medieval Hispanic texts (Latin, Castilian, and Hebrew) including Prudentius' Peristephanon, Gonzalo de Berceo's Milagros de Nuestra Señora, Shem Tov of Carrión's Battle Between the Pen and the Scissors, and several others. She highlights ways in which these texts contribute to the understanding of gender in medieval poetics and foreground questions of literary and cultural import. Figuring the Feminine argues that the bodies of women are crucial to the working out of such questions as the unsettling shift from orality to literacy, textual instability, cultural dissonance, and the resistance to cultural and religious hegemony.
Rosenzweig's and Margrit ("Gritli") Rosenstock-Huessy's letters numbered more than 1000. This does not make a full study of the philosopher's life and thought 1000 times more difficult; instead, the letters illuminate and explain much about Rosenzweig's ideas and works, particularly his Star of Redemption. Meir (modern Jewish philosophy, Bar-Han U., Israel) starts the process of analyzing the letters with his commentary on their implications to Rosenzweig's ideas on dialogical thinking, Rosenzweig's building of the Star of Redemption in terms of personal and relational thought; anti-monism, creation, revelation, redemption and miracle as relational categories; the perspectives of the letters on Judaism and Christianity; the relevance of the letters to key words and central ideas in Star of Redemption (such as "transition," "threshold," and "gate"); and the impact on communication, sickness, and the New Law.
For the first time the genre of the maqama, the most widespread and popular genre of fictional prose within Arab literature, is presented in its comprehensive history. It was through its stylistic virtuosity as well as its awareness of a situation of social and intellectual crisis that the maqama, portraying the picaresque dramatic performance of a needy literary artist, won global fame. The most celebrated maqamas of Al-Hariri (d.1122) have not only formed part of the Arabic literary canon for many centuries but have inspired even extra-Arabic oriental literatures such as Hebrew and Christian-Syrian and - more lately - modern arabic theatre. (Text in English)Das Werk stellt erstmals die Geschichte einer der originellsten und zugleich meistrezipierten Prosagattungen der arabischen Literatur vor: die Maqame, eine dramatisch-pikareske Selbstinszenierung eines mittellosen Sprachkunstlers, die ihre Einpragsamkeit ihrem gesellschaftskritischen Gehalt nicht weniger als ihrer sprachlichen Virtuositat verdankt. Die Maqamen Hairis (st.1122) gehoren nicht nur seit Jahrhunderten und bis heute zum arabischen literarischen Kanon, sie haben auch die ausser-arabische (hebraische und syrisch-christliche) orientalische Literatur und sogar das moderne arabische Theater inspiriert. (Text in englischer Sprache)
Modern science is the most accurate lens of reality that humanity has developed so far. Science is crucial to humanity’s health, safety, and development. Still, the lens of science only “sees” a thin slice of the totality of existence. Much of the human experience cannot be simply explained by standard quantifiable tests. Many people have become aware of the limits and shortcomings of scientific knowledge and have also realized that our perpetual hunger for spiritual understanding is real and undeniable. Many of us sense that there is something beyond. Throughout various periods of history and various cultures and societies, people have been interested in the mysterious and the paranormal. This yearning is rooted in the soul’s search for true spirituality. A Jewish Guide to the Mysterious, written by one of contemporary Judaism’s leading scholars and teachers, clearly explains classic Torah views on intriguing phenomena, such as dreams, astrology, time travel, alien life, reincarnation, ESP and auras, angels, demons, ghosts, and even such topics as the lost city of Atlantis and the Bermuda Triangle. Read this fascinating book and be amazed.