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Sheila's Odyssey By: Olivia Cain Sheila's Odyssey describes a beautiful, wealthy young widow's quest for inner peace and happiness. Beset by childhood bulimia and adult alcoholism, she harbors deep guilt over her repressed lesbian tendencies. Her struggles take her to many encounters with women, a major psychological breakdown, and a stay in a rehab facility, before finally bringing inner acceptance and true love.
Disguise and Recognition in the Odyssey reveals the significance of the Odyssey's plot, in particular the many scenes of recognition that make up the hero's homecoming and dramatize the cardinal values of Homeric society, an aristocratic culture organized around recognition in the broader senses of honor, privilege, status, and fame. Odysseus' identity is seen to be rooted in his family relations, geographical origins, control of property, participation in the social institutions of hospitality and marriage, past actions, and ongoing reputation. At the same time, Odysseus' dependence on the acknowledgement of others ensures attention to multiple viewpoints, which makes the Odyssey more than a simple celebration of one man's preeminence and accounts in part for the poem's vigorous afterlife. The theme of disguise, which relies on plausible lies, highlights the nature of belief and the power of falsehood and creates the mixture of realism and fantasy that gives the Odyssey its distinctive texture. The book contains a pioneering analysis of the role of Penelope and the questions of female agency and human limitation raised by the critical debate about when exactly she recognizes that Odysseus has come home.
This generous abridgment of Stanley Lombardo's translation of the Odyssey offers more than half of the epic, including all of its best-known episodes and finest poetry, while providing concise summaries for omitted books and passages. Sheila Murnaghan's Introduction, a shortened version of her essay for the unabridged edition, is ideal for readers new to this remarkable tale of the homecoming of Odysseus.
Female Characters play various roles in the Odyssey: patron goddess (Athena), seductress (Kirke, the Sirens, Nausikaa), carnivorous monster (Skylla), maid servant (Eurykleia), and faithful wife (Penelope). Adopting an interdisciplinary approach, this study examines these different female representations and their significance within the context of the poem and Greek culture. A central theme of the book is the visualization of the Odyssey's female characters by ancient artists, and several essays discuss the visual and iconographic implications of Odysseus' female encounters as depicted in Greek, Etruscan, and Roman art. The distinguished contributors--from the fields of classical studies, comparative literature, art history, and archaeology--are A.J. Graham, Seth L. Schein, Diana Buitron-Oliver, Beth Cohen, Sheila Murnaghan, Lillian Eileen Doherty, Helene P. Foley, Froma I. Zeitlin, H.A. Shapiro, Richard Brilliant, Jenifer Neils, and Christine Mitchell Havelock. Feminine in orientation, but not narrowly feminist in approach, this first interdisciplinary work on the Odyssey's female characters will have a broad audience amongst scholars and students working in classical studies, iconography and art history, women's studies, mythology, and ancient history.
Over 1 million sold in series! When kids step into the Imagination Station, they experience an unforgettable journey filled with action-packed adventure and excitement. Each book whisks readers away on a new journey with cousins Patrick and Beth around the world and back in time. Patrick and Beth travel back in time in the Imagination Station to a grain ship in the Mediterranean Sea during the first century. A violent storm has been raging for fourteen days, and the ship is in danger of crashing into the African coastline or breaking up due to the crashing waves. On the ship, the cousins meet Paul, a prisoner on his way to Rome for trial, and his traveling companions. Paul tells everyone that God has told him that everyone on the ship will be saved . . . if they stick together. But the passengers are forced to abandon the ship and swim for shore when the ship runs aground. Will God’s promise come true?
This new, thoroughly updated, third edition of Bradt’s Norfolk, part of Bradt’s award-winning ‘Slow travel’ series of guides to UK regions, turns the spotlight on this county of contrasts, from the fine city of Norwich to the watery wilderness of the Broads and the sweeping beaches of the superlative north coast. As well as featuring all the main sights, experienced travel writer and local resident Laurence Mitchell ensures that Bradt’s Norfolk covers places and aspects not detailed by other guidebooks and offers a special emphasis on car-free travel, walking (including along several long-distance footpaths), accommodation, local food and pubs. Written in an entertaining style combining personal narrative with authoritative information, this guide brings the county to life through anecdotes and the views of local people. Making a virtue of being selective, the guide points visitors to the cream of the area, but includes the whole of Norfolk from Great Yarmouth and the Broads in the east to the Fens of the far west, from the iconic North Norfolk coast to the Breckland region to the south. Places to eat and drink are selected by the author based upon long-standing knowledge of the area, in particular delving into aspects of regional distinctiveness and character. Characterful market towns, medieval churches and Seahenge (a 4,000-year-old timber circle) feature alongside culturally vibrant Norwich, England’s first UNESCO City of Literature, which hosts the acclaimed Sainsbury Centre for Visual Arts and the highly rated Norwich and Norfolk Festival. Flora and fauna are also celebrated, the guidebook detailing the many wildlife sites within the county that are home to rare species, including the iconic swallowtail butterfly, while there is new detail on rewilding projects such as Wild Ken Hill, featured on BBC Springwatch and Autumnwatch programmes, seal colonies and the ‘Snettisham spectacular’ of shorebirds and geese. Hiking and biking, literary and artistic connections, canoeing and water-based activities, local food and drink (including prize-winning vineyards and independent breweries), and all the practical, up-to-date information you could need are included, helping make Bradt’s Norfolk the must-have guide for all visitors to this beguiling county.
Over 20,000 ethnic Russians migrated to Australia after World War II – yet we know very little about their experiences. Some came via China, others from refugee camps in Europe. Many preferred to keep a low profile in Australia, and some attempted to ‘pass’ as Polish, West Ukrainian or Yugoslavian. They had good reason to do so: to the Soviet Union, Australia’s resettling of Russians amounted to the theft of its citizens, and undercover agents were deployed to persuade them to repatriate. Australia regarded the newcomers with wary suspicion, even as it sought to build its population by opening its door to more immigrants. Making extensive use of newly discovered Russian-language archives and drawing on a lifetime’s study of Soviet history and politics, award-winning author Sheila Fitzpatrick examines the early years of a diverse and disunited Russian-Australian community and how Australian and Soviet intelligence agencies attempted to track and influence them. While anti-Communist ‘White’ Russians dreamed a war of liberation would overthrow the Soviet regime, a dissident minority admired its achievements and thought of returning home.
"In this study, Max Whitaker investigates the intriguing accounts of Jesus' resurrection appearances, especially the hidden nature of Jesus, through the lens of Greco-Roman narratives. This throws new light on how Jesus' post resurrection stories would have been understood by their original audiences."-- Back cover.
Ancient Epic offers a comprehensive and accessible introduction to six of the greatest ancient epics – Homer's Iliad and Odyssey, Vergil's Aeneid, Ovid's Metamorphoses, and Apollonius of Rhodes' Agonautica. Provides an accessible introduction to the ancient epic Offers interpretive analyses of poems within a comprehensive historical context Includes a detailed timeline, suggestions for further readings, and an appendix of the Olympian gods and their Akkadian counterparts
How are the resurrection appearances of Luke’s Gospel shaped to offer a climax to the narrative? How does this narrative conclusion compare to the wider ancient literary milieu? Recognition and the Resurrection Appearances of Luke 24 proposes that the ancient literary technique of recognition offers a compelling lens through which to understand the climatic role of the resurrection appearances of Jesus as depicted in Luke 24. After presenting the development of recognition in ancient Jewish and Greco-Roman literature, Thompson demonstrates how Luke 24 deploys the recognition tradition to shape the form and function of the resurrection appearances. The ancient recognition tradition not only casts light on various literary and theological features of the chapter but also shapes the way the appearances function in the wider narrative. By utilizing recognition, Luke 24 generates cognitive, affective, commissive, and hermeneutical functions for the characters internal to the narrative and for the audience. The result is a compelling climax to Luke’s Gospel that resonates with Luke’s wider literary and theological themes. This work offers a compelling analysis of the Luke’s Gospel in the ancient literary context in light of the ancient technique of recognition that will appeal to those interested in narrative approaches to the New Testament or the interpretation of the New Testament in the wider literary milieu.