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From the Grammy-nominated singer, drummer, and percussionist who is world renowned for her contributions throughout the music industry, a moving memoir about the healing power of music and spiritual growth inspired by five decades of life and love on the stage. She was born Sheila Escovedo in 1957, but the world knows her as Sheila E. She first picked up the drumsticks and started making music at the precocious age of three, taught by her legendary father, percussionist Pete Escovedo. As the goddaughter of Tito Puente, music was the heartbeat of her family, and despite Sheila's impoverished childhood in Oakland, California, her family stayed strong, inspired by the music they played nightly in their living room. When she was only five, Sheila delivered her first solo performance to a live audience. By nineteen, she had fallen in love with Carlos Santana. By twenty-one, she met Prince at one of her concerts. Sheila E. and Prince would eventually join forces and collaborate for more than two decades, creating hits that catapulted Sheila to her own pop superstardom. The Beat of My Own Drum is both a walk through four decades of Latin and pop music—from her tours with Marvin Gaye, Lionel Richie, Prince, and Ringo Starr to her own solo career. At the same time, it’s also a heartbreaking, ultimately redemptive look at how the sanctity of music can save a person’s life. Having repeatedly endured sexual abuse as a child, Sheila credits her parents, music, and God with giving her the will to carry on and to build a lasting legacy. Rich in musical detail, pop, and Latin music history, this is a fascinating walk through some of the biggest moments in music from the ’70s and ’80s. But as Sheila’s personal story, this memoir is a unique glimpse into a world-famous drummer’s singular life—a treat for both new and longtime fans of Sheila E. And above all, The Beat of My Own Drum is a testament to how the positive power of music has fueled Sheila’s heart and soul—and how it can transform your life as well.
Professional musicians tell how they developed as artists, how they approach performance, and how they handle the business side of the business—offering solace and heartfelt inspiration along the way. How to Grow as a Musician is packed with candid advice on everything from overcoming failure to the art of writing a song to doing that all—important "ego check." It also covers such vital practical areas as the role of contracts, self—promotion, getting and keeping gigs, and managing money. A special self—evaluation lets readers assess whether they have what they need to succeed in the music business.
No country feels China's rise more deeply than Japan. Through intricate case studies of visits by Japanese politicians to the Yasukuni Shrine, conflicts over the boundaries of economic zones in the East China Sea, concerns about food safety, and strategies of island defense, Sheila A. Smith explores the policy issues testing the Japanese government as it tries to navigate its relationship with an advancing China. Smith finds that Japan's interactions with China extend far beyond the negotiations between diplomats and include a broad array of social actors intent on influencing the Sino-Japanese relationship. Some of the tensions complicating Japan's encounters with China, such as those surrounding the Yasukuni Shrine or territorial disputes, have deep roots in the postwar era, and political advocates seeking a stronger Japanese state organize themselves around these causes. Other tensions manifest themselves during the institutional and regulatory reform of maritime boundary and food safety issues. Smith scrutinizes the role of the Japanese government in coping with contention as China's influence grows and Japanese citizens demand more protection. Underlying the government's efforts is Japan's insecurity about its own capacity for change and its waning status as the leading economy in Asia. For many, China's rise means Japan's decline, and Smith suggests how Japan can maintain its regional and global clout as confidence in its postwar diplomatic and security approach diminishes.
Including the complete collaborative poems of Sheila E. Murphy and the late Michelle Greenblatt; three free-verse poems and 59 American ghazals. With a Foreword by Vincent A. Cellucci.
The real Prince in the words of those who knew him best—from award-winning author Touré. Nothing Compares 2 U is an oral history built from years of interviews with dozens of people who were in Prince’s inner circle—from childhood friends to band members to girlfriends to managers to engineers to photographers, and more—all providing unique insights into the man and the musician. This revelatory book is a deeply personal and candid discussion of who Prince really was emotionally, professionally, and romantically. It tackles subjects never-before-discussed, including Prince’s multiple personalities, his romantic relationships, his traumatic childhood and how it propelled him into his music career, and how he found the inspiration for some of his most important songs, including “Purple Rain,” “Starfish and Coffee,” and the unheard “Wally.” Nothing Compares 2 U paints the most complete picture yet written of the most important and most mysterious artist of his time.
Sheila Adams has been performing Appalachian ballads and telling stories for over twenty years. A native of Madison County, North Carolina, she was introduced to the tale-telling tradition by her great-aunt "Granny,'"well-known balladeer Dellie Chandler N
This book brings international Christian scholars together to celebrate Robert Jewettbs lifelong interest in Romans by reviewing -- and significantly advancing -- five fruitful approaches to Paulbs most influential work. James D. G. Dunn, Jeffrey B. Gibson, and Graydon F. Snyder show where the bnew approachb to Pauline theology elucidates and corrects earlier theological appropriations of the letter to the Romans. William S. Campbell, James D. Hester, and Wilhelm Wuellner illustrate different models of rhetorical criticism. Peter Lampe and Carolyn Osiek show what can be gained by a social-historical approach to Romans. Sheila E. McGinn, Elsa Tamez, and Pamela Thimmes demonstrate how a feminist hermeneutic clarifies key texts from Romans and challenges the interpretive tradition. Keith Augustus Burton, Lareta Halteman Finger, and L. D. Hurst create a conversation between Paulbs letter and contemporary culture. An introduction provides context for these chapters by offering a helpful overview of recent trends in New Testament scholarship that are pertinent to Pauline studies, particularly the study of Romans. The authors, all established teachers in academic and church settings, recognize the need for analyses of the Bible that are substantial and scholarly but also intelligible to nonspecialists. The essays in "Celebrating Romans" will challenge the thinking of students and scholars alike, illuminating diverse methods of biblical analysis and fostering a deeper appreciation for and engagement with this crowning literary achievement of the apostle to the Gentiles. Contributors: Robert Atkins Keith Augustus Burton William S. Campbell James D. G. Dunn Lareta HaltemanFinger Jeffrey B. Gibson James D. Hester Frank W. Hughes L. D. Hurst Peter Lampe Sheila E. McGinn Carolyn Osiek Graydon F. Snyder Elsa Tamez Pamela Thimmes Wilhelm Wuellner K. K. Yeo
A “courageous and revelatory memoir” (Naomi Klein) chronicling the life of the leading Indigenous climate change, cultural, and human rights advocate For the first ten years of her life, Sheila Watt-Cloutier traveled only by dog team. Today there are more snow machines than dogs in her native Nunavik, a region that is part of the homeland of the Inuit in Canada. In Inuktitut, the language of Inuit, the elders say that the weather is Uggianaqtuq—behaving in strange and unexpected ways. The Right to Be Cold is Watt-Cloutier’s memoir of growing up in the Arctic reaches of Quebec during these unsettling times. It is the story of an Inuk woman finding her place in the world, only to find her native land giving way to the inexorable warming of the planet. She decides to take a stand against its destruction. The Right to Be Cold is the human story of life on the front lines of climate change, told by a woman who rose from humble beginnings to become one of the most influential Indigenous environmental, cultural, and human rights advocates in the world. Raised by a single mother and grandmother in the small community of Kuujjuaq, Quebec, Watt-Cloutier describes life in the traditional ice-based hunting culture of an Inuit community and reveals how Indigenous life, human rights, and the threat of climate change are inextricably linked. Colonialism intervened in this world and in her life in often violent ways, and she traces her path from Nunavik to Nova Scotia (where she was sent at the age of ten to live with a family that was not her own); to a residential school in Churchill, Manitoba; and back to her hometown to work as an interpreter and student counselor. The Right to Be Cold is at once the intimate coming-of-age story of a remarkable woman, a deeply informed look at the life and culture of an Indigenous community reeling from a colonial history and now threatened by climate change, and a stirring account of an activist’s powerful efforts to safeguard Inuit culture, the Arctic, and the planet.
Ford Falcon Commemorative Edition celebrates the much-loved car's six-decade rule of Aussie roads and racetracks. With the chequered flag flying on the Blue Oval favourite, this book examines the first Falcons to take flight in the early 1960s through to the final FG-X. Special emphasis is placed on the glorious decade 1969-78 and the magnificent high-performance machines from the Falcon XW GT-HO to the XA, XB and the Cobra. These are cars that still command instant respect and ooze all the excitement, emotion, colour, freedom and raw power of their time. Ford Falcon captures the stories from the men who designed, developed, built and raced these bred-for-Bathurst beasts. It features stunning photography of Falcon's triumphs, milestones and majesty. After some 56 years and 3.8 million cars, what better way to say goodbye to Aussie motoring royalty.