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A A A This volume brings together prose from three decades of writing by Verena Stefan, one of the most influential contemporary feminist writers in the world. A A A The original 1975 German publication of Shedding -a novella that narrates the radical transformation of a young woman against the backdrop of the early 1970s women's, civil rights, and health care movements-created such a stir that the work has been hailed as "the feminist equivalent to Mao's little red book." To date, over 300,000 copies of Shedding have been sold in Germany. Included here is the first English translation of Literally Dreaming , a delightful collection of eight stories written in the 1980s, drawing a portrait of life as the narrator of Shedding may have envisioned it-women living together in natural and rural settings, independent of men. Stefan has written for this volume a new essay, "Euphoria and Cacophony," which traces the extraordinary reception-and backlash-that greeted Shedding in the 1970s, and the effect on her both as a writer and as a symbol of the German women's movement. A A A In resonant prose, and with a refreshing honesty, Stefan speaks to the universality of women's lives, a concept popular in the 1970s and 1980s, and ripe for re-discussion now in the 1990s. Stefan was a pioneer in "experimental writing" before the phrase was coined, and her writing about women's lives is as immediate today as when it first exploded on the German literary scene. A A A
For over half a century, the countless organizations and initiatives that comprise the Women’s Liberation movement have helped to reshape many aspects of Western societies, from public institutions and cultural production to body politics and subsequent activist movements. This collection represents the first systematic investigation of WLM’s cumulative impacts and achievements within the West. Here, specialists on movements in Europe systematically investigate outcomes in different countries in the light of a reflective social movement theory, comparing them both implicitly and explicitly to developments in other parts of the world.
This volume makes the wide-ranging work of German women writers visible to a wider audience. It is the first work in English to provide a chronological introduction to and overview of women's writing in German-speaking countries from the Middle Ages to the present day. Extensive guides to further reading and a bibliographical guide to the work of more than 400 women writers form an integral part of the volume, which will be indispensable for students and scholars of German literature, and all those interested in women's and gender studies.
Many women writers have secured a solid place in the literary canon, while others have remained marginalized. This reference includes alphabetically arranged entries on roughly 70 women writers whose works are widely read in English, and on some 20 related topics. While some of the writers profiled are widely known, others have not yet received as much attention. And while most of the writers are from England and America, the volume also profiles Chilean, Brazilian, Indian, South African, Australian, French, and German authors. The writers selected are feminist, in that their works have challenged traditional gender roles, explored female oppression, or critiqued patriarchal social structures. In addition to providing biographical information, the entries include interpretative summaries of major works. Each author entry includes biographical information, an extensive summary treatment of at least one of her works, an list of her other major works, cross-references to related entries, and a list of works for further reading. What distinguishes this encyclopedia from the many other volumes addressing feminist literature or literature by women is the interpretative summary in each entry. The volume closes with a list of works cited. Entries are clearly written and are accessible to high school students and undergraduates.
In this book, Warner examines a number of German-language literary works that are connected to diverse social movements of the last forty years and have in some way been pivotal in discussions of authenticity, autobiographicality, testimonial representation, and referentiality. By presenting a model for an integrative stylistics approach, such as is needed to understand non-fictional, poetic effects such as authenticity, this book participates in current discussions within fields of literary linguistic scholarship. Of particular interest to those in the fields of German Studies; stylistics; and autobiography, testimony, and life-writing.
Who's Who in Lesbian and Gay Writing is a lively and accessible biographical guide to lesbian and gay literary culture, from Sappho to modern pulp fiction. Featuring authors of works with lesbian or gay content as well as known lesbian and gay writers, this volume opens the boundaries of this field to include the writers of popular cultural fiction. It places these alongside the canon of poets, dramatists and novelists, to acknowledge the importance of pop culture to gay and lesbian communities. It includes fascinating entries on authors from W.H. Auden to Alice Walker, James Baldwin to Virginia Woolf. Also included are those such as Judith Butler who have theorised lesbian and gay culture and writing, or have contributed to the uncovering and charting of this vibrant literary history. Fully cross referenced, and with suggestions for further reading, this book offers an invaluable guide to a rich and varied literary culture and is indispensable for anyone with an interest in lesbian and gay writing.
A study of women's writing in the Federal Republic, the German Democratic Republic, Austria and Switzerland, 1945-1990.
With this critically acclaimed 1940 memoir, pioneering Japanese writer and activist Ayako Ishigaki made history. Restless Wave is the first book written in English by a Japanese woman, introducing Western readers to a largely unknown world; a unique voice; and a writer of great talent, integrity and courage. In exquisite prose, Ishigaki recalls coming of age in a privileged family and rebelling against strict codes of women’s behavior. She also traces the political awakening that would force her to flee Japan for the United States and would eventually make her an internationally renowned activist for peace, social justice and women’s rights. As The Nation noted, “In lyrical, poetic terms, Restless Wave tells the story of a single individual who lived at a turning-point of history.”
Poetic, evocative, and savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that becomes dirt-poor farmers as a result of the Depression and the great drought of the 1930s. The novel moves through the seasons of a single year--and at the same time, a decade of years--from the spring arrival of the family to winter ten years later, when they have faced the ravages of drought, fire, and personal anguish. Like Ethan Frome, the story evokes the torment possible among people isolated and driven by powerful--but unexpressed--feelings of love and hate.