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She Lives In Music is a nourishing of the soul, spirit and mind collection by Andrea "Vocab" Sanderson. You can't help but tap your feet and groove with the elements in the brave but confident voice of Vocab. With some Parliament riffs, melancholic blues, jazz comes at you with a bop to give you that elixir. Don't sleep on this collection, let it breathe into you. -Edward Vidaurre McAllen Poet Laureate 2018-2019
In the 1990s, expressive culture in the Caribbean was becoming noticeably more feminine. At the annual Carnival of Trinidad and Tobago, thousands of female masqueraders dominated the street festival on Carnival Monday and Tuesday. Women had become significant contributors to the performance of calypso and soca, as well as the musical development of the steel pan art form. Drawing upon ethnographic fieldwork conducted by the author in Trinidad and Tobago, What She Go Do demonstrates how the increased access and agency of women through folk and popular musical expressions has improved intergender relations and representation of gender in this nation. This is the first study to integrate all of the popular music expressions associated with Carnival—calypso, soca, and steelband music—within a single volume. The book includes interviews with popular musicians and detailed observation of musical performances, rehearsals, and recording sessions, as well as analysis of reception and use of popular music through informal exchanges with audiences. The popular music of the Caribbean contains elaborate forms of social commentary that allows singers to address various sociopolitical problems, including those that directly affect the lives of women. In general, the cultural environment of Trinidad and Tobago has made women more visible and audible than any previous time in its history. This book examines how these circumstances came to be and what it means for the future development of music in the region.
Whether it was Patti Smith's angry moan, Nina Simone's guttural growl, or Dolly Parton's towering hair and sweet voice, women have been a musical force to be reckoned with. In Here She Comes Now, today's biggest and brightest writers tackle their favorite female musicians and the effect they've had on their own lives. From Rosie Schaap writing about Sandy Denny to Susan Choi writing about Stevie Nicks to Elissa Schappell writing about Kim Gordon, Here She Comes Now thoughtfully and lovingly discusses the extreme badassery of the women who break through all the barriers to truly rock.
Learn about music and emotion in this beautifully produced anthology Do you remember the first time you discovered an artist you really loved? Have you listened to them over and over again at different points throughout your life? This book harnesses that feeling, by collecting together 80 of music's finest artists to guide young people through the good, bad and sad times. Whatever the feeling, these artists have been there and sung about it. Organised by mood, young ones can dip into the library to discover new artists from decades past to present day. Fall in love with Mariah Carey, shout about it with Nirvana, love yourself with Lizzo, or cry it out with Adele. With 80 artists, bands, and composers from all genres (including classical) there's something for every family member to love and recommend to the next generation. Each entry contains biographical information on each artist, lists must-hear songs, and has accessible musical analysis from author and journalist Myles Tanzer. Every artist is captured in full-colour, rocking art by Ali Mac. With information at the front on how to soundtrack your mood, and information at the back on how to listen to and make your own music. A pitch-perfect first introduction to music for tweens.
How does music reflect the key moments in our lives? How do we choose the works that inspire, delight, comfort or console? Fiona Maddocks selects 100 classical works from across nine centuries, arguing passionately, persuasively and at times obstinately for their inclusion, putting each work in its cultural and musical context, discussing omissions, suggesting alternatives and always putting the music first.
A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
Far too often, life’s challenges and questions cause people to fight feelings of doubt and despair, as they search endlessly for hope. In Singing in the Dark, Ginny Owens introduces the reader to powerful ways of drawing closer to God and how the elements of music, prayer, and lament offer rich, vibrant, and joyful communion with Him, especially on the darkest days. Ginny has gained a unique life perspective, as she has lived without sight since age three. She brings rich, biblical teaching that will encourage readers and compel them to dig deep into the beautiful songs, prayers, and poetry of Scripture—the same words through which the people of the Bible flourished in impossible circumstances. Singing in the Dark includes reflection and journaling prompts at the end of each chapter.
Babes in Toyland burst onto the Minneapolis music scene in the late 1980s and quickly established itself at the forefront of punk/alternative rock. The all-female trio featured a shy, seventeen-year-old Jewish teen from the suburbs on bass guitar—an instrument she had never played before joining the band. Over the next few years, Michelle Leon lived the rock-and-roll lifestyle—playing live concerts, recording in studios, touring across the United States and Europe, and spending endless hours in stuffy vans, staying in two-star motels, and sleeping on strangers’ couches in town after town. The grind and drama of life in the band gradually wore on Leon, however, and a heartbreaking tragedy led her to rethink her commitment to the band and the music scene. Leon’s sensitive, sensory prose puts readers right on stage with Babes in Toyland while also conveying the uncertainty, vulnerability, and courage needed by a girl who never felt like she fit in to somehow find her place in the world. “A crucial and compelling account of what it was to be a woman making music in the nineties. . . . Fantastic and ferocious.”—Jessica Hopper, music and culture critic and author of The First Collection of Criticism by a Living Female Rock Critic “Profound, poetic, badass, tender, and inspiring.”—Will Hermes, author of Love Goes to Buildings on Fire “I Live Inside feels as real and personal as reading your own memories. . . . Parts read like a fairy tale while others are so haunting they will never leave you.”—Kelli Mayo, musician (Skating Polly) “Leon draws you right into the Babes in Toyland van, shows you the after party tensions and what is in the mind of this particular girl in a band.”—Darcey Steinke, author of Sister Golden Hair: A Novel and others “[Leon’s] prose is stunning, her eye is wry, and her heart enormous; the result is a compelling memoir filled with pop culture, travel, intrigue, and a young artist’s quest to find her voice.”—Laurie Lindeen, musician (Zuzu’s Petals) and author of Petal Pusher: A Rock and Roll Cinderella Story “By the end of this lyrical, tough, and moving memoir, you’ll not only feel like you know Michelle Leon, you’ll also want to talk and dance and listen to music with her.”—Scott Heim, author of Mysterious Skin and We Disappear “A vivid, poetic memoir.”—Mark Yarm, author of Everybody Loves Our Town: An Oral History of Grunge “This is Planet Leon.”—David Markey, filmmaker, author, and musician
"Abandoned by their parents as toddlers, Willie and Bobbie Nelson found their love of music almost immediately through their grandparents, who raised them in a dusty small town in east Texas. Their close relationship ... is the longest-lasting bond in either of their lives. In alternating chapters, this ... dual memoir weaves together their lives as they experienced them both side-by-side and apart with powerful, emotional stories from growing up, playing music in public for the first time, and the trials they each faced in adulthood as Willie pursued a songwriting career and Bobbie faced a series of challenging relationships and a musical career that only took off when attitudes about women began to change in Texas"--
A folk music icon discusses the height of her career in the 60s, her alcoholism, her love affair with Stephen Stills and her friendships with Joan Baez, David Crosby, Joni Mitchell, Leonard Cohen and others. By the author of Voices.