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THE INSTANT NEW YORK TIMES BESTSELLER From #1 New York Times bestselling author Lisa Gardner, a propulsive thriller featuring an ordinary woman who will stop at nothing to find the missing people that the rest of the world has forgotten Frankie Elkin is an average middle-aged woman, a recovering alcoholic with more regrets than belongings. But she spends her life doing what no one else will--searching for missing people the world has stopped looking for. When the police have given up, when the public no longer remembers, when the media has never paid attention, Frankie starts looking. A new case brings her to Mattapan, a Boston neighborhood with a rough reputation. She is searching for Angelique Badeau, a Haitian teenager who vanished from her high school months earlier. Resistance from the Boston PD and the victim's wary family tells Frankie she's on her own--and she soon learns she's asking questions someone doesn't want answered. But Frankie will stop at nothing to discover the truth, even if it means the next person to go missing could be her.
Gabie drives a Mini Cooper. She also works part time as a delivery girl at Pete's Pizza. One night, Kayla—another delivery girl—goes missing. To her horror, Gabie learns that the supposed kidnapper had asked if the girl in the Mini Cooper was working that night. Gabie can't move beyond the fact that Kayla's fate was really meant for her, and she becomes obsessed with finding Kayla. She teams up with Drew, who also works at Pete's. Together, they set out to prove that Kayla isn't dead—and to find her before she is. This title has Common Core connections.
The Dry meets The Silence of the Lambs in this intoxicating tale of literary suspense, set in the relentless Alaskan landscape, about madness and obsession, loneliness and grief, and the ferocious bonds of family.... My proposition is very simple: I am going to ask you for three gifts, and for each gift you deliver, I will take you one step closer to Jacqueline. It's been twenty years since Elisabeth's twin sister, Jacqueline, disappeared without a trace. Now thirty-year-old Elisabeth is living far from home in a small Alaskan town. She's in a loveless marriage and has a precocious young daughter she loves more than anything but who reminds her too much of her long-missing sister. But then Alfred, a dangerous stranger with a plan of his own, arrives in town and commits an inexplicable act of violence. And he offers a startling revelation: He knows exactly what happened to Elisabeth's sister, but he'll reveal this truth only if she fulfills his three requests. Increasingly isolated from her neighbors and imprisoned by the bitter cold and her own obsession, Elisabeth can almost hear her sister's voice saying, Come and find me. And so she will, even if it means putting herself--and her family--in danger.
The gripping, unputdownable new thriller from the Sunday Times bestselling author of The Loving Husband Your best friend will always be there for you...won't she? Have you ever had that sense that you're being watched? And you turn, suddenly, but it's just a curtain, blowing in the wind? Or the dress hanging in the doorway? Nat knows something's wrong. Her best friend, Beth, would never have upped and left without saying goodbye to her. But no one believes that Beth was taken - she is a fly-by-night, a party girl who can't be trusted. No one's listening to Nat. But someone is definitely watching her...
He only looked away for a second. Still haunted by the disappearance of his little sister, Amy, over twenty years ago, Joseph Bridgeman’s life has fallen apart. When a friend talks him into seeing hypnotherapist Alexia Finch to help with his insomnia, Joseph accidentally discovers he can time travel. His first trip only takes him back a few minutes, but his new-found ability gives him something he hasn’t felt for the longest time: hope. Joseph sets out to travel back to the night Amy went missing and save her. But after several failed attempts, he discovers the farther back he travels, the less time he gets to stay there. And the clock is ticking. With the help of Alexia, Joseph embarks on a desperate race against the past to save his sister. Can he master his new skill and solve the mystery of Amy’s disappearance before it’s too late? Previously released as The Unexpected Gift of Joseph Bridgeman, this updated version includes extra chapters, new plotlines, and even deeper character development. It makes way for an expanded vision of the Joseph Bridgeman Series, with the first four books released in 2021 and 2022.
"On a beautiful summer night in a charming English suburb, a young woman and her boyfriend disappear after partying at the massive country estate of a new college friend. One year later, a writer moves into a cottage on the edge of the woods that border the same estate. Known locally as the Dark Place, the dense forest is the writer's favorite area for long walks and it's on one such walk that she stumbles upon a mysterious note that simply reads, 'DIG HERE.' Could this be a clue towards what has happened to the missing young couple? And what exactly is buried in this haunted ground?"--
From Christobel Kent—whose psychological thrillers have been called “terrifyingly good,” “perfectly paced,” “addictive,” “tense, dense, extremely well-plotted and beautifully written”—a new nerve-racking novel about a disappeared barmaid and the friend who will do anything to find her. When Beth disappears, everyone says she’s run off with another man. She’s just a fly-by-night party girl who can’t be trusted. But Natalie, her best friend, doesn’t believe it, not at all. She’s sure something more sinister is going on. So sure that proving it just might kill her . . . Meanwhile, Victor, one of Beth’s and Nat’s favorite bar patrons, has fallen and ended up in the hospital. When he hears that Beth is gone, he doesn’t buy it either. And slowly, a hazy memory comes back to him. Something menacing . . . something important . . . something just out of his grasp . . . As Nat tries to piece together the events—and people—in Beth’s life, it becomes more difficult to discern who can and can’t be trusted. The little town in the English countryside takes on an ominous air, with a threat behind every corner, outside every window. And someone is always watching . . . Kent’s most recent novel, The Loving Husband, was an international bestseller, and it is in no way hyperbole to declare The Day She Disappeared her very best. It is as brutally unsettling as The Loving Husband, but even more intricate and surprising; as claustrophobic and atmospheric as The Crooked House, but even more heartbreaking in its truths. Kent has been compared to such masters as Daphne du Maurier and P. D. James. With The Day She Disappeared, a new crop of writers will be compared to Christobel Kent.
Most dating books tell you what NOT to do. Here's a book dedicated to telling you what you CAN do. In his book, Get the Guy, Matthew Hussey—relationship expert, matchmaker, and star of the reality show Ready for Love—reveals the secrets of the male mind and the fundamentals of dating and mating for a proven, revolutionary approach to help women to find lasting love. Matthew Hussey has coached thousands of high-powered CEOs, showing them how to develop confidence and build relationships that translate into professional success. Many of Matthew’s male clients pressed him for advice on how to apply his winning strategies not to just get the job, but how to get the girl. As his reputation grew, Hussey was approached by more and more women, eager to hear what he had learned about the male perspective on love and romance. From landing a first date to establishing emotional intimacy, playful flirtation to red-hot bedroom tips, Matthew’s insightfulness, irreverence, and warmth makes Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve a one-of-a-kind relationship guide and the handbook for every woman who wants to get the guy she’s been waiting for.
New York Times Bestseller: A judge’s daughter is abducted in this gritty thriller from an author who “sets new standards for suspense” (Lisa Gardner). Despite all her years determining the fates of families, judge Hope Willis couldn’t save her own. Her daughter taken, she’s frantically grasping at any hope for Krissy’s return. Desperate, Hope calls upon an unconventional team of experts for help. Casey and her team at Forensic Instincts, LLC will dig through each tiny clue, working around the clock. But time is running out, and they know that the difference between getting Krissy back and losing her forever could be as small as a suspect’s rapid breathing, or as deep as Hope’s dark family history . . . “Smooth prose and engaging characters.” —Publishers Weekly “Kane succeeds once again.” —Booklist “A skilled writer.” —Milwaukee Journal Sentinel “Fascinating . . . sharply drawn characters, fast-paced dialogue, dark and dangerous minds.” —RT Book Reviews
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival