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IN THE LITERARY TRADITION OF CORMAC MCCARTHY'S AND LARRY MCMURTRY'S HISTORICAL WESTERNS, SHAVETAIL TRACES THE BRUTAL COMING-OF-AGE OF A BOY SOLDIER STATIONED AT A REMOTE U.S. ARMY OUTPOST AND A YOUNG WOMAN'S TERRIFYING PASSAGE ACROSS THE AMERICAN FRONTIER. Set in 1871 in the unforgiving wasteland of the Arizona Territory, Shavetail is the story of Private Ned Thorne, a seventeen-year-old boy from Connecticut who has lied about his age to join the Army. On the run from a shameful past, Ned is desperate to prove his worth -- to his superiors, to his family, and most of all, to himself. Young and troubled, Ned is as green and stubborn as a "shavetail," the soldiers' term for a dangerous, untrained mule. To endure in this world, Ned must not only follow the orders of the camp's captain, Robert Franklin,but also submit to the cruel manipulations of Obediah Brickner, the camp's mule driver. Both Franklin and Brickner have been damaged by their long military service, both consider themselves able to survive the dangers of the desert -- floods, scorpions, snakes, and Indians -- and both imperil Ned. Yet there are other characters, all richly drawn, who also confront Ned: half-wit soldiers, embattled Indians hidden in cliffs, a devious and philosophical peddler, and the fleshy whores who materialize in the desert as soon as the paymaster has left camp and dance with drunken soldiers around a fire late into the night. After a band of Apaches attack a nearby ranch, killing two men and kidnapping a young woman, Ned's lieutenant -- a man seeking atonement for his own mistakes -- leads Ned and the rest of his patrol on a near-suicidal mission through rugged mountains and into Mexico in hopes of saving the woman's life. It is unlikely any can survive this folly, and those who do will be changed forever. Meticulously researched and vividly told, Shavetail renders a time when the United States was still an expanding empire, its western edge bloody with the deaths of soldiers, settlers, and Indians. In language both spare and brilliant, Cobb brings readers this lost American landscape, untouched by highways or electricity and without the comforts of civilization. Shavetail also marks the return of a great American literary voice. Cobb's first and only other novel, Crazy Heart, was published in 1987 to great acclaim and was edited by the legendary editor Ted Solotaroff. Cobb is also a former student of Donald Barthelme, who described Crazy Heart as "a bitter, witty psychological profile of genius." Brutal and deft, laced with both violence and desire, Shavetail plunges into the deepest human urges even as it marks the ground where men either survive or perish.
The last U.S. Army mules were formally mustered out of the service in December 1956, ending 125 years of military reliance on the virtues of this singular animal. Much less glamorous than the cavalryman?s horse, the Army pack mule was a good deal more important: from the Mexican War through World War II, mules were an indispensable adjunct to army movement. ø The author has exhaustively researched the ubiquitous yet nearly invisible army mule. Through his work we learn a great deal about military procurement, transport, and supply, the bedrock on which military mobility rests.
With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results
Across the country and around the world, people avidly engage in the cultural practice of hunting. Children are taken on rite-of-passage hunting trips, where relationships are cemented and legacies are passed on from one generation to another. Meals are prepared from hunted game, often consisting of regionally specific dishes that reflect a community’s heritage and character. Deer antlers and bear skins are hung on living room walls, decorations and relics of a hunter’s most impressive kills. Only 5 percent of Americans are hunters, but that group has a substantial presence in the cultural consciousness. Hunting has spurred controversy in recent years, inciting protest from animal rights activists and lobbying from anti-cruelty demonstrators who denounce the custom. But hunters have responded to such criticisms and the resulting legislative censures with a significant argument in their defense—the claim that their practices are inextricably connected to a cultural tradition. Further, they counter that they, as representatives of the rural lifestyle, pioneer heritage, and traditional American values, are the ones being victimized. Simon J. Bronner investigates this debate in Killing Tradition: Inside Hunting and Animal Rights Controversies. Through extensive research and fieldwork, Bronner takes on the many questions raised by this problematic subject: Does hunting promote violence toward humans as well as animals? Is it an outdated activity, unnecessary in modern times? Is the heritage of hunting worth preserving? Killing Tradition looks at three case studies that are at the heart of today’s hunting debate. Bronner first examines the allegedly barbaric rituals that take place at deer camps every late November in rural America. He then analyzes the annual Labor Day pigeon shoot of Hegins, Pennsylvania, which brings animal rights protests to a fever pitch. Noting that these aren’t simply American concerns (and that the animal rights movement in America is linked to British animal welfare protests), Bronner examines the rancor surrounding the passage of Great Britain’s Hunting Act of 2004—the most comprehensive and divisive anti-hunting legislation ever enacted. The practice of hunting is sure to remain controversial, as it continues to be touted and defended by its supporters and condemned and opposed by its detractors. With Killing Tradition, Bronner reflects on the social, psychological, and anthropological issues of the debate, reevaluating notions of violence, cruelty, abuse, and tradition as they have been constructed and contested in the twenty-first century.
Praise for Ysabeau S. Wilce's previous books: "This fresh and funky setting is rich with glorious costumes, innovative language, and tantalizing glimpses of history."—Kirkus Reviews, starred review These inter-connected stories are set in an opulent quasi-historical world of magick and high manners called the Republic of Califa. The Republic is a strangely familiar place—a baroque approximation of Gold Rush era-California with an overlay of Aztec ceremony—yet the characters who populate it are true originals: rockstar magicians, murderous gloves, bouncing boy terrors, blue tinted butlers, sentient squids, and a three-year-old Little Tiny Doom and her vengeful pink plush pig. By turn whimsical and horrific (sometime in the same paragraph), Wilce's stories have been characterized as "screwball comedies for goths" but they could also be described as "historical fantasies" or "fanciful histories" for there are nuggets of historical fact hidden in them there lies. Ysabeau S. Wilce is the author of Flora Segunda, Andre Norton Award–winner Flora's Dare, and Flora's Fury, and she has published work in Asimov's, Steampunk!, and Fantasy & Science Fiction. She lives in San Francisco, California.
This dictionary gives the intriguing origins of hundreds of everyday words and expressions. Useful for reference and fun just for browsing, Dictionary of Word Origins is also a great way to expand vocabulary and enjoy doing it.
In the tradition of All Quiet on the Western Front, Elton E. Mackin’s memoirs are a haunting portrayal of war as seen through the eyes of a highly decorated Marine who fought in every Marine Brigade battle from Belleau Wood to the crossing of the Meuse on the eve of the Armistice. Praise for Suddenly We Didn't Want to Die “This beautifully written and truly gripping war memoir is a significant addition to battlefield literature. A minor classic . . . An altogether remarkable job [comparable] to Crane, Remarque and Mailer. Deserves the widest possible audience.”—The Cleveland Plain Dealer “This immediate, eloquent report merit[s] comparison with Thomas Boyd’s Marine Corps [1923] classic Through the wheat.”—Publishers Weekly “A real curiosity: a highly mannered World War I diary, published nearly 80 years after being written and 20 years after its author’s death. Bright snapshots abound…sometimes a young man’s lyricism takes over [but] the horror of war never departs. The diary has the faults one expects, and the promise one prays for. A fine addition to WWI literature.”—Kirkus Reviews “A forthright, eloquent, and powerful memoir certain to become an enduring testament to the drama and tragedy of World War I. Threaded with no small measure of poetry, this superb memoir is sure to become a classic.”—Great Battles “A plain but powerful tale . . . [in] vivid prose loaded with details that bring the horrors of World War I to life, he tells an exceptional new version of the old story of battle transforming a boy into a veteran.”—American Library Association Booklist “To the ranks of Erich Maria Remarque, E.E. Cummings, John Dos Passos and Siegfried Sassoon, we must now add Elton Mackin . . . who, in a terse style reminiscent of Hemingway, [succeeds] in making someone unfamiliar with war truly now the frightfulness of the trenches and the greatness of the many men who fought in them.”—Marine Corps Gazette