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My abuse as a child and as an adult and my fight against major depression.
Sharon Wiegand was born in Oklahoma and moved to California later in life. She pursued writing as an outlet to her relationships with her family and friends. She lives in a retire- ment community with her husband and two dogs. She has written another poem book called Sharon's Poems of Life, Love, and Liberty and she has ventured into writting a few other books which you may find on her web site www.sharonsbook.com
I frantically called my therapist, Susan. I was in deep distress and felt positive Susan was the only one who could help me out of it. But it was the unsympathetic secretary who answered the phone, and she refused to do anything but take a message. I pleaded with her to put me through, but was told I should go straight to the hospital instead, and was asked to put my husband on the phone. While I waited for him to make her decision for her, I went into the bathroom and confronted my bottle of pills. On impulse, I swallowed thirty. That was Thursday. I woke up on Saturday night in the psychiatric ward of the Redland Hospital without any real memory of the last three days. But at least I lived through it. Tragically, severe depression and PTSD affect millions of people every day. Sharon survived with the love of her family and their unending devotion to her welfare. In this harrowing memoir of abuse, depression, and terror, there emerges a tale of love, redemption, and healing. Join Sharon and discover how to write your own version of The Perils of Sharon.
DIVThis remarkable book looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate firsthand account of how the Industrial Revolution was experienced by the working class. The Industrial Revolution brought not simply misery and poverty. On the contrary, Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom./divDIV /divDIVThis rich personal account focuses on the social impact of the Industrial Revolution, rather than its economic and political histories. In the tradition of best-selling books by Liza Picard, Judith Flanders, and Jerry White, Griffin gets under the skin of the period and creates a cast of colorful characters, including factory workers, miners, shoemakers, carpenters, servants, and farm laborers./div
From Simon & Schuster, in its ninth year, The Best American Poetry 1996 is universally acclaimed as the best anthology in the field. The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.
A searing sequence of poems about a daughter’s vision of a father’s illness and death—by the Pulitzer Prize and T. S. Eliot Prize for Poetry winner, called "a poet for these times, a powerful woman who won’t back down" (San Francisco Chronicle). The Father chronicles these events in a connected narrative, from the onset of the illness to reflections in the years after the death. The book is, most of all, a series of acts of understanding. The poems are impelled by a passion to know, and a freedom to follow wherever the truth may lead. The book goes into area of feeling and experience rarely entered in poetry. The ebullient language, the startling, far-reaching images, the sense of extraordinary connectedness seize us immediately. Sharon Olds transforms a harsh reality with truthfulness, with beauty, with humor—and without bitterness. The deep pain in The Father arises from a death, and from understanding a life. But there is joy as well. In the end, we discover we have been reading not a grim accounting but an inspiriting tragedy, transcending the personal. The radiance and daring that have always distinguished Sharon Old’s work find here their most powerful expression.
n Kelly DuMar's girl in tree bark, the past, especially the life of the family of origin, acts as a kind of sap that provides nutrients for the photosynthesis that charges the poems. But the poems send their salubrious nourishment down to the past, which becomes transformed with the poem-making. The effect of the past on the present, and vice-versa, is not static; it is a reciprocally kinetic symbiosis, played out in fluent, daring narratives, in language keen with insight and liquid with sumptuous musicality. In almost every poem, a coupling of devastation and healing works a remarkable magic. -- Tom Daley, author of House You Cannot Reach
"I wish we were back together for just one night . . . so I could push you out of my loftbed while you were sleeping." Satirical and sharp, downtown New York City performance artist Anita Liberty reinvents self-help as she skewers her ex-boyfriend in this hilarious, hip, and audaciously candid collection of advice, poems, and diary entries. "I thought you were a gifted and tortured artist. I was wrong. About the gifted part. Oh. And the artist part." From romantic bliss to brutal breakup, from heartache to healing, this fierce, funny, and ultimately liberating homage to being "dumped" rips off the stiff upper lip in favor of a red-hot therapy of wit, wisdom, rage, and redemption. And now, a few words from Anita Liberty . . . "COMPROMISE-- Lowering my standards. So you can meet them." "You're a bad habit. I want to kick you. Hard."
Introducing a dramatic new chapter to American Indian literary history, this book brings to the public for the first time the complete writings of the first known American Indian literary writer, Jane Johnston Schoolcraft (her English name) or Bamewawagezhikaquay (her Ojibwe name), Woman of the Sound the Stars Make Rushing Through the Sky (1800-1842). Beginning as early as 1815, Schoolcraft wrote poems and traditional stories while also translating songs and other Ojibwe texts into English. Her stories were published in adapted, unattributed versions by her husband, Henry Rowe Schoolcraft, a founding figure in American anthropology and folklore, and they became a key source for Longfellow's sensationally popular The Song of Hiawatha. As this volume shows, what little has been known about Schoolcraft's writing and life only scratches the surface of her legacy. Most of the works have been edited from manuscripts and appear in print here for the first time. The Sound the Stars Make Rushing Through the Sky presents a collection of all Schoolcraft's extant writings along with a cultural and biographical history. Robert Dale Parker's deeply researched account places her writings in relation to American Indian and American literary history and the history of anthropology, offering the story of Schoolcraft, her world, and her fascinating family as reinterpreted through her newly uncovered writing. This book makes available a startling new episode in the history of American culture and literature.