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A critical investigation of how virginity is represented in film. It considers virginity as it is produced and marketed in film. With chapters that span a range of periods, genres, and performances, it intends to prove that although it seems like an obvious quality at first glance, virginity in film is anything but simple.
Pleasure is biologically desirable and good for physical and mental health. In The Pursuit of Pleasure, Lionel Tiger explores this aspect of human nature by focusing on the origins and forms of pleasure. Medical science has perfected a host of often astonishingly impressive methods for preventing, alleviating, or recovering from pain. Its opposite, pleasure, has not had such a well-funded and fully justified constituency. In fact, those committed to the understanding and pursuit of pleasure, are rarely accorded respect and a sense of significance. People have objected to the notion of pleasure for a variety of reasons. The most complex derive from religious convictions that the most morally admirable human life is marked by abstemiousness, suffering, even martyrdom. There is also a corresponding fear that people may pursue pleasure too avidly and with too strong a sense of entitlement, and the world's work will not get done. But just as there have been suspicions of the dangers of pleasure, there have also been its supporters who assert its vital and joyful centrality to human experience. The Pursuit of Pleasure favors an agnostic approach borrowed from natural science. In lively, witty, and eminently readable prose, Tiger identifies major forms of pleasure and explores their variations, now and in the past. Pleasure, says Tiger, is not a luxury but an evolutionary entitlement that deserves to be taken seriously. As we acknowledge our need for enjoyment, we understand the need to establish balance in our lives-our need for the pursuit of pleasure.
"The Contractor Fight" is what HGTV host and best-selling author Tom Reber calls the battle between your ears. We all have stories and experiences that have formed us into who we are. We are what we think, and the battleground is our mind. The Fight is not with the people you think are "cheap customers." It's not with the unlicensed competitors or the "illegals," as many contractors think. The Fight is with yourself. Sadly, most of the struggles contractors have are self-imposed. It's friendly fire. The negative ways we think about ourselves and our worth... friendly fire. The growing debt, working too much, small bank account... friendly fire. Winning the Fight is a choice. You're noble and full of integrity. You bend over backward to serve your family and clients. You have taken it on the chin more times than you can count. Now, it's time to get yours. Earn what you're worth. Create a business that serves you and energizes you, instead of one that beats you down. Choose to own your crap and get better today.
A lively, personalized account incorporating objective analysis and solid information accumulated over 42 years, this book presents a graphic picture of the construction industry from an insider's point of view. The volume focuses on the culture of construction workers, the management style of contractors, and the structural and organizational nature of the industry. It considers such unique features of construction as its craft-oriented technology, decentralized decision-making by workers on the job site, and non-bureaucratic methods of field supervision. Using the research of others, government publications, and his own intimate experience in the industry, the author provides an insightful view of a unique industry in modern America. The book opens with an overview of the industry, illustrating how construction is organized, the craft breakdown, and the cultural values of the crafts. It then considers such topics as workers' job satisfaction, craft organization of the work, and the dangerous nature of construction. Separate chapters are devoted to women construction workers, a recent phenomenon in the industry, and to minorities and the role of affirmative action. In conclusion, the book argues that construction is significant both as a major industry and as a model for organizing work to produce worker satisfaction.
A comparative analysis of diverse postwar families and examines the lives and case records of those who applied to adopt or provide foster care in the 1940s and 1950s. It considers an array of individuals--both black and white, middle and working class--who found themselves on the margins of a social world that privileged family membership.
Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR
The fifth in the saga of the Provincetown Tales. The winds of fortune are fickle guides…and happiness or heartbreak may be the destination. For Provincetown local Deo Camara, the only winds that have ever blown her way have been cold and lonely, and she doesn't expect things to improve when she is drawn into a family crisis against her will. Despite a decade of estrangement, however, Deo can't turn her back on the call of blood, no matter how high the price in heartache. Dr. Bonita Burgoyne is pleased with the changes she's made in her life…she has a rewarding new job and is looking forward to renovating the historic sea captain's house she has just purchased. She's content, and that's all she needs to be, or so she thinks until she hires Deo to head up the renovations. They have nothing in common except a shared legacy of betrayal by those they'd trusted the most, and an impossible attraction they would both prefer to ignore. Meanwhile, Bonita's new associate Dr. Tory King and her partner, Reese Conlon, must cero with the aftermath of the winds of war and the approaching fury of a very real gathering storm.
Paul Pearsall's research shows that individual success and the solitary pursuit of happiness may be hazardous to one's health. Although many self-help books champion the singular approach to success and personal power as the path to well-being, Partners in Pleasure challenges this "singularity" by presenting new research and ancient cultural lessons regarding collective and connective ways to fulfillment and wellness. Drawing in part on 2,000-year-old Polynesian wisdom, this book shows how to go beyond self-fulfillment to shared pleasure.
Sharing Common Ground makes a compelling contribution to an important emerging field that affects a broad swath of humanities. It uses historical, photographic, and literary examples, including an entirely new translation of a little known work by Marguerite Duras, presented here in full, to showcase the ethical capacity of art. Robert Harvey deploys critical tools borrowed from literature, aesthetics, and philosophy to mobilize the thought of several seminal figures in literature and theory including Michel Foucault, Marguerite Duras, Georges Didi-Huberman, and Giorgio Agamben, among a host of others. Construction sites, concentration camps, cemeteries, slums-such are only a few of the spaces that impel our imagination naturally toward what we commonly call “cultural memory.” Sharing Common Ground reveals how the endeavor to think and imagine in common, and especially about the spaces we inhabit together, is critically important to human beings, artistically, culturally, and ethically.