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For this book of cats in costume, Susan Herbert turns from masterpieces of fine art to masterpieces of theater. Painting in her familiar and highly popular style, this imaginative artist presents an irresistible array of well-known characters in the great Shakespearean plays, from the tragic Romeo and Juliet to the mischievous Titania, from the beautiful Cleopatra to the roguish Falstaff. In thirty-two entrancing paintings, Susan Herbert opens up an unsuspected world of Shakespeare interpreted by cats with all their winning ways. Her many devoted admirers will find this collection full of the charm and humor of her earlier books; and newcomers to her art will be surprised and enchanted by the finesse she brings to this portrait gallery of cats in unusual guises. 32 color illustrations.
A journey through the Bard’s poetry with fun facts—and furry felines. Join a band of curious cats for a journey through William Shakespeare’s 154 sonnets. Whether it’s friendship, beauty, love, or something saucier, the Bard of Avon has a sonnet for every occasion. Learn what the sonnets mean and read fun facts about the poet, witches, Elizabethan life, and the unfortunate hygiene habits of the sixteenth century. Despite being written four hundred years ago, the sonnets speak to the eternal ups and downs of anyone in love and the struggle to fight our mortality with art. And, many centuries later, we have something else in common with Elizabethans: we find kittens to be utterly adorable.
PRINCE OF CATS is the B side to Shakespeare's Romeo and Juliet, played at an eighties block party in an NY where underground sword dueling blossomed alongside hip-hop, punk, disco, and no wave. Itês the story of the minor players with Tybalt at the center. The definitive printing of RONALD WIMBERLY's critically-acclaimed first work, presented as intended for the first time.
In this mystery in the bestselling Cat Who series, there’s something rotten in the small town of Pickax—at least to the sensitive noses of newspaperman Jim Qwilleran and his Siamese cats Koko and Yum Yum. An accident has claimed the life of the local paper’s eccentric publisher, but to Qwilleran and his feline friends it smells like murder. They soon sniff out a shocking secret, but Koko’s snooping into an unusual edition of Shakespeare may prove CATastrophic... because somewhere in Pickax, a lady loves not wisely but too well, a widow is scandalously merry, and a stranger has a lean and hungry look. The stage is set for Qwilleran, Koko, Yum Yum, and the second act of murder most meow...
From ancient Egypt to the modern day, cats have been one of the most beloved pets. In fact, images of cats appear extensively in medieval manuscripts, where they are depicted as pets and mousers, appear in bestiaries and marginalia, and are even depicted in religious iconography. This delightful and informative gift book presents a wealth of cat imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of cats and many stories of people and their pets in the Middle Ages. Among the amusing anecdotes are tales of cats having free rein of dining halls, prompting books of manners to admonish owners for petting cats while they sat on the dining table; instructions to anchoresses to not keep any animal as a pet except a cat; and examples of leases that also specify the number and age of a home's feline inhabitants. Sure to charm cat lovers and medievalists alike, Medieval Cats is a whimsical compendium of illustrations and tales.
Tom – the Cat is about the life and dubious works of a large tabby tom cat, who lives with the narrator, an indulgent and adoring finance director.
Why are certain words used as insults in Shakespeare's world and what do these words do and say? Shakespeare's plays abound with insults which are more often merely cited than thoroughly studied, quotation prevailing over exploration. The purpose of this richly detailed dictionary is to go beyond the surface of these words and to analyse why and how words become insults in Shakespeare's world. It's an invaluable resource and reference guide for anyone grappling with the complexities and rewards of Shakespeare's inventive use of language in the realm of insult and verbal sparring.
When did you last play with cats ... inside a BOOK?! The cats in this book want to have fun, and by turning the pages and flipping the flaps YOU can play their favourite games with them! Tiny, Moonpie and Andre love wool to tangle with, cardboard boxes to hide in, pillow fights ... and fish! But where there are fish, there is also water -lots of it. So who's going to rescue the cats from the giant f1oodwave? You are, of course!
Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and others