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Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising. Starting from the importance and the awareness of advertising practices in the early modern period, the volume follows the evolution of the use of Shakespeare as a promotional catalyst up to the twenty-first century. The volume considers the pervasiveness of Shakespeare’s marketability in Anglophone and non-Anglophone cultures and its special engagement with creative and commercial industries. With its inter-and transdisciplinary perspective and its international scope, this book brings new insights into Shakespeare’s selling power, Shakespeare as the object of advertising and Shakespeare as part of the advertising vehicle, in relation to a range of crucial cultural, ideological and political issues.
Contemporary adaptations of Shakespeare's plays have brought into sharp focus the legacies of slavery, racism and colonial dispossession that still haunt the global South. Looking sideways across the Atlantic and Indian Oceans to nontraditional centres of Shakespeare practice, Shakespeare in the Global South explores the solidarities generated by contemporary adaptations and their stories of displacement and survival. The book takes its lead from innovative theatre practice in Mauritius, North India, Brazil, post-apartheid South Africa and the diasporic urban spaces of the global North, to assess the lessons for cultural theory emerging from the new works. Using the 'global South' as a critical frame, Sandra Young reflects on the vocabulary scholars have found productive in grappling with the impact of the new iterations of Shakespeare's work, through terms such as 'creolization', 'indigenization', 'localization', 'Africanization' and 'diaspora'. Shakespeare's presence in the global South invites us to go beyond familiar orthodoxies and to recognize the surprising affinities felt across oceans of difference in time and space that allow Shakespeare's inventiveness to be a part of the enchanting subversions at play in contemporary theatre's global currents.
Bhikhari Thakur (1887-1971), the Shakespeare of Bhojpuri literature, must be studied, analysed and judged by the wider and international readership as a contributor to the world literature. So, naturally his writings must be translated into English which has presence in almost every corner of the world. The present project has undertaken Bhikhari Thakur's masterpiece Bidesiya, a play, for this purpose. This is the first full length transliteration and translation of the play.
The 71st in the annual series of volumes devoted to Shakespeare study and production. The articles, like those of volume 70, are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Re-Creating Shakespeare'.
This volume takes as its starting point an interrogation of the African contributions to the Globe to Globe festival staged in London in 2012, where 37 Shakespeare productions were offered, each from a different nation. Five African companies were invited to perform and there are articles on four of these productions, examining issues of interculturalism, postcolonialism, language, interpretation and reception. The contributors are both Shakespeare and African theatre scholars, promoting discourse from a range of geographical and cultural perspectives. A critical debate about the process of the Globe to Globe festival is initiated in the form of a discussion article featuring some of its directors and actors. Two further articles look at Shakespeare productions made purely for Africa, from Mauritius and Cape Verde, and leading Nigerian playwright and cultural commentator Femi Osofisan provides an overview article examining Shakespeare in Africa in the 21st century. The playscript in this volume of African Theatre is Femi Osofisan's Wesoo, Hamlet or the Resurrection of Hamlet. Volume Editor: JANE PLASTOW Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick
The Oxford Handbook of Shakespeare and Embodiment brings together 40 of the most important scholars and intellectuals writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.
Prose 1. Indian Civilization and Culture - Mahatma Gandhi 2. Bharat is My Home - Dr. Zakir Hussain 3. A Pinch of Snuff - Manohar Malgaonkar 4. I Have A Dream - Martin Luther King, Jr. 5. Ideas That Have Helped Mankind - Bertrand Russell 6. The Artist - Shiga Naoya 7. A Child is Born - Germaine Greer 8. How Free is the Press - Dorothy L. Sayers 9. The Earth - H. E. Bates 10. India Through A Traveller’s Eyes - Pearl S. Buck 11. A Marriage Proposal - Anton Chekhov Poetry 1. Sweetest Love, I Do not Goe - John Donne 2. Song of Myself - Walt Whitman 3. Now the Leaves are Falling Fast - W. H. Auden 4. Ode To Autumn - John Keats 5. An Epitaph - Walter De La Mare 6. The Soldier - Rupert Brooke 7. Macavity : The Mystery CAT - T. S. Eliot 8. Fire-Hymn - Keki N. Daruwalla 9. Snake - D. H. Lawrence 10. My Grandmother’s House - Kamala Das Story of English 1. Old English 2. Middle English 3. Modern English 4. English As a World Language 5. Story of English Drama 6. Story of the Novel in English Composition 1. Precis Writing 2. Comprehension 3. Letters/Applications 4. Essay Writing Idioms & Phrases 1. Idioms and Phrases Translation 1. Translation Grammar 1. Use of Different Tense forms 2. Transformation of Sentences 3. Reported Speech 4. Modal Auxiliaries 5. Voice (Active-Passive) 6. Analysis 7. Combination of Sentences 8. Preposition, Articles, Spelling, Test, Correct Sentences Examination Paper
Prose 1. Indian Civilization and Culture, 2. Bharat is MyHome, 3. A Pinch of Snuff, 4. I have a Dream, 5. Ideas that have Helped Man kind, 6.The Artis, 7. A Child is Born, 8. How free is the Press, 9. The Earth, 10. India through A Traveller’s Eyes, 11. A marriage Proposal Poetry 1. Sweetest Love, I Do not Goe , 2.Song of My self, 3. Now the Leaves are Falling Fast, 4 ODE To Autumn 5.An Epitaph, 6.The Soldier, 7. Macavity : The Mystery CAT, 8.Fire-HYMN, 9. Snake , 10.My Grandmother’s House Story of English 1.Old English, 2. Middle English, 3. Modern English, 4.English As a World Language, 5. Story of English Drama, 6.Story of the Novel in English Composition 1. Precis Writing, 2.Comprehension, 3 Letters/Applications, 4.Essay Writing Idioms & Phrases 1.Idioms and Phrases Translation 1.Translation Grammar 1. Use of Different-Tense forms, 2.Transformation of Sentences.3. Reported Speech, 4.Modal Auxiliaries 5.Vaise (Active-Passive) 6.Combination of Sentences, 7. Preposition Articles Spelling Test Correct Sentences Examination Paper Search Keywords: English Class 12 Bihar Board Syllabus, Bihar Board English Book Class 12 PDF, Bihar Board 12th English Online, Bihar Board class 12,