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Americans were enthralled by the Shakers in the years between 1925 and 1965. They bought Shaker furniture, saw Shaker worship services enacted on Broadway, sang Shaker songs, dressed in Shaker-inspired garb, collected Shaker artifacts, and restored Shaker villages. William D. Moore analyzes the activities of scholars, composers, collectors, folklorists, photographers, writers, choreographers, and museum staff who drove the national interest in this dwindling regional religious group. This interdisciplinary study places the activities of individuals -- including Doris Humphrey, Charles Sheeler, Laura Bragg, Juliana Force, and Edward Deming Andrews -- within the larger cultural and historical contexts of nationalism, modernism, and cultural resource management. Taking up previously unexamined primary sources and cultural productions that include the first scholarly studies of the faith, material culture and visual arts, stage performances, and museum exhibitions, Shaker Fever compels a reconsideration of this religious group and its place within American memory. It is sure to delight enthusiasts, public historians, museum professionals, furniture collectors, and anyone interested in the dynamics of cultural appropriation and stewardship.
The Shakers are perhaps the best known of American religious communities. Their ethos and organization had a practical influence on many other communities and on society as a whole. This three volume collection presents writings from a broad cross-section of those who opposed the Shakers and their way of life.
The Shakers are perhaps the best known of American religious communities. Their ethos and organization had a practical influence on many other communities and on society as a whole. This three volume collection presents writings from a broad cross-section of those who opposed the Shakers and their way of life.
The Shakers are perhaps the best known of American religious communities. Their ethos and organization had a practical influence on many other communities and on society as a whole. This three volume collection presents writings from a broad cross-section of those who opposed the Shakers and their way of life.
The Shakers are perhaps the best known of American religious communities. Their ethos and organization had a practical influence on many other communities and on society as a whole. This three volume collection presents writings from a broad cross-section of those who opposed the Shakers and their way of life.
A comprehensive illustrated anthology of material about and by the American Shakers.
The Shakers are perhaps the best known of American religious communities. Their ethos and organization had a practical influence on many other communities and on society as a whole. This three volume collection presents writings from a broad cross-section of those who opposed the Shakers and their way of life.
Although there are currently only a handful of members of the Shaker faith and one active community in the world today, Shakerism at its peak comprised thousands of members living in communal villages across the eastern United States. Kentucky's iconic Shaker Village at Pleasant Hill was one of these communities, and it remains an enduring cultural touchstone. The history of the Shakers is often reduced to the handmade objects they produced and sold, but their lives were so much more than their material culture. Their efforts were suffused with their religious beliefs: each piece's sturdy simplicity memorializes the Believers' devotion to God and how it guided their every action. Shaker Made is photographer Carol Peachee's love letter to the cultural artifacts—the architecture, furniture, and crafts—of one of America's most notable utopian societies. Peachee has photographed Pleasant Hill for more than four decades—from small items such as eyeglasses, embroidered handkerchiefs, elixir bottles, and bonnets, to the distinguished furniture and architecture of the more than 260 buildings that the Shakers built at Pleasant Hill. The curator of collections at Shaker Village of Pleasant Hill, Rebecca Soules, provides an informative foreword to the photos, while Peachee herself offers a lovingly written introduction explaining her personal connection to the subject. The attention to detail in the simple yet beautifully composed photographs serve as an elegant and respectful tribute to the history and legacy of the Pleasant Hill Shakers—an often-misunderstood people who sought to honor the divine in all aspects of life.
The first general history of the Shakers, from their origins in 18th-century England to the present day. Drawing on written and oral testimony by Shakers over the past two centuries, Stein offers a full and often revisionist account of the movement. 57 illustrations.
Definitive study provides detailed coverage of origins, ideology, industry and art, mode of worship, internal organization of communities. Author's reliance on original manuscript material make this study especially useful. 33 illustrations.