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Melancholic and introspective look into the life and the complexities of human interaction.
Using a framework based on J. L. Austin’s understanding of performative speech and Angela Esterhammer’s work on how things are done with words in Milton’s and Blake’s poetry, this study provides an extended close reading of the speech acts of characters in Blake’s epic poem Milton. With the exception of what we learn about in the part of the poem known as the Bard’s Song, Blake’s Milton is dedicated to providing an incredibly detailed account of the numerous facets of the instant of time immediately prior to apocalypse, an instant in which Milton is the protagonist, and Blake himself a participant. This study explores how in the poem sacred history proceeds towards and through the instant by means of the speech act. This extended commentary is intended for not just Blake scholars but also the common reader who wishes to approach Blake’s brief epic for the first time. For scholars, this monograph offers a full account of a crucial but previously unexplored theme in the scholarship about Milton. For the common reader, it offers a comprehensive introduction to what Northrop Frye called ‘one of the most gigantic imaginative achievements in English poetry’.
'Tipping Sheep (the right way)' is the first anthology from new author Alexandra Carr-Malcolm. This is an intriguing compilation of poems, spanning over a ten year period of collected works.'Tipping Sheep' will take you on a journey of highs and lows, exploring life, death, and many aspects of the human predicament.From the depths of 'Bittersweet' despair, to the humour of 'Tipping Sheep' and the musing of 'Knitting Couplets'. Alex has a unique style of word play and cadence within the lines woven with wit and wisdom.
Are you in the mood when the dusk ebbs and darkness becomes bold for tales of the macabre, murder, mystery, and woe? Shadows and Glances is a collection of poems and short stories about reflection, hauntings, and bone-chilling fright. You'll be visited by ghouls, demons, witches, and a highwayman that collects souls, along with succubi that suck out your essence in the middle of the night. I'm reminded of an old adage: "We are born alone, and we die alone." So, too, when you read this book and you feel the grasping fingers of fright-alone.
From the 1850s, ancient Rome increasingly acted both as a warning of imperial and national decline, and the solution to it.
Javanese shadow puppetry is a sophisticated dramatic form, often felt to be at the heart of Javanese culture, drawing on classic texts but with important contemporary resonance in fields like religion and politics. How to make sense of the shadow-play as a form of world-making? In Tall Tree, Nest of the Wind, Bernard Arps explores this question by considering an all-night performance of Dewa Ruci, a key play in the repertoire. Thrilling and profound, Dewa Ruci describes the mighty Bratasena’s quest for the ultimate mystical insight. The book presents Dewa Ruci as rendered by the distinguished master puppeteer Ki Anom Soeroto in Amsterdam in 1987. The book’s unusual design presents the performance texts together with descriptions of the sounds and images that would remain obscure in conventional formats of presentation. Copious annotations probe beneath the surface and provide an understanding of the performance's cultural complexity. These annotations explain the meanings of puppet action, music, and shifts in language; how the puppeteer wove together into the drama the circumstances of the performance in Amsterdam, Islamic and other religious ideas, and references to contemporary Indonesian political ideology. Also revealed is the performance’s historical multilayering and the picture it paints of the Javanese past. Tall Tree, Nest of the Wind not only presents an unrivalled insight into the artistic depth of wayang kulit, it exemplifies a new field of study, the philology of performance.
Anders Cullhed’s study The Shadow of Creusa explores the early Christian confrontation with pagan culture as a remote anticipation of many later clashes between religious orthodoxy and literary fictionality. After a careful survey of Saint Augustine’s critical attitudes to ancient myth and poetry, summarized as a long drawn-out farewell, Cullhed examines other Late Antique dismissals as well as appropriations of the classical heritage. Macrobius, Martianus Capella and Boethius figure among the Late Antique intellectuals who attempted to save or even restore the old mythology by means of allegorical representation. On the other hand, pious poets such as Paulinus of Nola and Bible epic writers such as Iuvencus or Avitus of Vienne turned against pagan lies, and the mighty arch-bishop of Milan, Saint Ambrose, played off unconditional Christian truth against the last Roman strongholds of cultural pluralism. Thus, The Shadow of Creusa elucidates a cultural conflict which was to leave traces all through the Middle Ages and reach down to our present day.
Losing myself in the spotlight wasn't hard. Forgetting who I was, was even easier. "Soliloquy of a Broken Heart" is a raw, intimate journey through the labyrinth of heartbreak. Told in a captivating interspective voice, this novel delves into the universal experience of love's demise, capturing the before, during, and after in a poignant symphony of emotions.