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But few know the real story that inspired these masters of pulp fiction.
In this original debut novel, two real-life legends of fantasy fiction--Robert E. Howard, creator of Conan, and H.P. Lovecraft, inventor of the Necronomicon--team up to stop an inhuman infant child from opening the gates to the most dangerous force in the cosmos.
Reprint of the original, first published in 1836.
How the perception of shadows, studied by vision scientists and visual artists, reveals the inner workings of the visual system. In The Visual World of Shadows, Roberto Casati and Patrick Cavanagh examine how the perception of shadows, as studied by vision scientists and visual artists, reveals the inner workings of the visual system. Shadows are at once a massive problem for vision—which must distinguish them from objects or material features of objects—and a resource, signaling the presence, location, shape, and size of objects. Casati and Cavanagh draw up an inventory of information retrievable from shadows, showing their amazing variety. They present an overview of the visual system, distinguishing between measurement and inference. They discuss the shadow mission, the work done by the visual brain to parse, and perhaps discard, the information from shadows; shadow ownership, the association of a shadow with the object that casts it; shadow labeling, the visual system's ability to tell shadows from nonshadows; and the shadow concept, our knowledge about shadows as a category. Casati and Cavanagh then apply the theoretical apparatus they have developed for shadows to other phenomena: illumination, reflection, and transparency. Finally, they examine the art of the shadow, paying tribute to artists' exploration of shadow, analyzing a series of artworks (reproduced in color) from a rich and fascinating art historical corpus.
A fae urban fantasy romance. Some humans can see the fae. McKenzie Lewis can track them. A Houston College student trying to finish her degree, McKenzie has been working for the fae king for years, tracking vicious rebels who would claim the Realm. Her job isn't her only secret. For just as long, she's been in love with Kyol, the king's sword-master--and relationships between humans and fae are forbidden. But any hope of a normal life is shattered when she's captured by Aren, the fierce and uncompromising rebel leader. He teaches her the forbidden fae language and tells her dark truths about the Court, all to persuade her to turn against the king. Time is running out, and as the fight starts to claim human lives, McKenzie has to decide once and for all whom to trust--and where she ultimately stands in the face of a cataclysmic civil war. "A fresh take on the fae, packed with suspense, surprises, and real moral dilemmas. Sexy and fun, this is a must for anyone who likes their fae modern, their stakes high, and their property damage extensive." --Seanan McGuire, New York Times bestselling author "Combines top-notch writing and world-building with characters you'll adore...and the star-crossed lovers may just break your heart." --Ann Aguirre, USA Today bestselling author Keywords: urban fantasy, urban fantasy romance, contemporary fantasy, contemporary fantasy, fae romance, fantasy, fae books, fae urban fantasy series, urban fantasy magic, sword and sorcery, epic urban fantasy, paranormal romance, fae urban fantasy, fey urban fantasy, new adult urban fantasy, enemies to lovers, urban fantasy trilogy, paranormal fae Similar Authors: K. F. Breene, McKenzie Hunter, Linsey Hall, Jaymin Eve, Bella Forrest, Annette Marie, Kim Harrison, Karen Marie Moning, Meg Xuemei X
"look/bird's eye poem see-all high!" says the poem "Night Before Morning," which begins with a recitation of odd, quirky musical instruments - "trump, bandora, kithara" - that illustrates Meltzer's ties to Beat poetry, the San Francisco Renaissance, and, especially, jazz. Along with his songwriter wife, Tina, and poet Clark Coolidge, Meltzer does performance pieces that incorporate music, poetry, and song. He also works as an essayist, anthologist, jazz reviewer, college teacher, and erotic novelist. No one would dare call these poems polished, but they have a high-energy, Ginsberg-like quality; deft, idiosyncratic humor (e.g., "a lice-fevered bear"), and moments of pure encapsulated description that take the breath away: "a brace of crow/discuss attack in the white exploding cherry tree." Many poems reflect an Eastern influence, with some short ones showing their cousinhood to haiku: "last night's seed/a trail of light down your thighs." --Library Journal