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An age of empires and betrothals...Kokachin is a Mongolian princess, living with her mother and brother at the court of Kublai Khan in China. Her best friends are Tarkhan, the son of the household cook, and a displaced Chinese princess named Mei Lien. Kokachin is active and adventurous, and chafes at being an idle princess.Nergui is an orphan. She learns early in life that she has to take care of herself. Clever and capable, she is found in the kitchens by Hulan, who takes her into her home. Hulan plans to marry Nergui to her son Sacha but Nergui is not keen on the idea, as Sacha is lacking in ambition. She starts to make other plans. As the il Khan of Persia's wife is dying, she begs him to take another wife from Mongolia, her homeland. A scouting party is sent, and Kokachin is chosen to be his bride. The famous Marco Polo is tasked with delivering the bride to the il Khan. The voyage across the South China Sea will take more than a year, and Kokachin knows she will never see her home or her mother again. However she is not alone; Mei Lien and Negui travel with her. But the journey is perilous - will they all survive?Based on true events in the thirteenth century, Shadow of the Dome is a tale of friendship, duty and destiny that will have readers captivated from the very start. Since leaving her job as a tax specialist in 2012, Karen Warren has been writing and travelling. She has her own travel blog and has contributed to other publications; she is also a book review editor for the Historical Novel Society.
In the spring and summer of 2004, Iraq was coming apart at the seams. Sectarian violence pitted Shiite against Sunni. American proconsul L. Paul Bremer had disbanded the Iraqi Army, placing disgruntled young men on the street without jobs or the prospect of getting one. Their anger developed into a full-blown insurgency fed by a relentless campaign by the clergy for jihad against the “occupation force.” In August, a Shiite cleric named Muqtada Al-Sadr called upon his thousands of armed followers, the Mahdi Militia, to resist the occupation. Fighting broke out in several locations, including the holy city of Najaf, the site of the largest Moslem cemetery in the world, and the Imam Ali Mosque. The U.S. forces fought in 120-degree heat through a tangle of crypts, mausoleums, and crumbling graves. The fight was brutal, pitting religious zealots against the highly motivated and disciplined U.S. Army and Marine Corps troops. It makes for a riveting account of Americans in battle.
"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.
Lunar domes are structures of volcanic origin which are usually difficult to observe due to their low heights. The Lunar Domes Handbook is a reference work on these elusive features. It provides a collection of images for a large number of lunar domes, including telescopic images acquired with advanced but still moderately intricate amateur equipment as well as recent orbital spacecraft images. Different methods for determining the morphometric properties of lunar domes (diameter, height, flank slope, edifice volume) from image data or orbital topographic data are discussed. Additionally, multispectral and hyperspectral image data are examined, providing insights into the composition of the dome material. Several classification schemes for lunar domes are described, including an approach based on the determined morphometric quantities and spectral analyses. Furthermore, the book provides a description of geophysical models of lunar domes, which yield information about the properties of the lava from which they formed and the depth of the magma source regions below the lunar surface.
From George Lucas, creator of Star Wars(r) and Indiana Jones, and Chris Claremont, author of the bestselling X-Men adventures, comes the thrilling sequel to Shadow Moon, taking readers deeper into a stunningly original world of magic, myth, and legend. The momentous Ascension of Princess Elora Danan should have brought peace to the Thirteen Realms. Instead, an intense Shadow War rages, spearheaded by the evil Mohdri. He has dispatched his dread Black Rose commando assassins to capture Elora and her sworn protector, Thorn Drumheller. But Mohdri himself is just a facade for a more dangerous entity: the Deceiver. But who--or what--is the Deceiver? And how can Elora, Thorn, and their ragtag band defeat this unspeakable force? The answer lies in a perilous journey to a land undisturbed since the dawn of time. A journey that will end at the unbreachable citadel of the dragon, where a chilling betrayal will change the fate of Elora, Thorn, and the Thirteen Realms forever.
A SUNDAY TIMES TOP TEN BESTSELLER 'A stunning blockbuster' Robert Fisk 'A brilliant tour de force of revisionist scholarship and thrilling storytelling' Simon Sebag Montefiore 'A compelling detective story of the highest order' Sunday Times 'Tom Holland has an enviable gift for summoning up the colour, the individuals and animation of the past' Independent In the 6th century AD, the Near East was divided between two venerable empires: the Persian and the Roman. A hundred years on and one had vanished forever, while the other seemed almost finished. Ruling in their place were the Arabs: an upheaval so profound that it spelt, in effect, the end of the ancient world. In the Shadow of the Sword explores how this came about. Spanning from Constantinople to the Arabian desert, and starring some of the most remarkable rulers who ever lived, he tells a story vivid with drama, horror, and startling achievement.
This is Volume IX of the G.Wilson Knight collected works and includes commentary on the works of Wordsworth, Coleridge, an essay on Shelley and Keats. It concludes with a chapter looking at Symbolic Eternities and an appendix on spiritualism and poetry.
The authors of Ice Age “present a well-documented argument that [Newton] owed more to the ideas of others than he admitted” (Kirkus Reviews). Robert Hooke and Edmond Halley, whose place in history has been overshadowed by the giant figure of Newton, were pioneering scientists within their own right, and instrumental in establishing the Royal Society. Although Newton is widely regarded as one of the greatest scientists of all time and the father of the English scientific revolution, John and Mary Gribbin uncover the fascinating story of Robert Hooke and Edmond Halley, whose scientific achievements neatly embrace the hundred years or so during which science as we know it became established. They argue persuasively that, even without Newton, science would have made a great leap forward in the second half of the seventeenth century, headed by two extraordinary figures, Hooke and Halley. “Science readers will thank the Gribbins for restoring Hooke and Halley to the prominence that they deserve.”—Publishers Weekly “Engaging . . . They offer proof that Hooke was an important scientist in his own right, and often had physical insights that were borrowed (usually without acknowledgement) by Newton.”—Choice
Fiction. "M. Pascal to the contrary, this shit don't stink. This shit reeks of righteous rage, bloody wit, and the bitters of monkeys in front of typewriters. This is writing that doesn't write, can't right but through imagination, of which Schneiderman has buckets, not to mention rhythm: his snaking quantitative meter pulls us through the beer, alexandrines lighting the shit ablaze. At the end of which we arrive, finally, at the obvious: this book is nothing short of and nothing less than the real shit"--Kass Fleisher.