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Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families -- one English, one Bengali -- as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.
The Shadow Lines Is A Highly Innovative, Complex And Celebrated Novel Of Amitav Ghosh. Published In 1988, It Received The Prestigious Sahitya Academy Award In The Following Year. Not Only Literary Critics But Also Some Noted Litterateurs Have Acclaimed It For What It Has Been Able To Achieve As A Work Of Art. Its Focus Is A Fact Of History, The Post-Partition Scenario Of Violence; But Its Overall Form Is A Subtle Interweaving Of Fact, Fiction And Reminiscence.It Is A Novel In Which Amitav Ghosh Has Been Able To Realise His Artistic Conception Through An Art Form, Which Is Cohesive. However, It Remains Somewhat Inaccessible To Some Readers; They Are, Particularly, Mystified By Its Non-Linear Mode. This Volume Of Critical Essays On The Shadow Lines Is Being Presented In The Hope That It Will Enable The Reader To Gain An Insight Into The Meaning And Structure Of The Novel. In The First Part Of The Book, The Contributors Bring Out The Various Aspects/Elements Of The Novel. The Second Part Has Essays, Which Look At The Novel From Some Current Critical Perspectives Feminist, Post-Colonial And Historicist But The Emphasis Of These Essays Is Upon Practice And Not Theory. The Idea Is That The Reader Learns About A Specific Approach By Seeing It Applied To The The Shadow Lines. The Third Part Has A Single But Significant Essay The Shadow Lines In Context Which Relates The Novel To Ghosh S Other Works, Both Fiction And Non-Fiction. Though The Book Is Primarily Addressed To The Student, It Is Hoped That It Will Interest The Common Discernible Reader As Well.
A powerful and lyrical work by a writer of vision and imagination, Shadow Lines is the story of Jessie Argyle, born in the remote East Kimberley and taken from her Aboriginal family at the age of five, and Edward Smith, a young Englishman escaping the rigid strictures of London. In a society deeply divided on racial lines, Edward and Jessie met, fell in love and, against strong opposition, eventually married. Despite unrelenting surveillance and harassment, the Smith home was a centre for Aboriginal cultural and social life for over thirty years.
Intellectual culture in early twentieth-century Austria reached levels of originality and excellence that have rarely been equalled before or since. Shadow Lines examines works by major novelists, dramatists, poets, and intellectuals of that extraordinary era-among them, Sigmund Freud, Arthur Schnitzler, Robert Musil, Hugo von Hofmannsthal, Rainer Maria Rilke, Ludwig Wittgenstein, and Franz Kafka. Lorna Martens considers how each of these authors contributed to a decisive transformation in Austrian culture, involving a shift away from the dialectical syntheses of much nineteenth-century German thought and culture to potent, unresolvable dualisms of known and unknown-orderly and chaotic-features of human experience: consciousness and the unconscious, reason and the irrational, language and the inexpressible. In most of these writers, according to Martens, all that is knowable, reasonable, and orderly is grounded in that which is dark, irrational, chaotic. What Martens calls "the dark area" emerges variously "as the unconscious (Freud), the sexual drive (Freud, Schnitzler, Musil), the death instinct (Freud, Schnitzler), the dangerous chaos below the surface of things (Rilke), the inaccessible totality (von Hofmannsthal), or the unsayable (Mauthner, von Hofmannsthal, Musil, Wittgenstein)." The essential yet enigmatic relation between the known and the unknown leads to much that is unsettling-and strangely fascinating-in these writers' works. A book that shrewdly relates the works of these authors to the intellectual and political turmoil of the times, Shadow Lines is a new critical appraisal of Austrian literature and intellectual culture at the dawn of the century. Lorna Martens is anassociate professor in the Department of Germanic Languages and Literatures at the University of Virginia. She is the author of The Diary Novel.
A stunning collection from renowned artist Iain McCaig, now expanded with sixteen pages of bonus content from this expert craftsman and storyteller. "What is Shadowline? It is the place where things meet: light and shadows, hope and despair, good and evil. It is, to me, the most interesting place to hunt for stories." So begins this stunningly realized and beautifully rendered retrospective showcasing work from master storyteller and artist Iain McCaig. McCaig is best known for his work as a principal designer on the three Star Wars prequels, including the iconic characters Queen Amidala and Darth Maul, as well as his work on many major motion pictures, television, and video games. His touch can be seen in such acclaimed films as Terminator 2, Hook, Francis Ford Coppola's Dracula, Interview with a Vampire, and Harry Potter and the Goblet of Fire. Shadowline presents a stunning portfolio of more than two decades of McCaig's masterful concept designs and storyboards, cover art and illustrations, as well as his private sketchbooks and personal paintings, all woven together within the confines of an engrossing, otherworldly journey to his creative realm: Shadowline. . ICONIC CHARACTERS: Discover visionary designs for Queen Amidala, Darth Maul, and other beloved characters across film and pop culture PRIVATE SKETCHBOOKS: More than a retrospective of McCaig’s film work, Shadowline contains dozens of images from the artist’s personal archive CREATIVE PROCESS: At the heart of Shadowline is a supernatural story that gives readers insight into the artist’s creative process LEARN TO DRAW: Features instruction in how to draw and make art REVISED AND EXPANDED: Includes bonus content featuring pieces from McCaig’s work on Guardians of the Galaxy, The Avengers, and more.
The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore. “A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”—Bustle NEBULA AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Praise for Gods of Jade and Shadow “A dark, dazzling fairy tale . . . a whirlwind tour of a 1920s Mexico vivid with jazz, the memories of revolution, and gods, demons, and magic.”—NPR “Snappy dialog, stellar worldbuilding, lyrical prose, and a slow-burn romance make this a standout. . . . Purchase where Naomi Novik, Nnedi Okorafor, and N. K. Jemisin are popular.”—Library Journal (starred review) “A magical novel of duality, tradition, and change . . . Moreno-Garcia’s seamless blend of mythology and history provides a ripe setting for Casiopea’s stellar journey of self-discovery, which culminates in a dramatic denouement. Readers will gladly immerse themselves in Moreno-Garcia’s rich and complex tale of desperate hopes and complicated relationships.”—Publishers Weekly (starred review)
The first in an epic trilogy, Amitav Ghosh's Sea of Poppies is "a remarkably rich saga . . . which has plenty of action and adventure à la Dumas, but moments also of Tolstoyan penetration--and a drop or two of Dickensian sentiment" (The Observer [London]). At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton. With a panorama of characters whose diaspora encapsulates the vexed colonial history of the East itself, Sea of Poppies is "a storm-tossed adventure worthy of Sir Walter Scott" (Vogue).
From the acclaimed creator of Subway Book Review, Between the Lines gloriously takes to the underground and showcases in over 170 interviews what moves us forward—a thrilling ride as unexpected as New York City itself. “Subway Book Review has changed how we look at books.” —Forbes “[Beutter Cohen’s] rosy view of the subway is a refreshing contrast.” —The Cut, New York magazine “Subway Book Review is one of the few purely good things on the internet.” —Esquire For the better part of a decade, Uli Beutter Cohen rode the subway through New York City’s underground to observe society through the lens of our most creative thinkers: the readers of books. Between the Lines is a timely collection of beloved and never-before-published stories that reflect who we are and where we are going. In over 170 interviews, Uli shares nuanced insights into our collective psyche and gives us an invaluable document of our challenges and our potential. Complete with original photography, and countless intriguing book recommendations, Between the Lines is an enthusiastic celebration of the ways stories invite us into each other’s lives, and a call to action for imagining a bold, empathetic future together. Meet Yahdon, who reads Dapper Dan: Made in Harlem and talks about the power of symbols in fashion. Diana shares how Orlando shaped her journey as a trans woman. Saima reads They Say, I Say and speaks about the power of her hijab. Notable New Yorkers open up about their lives and reading habits, including photographer Jamel Shabazz, filmmaker Katja Blichfeld, painter Devon Rodriguez, comedian Aparna Nancherla, fashion editor Lynn Yaeger, playwright Jeremy O. Harris, fashion designer and TV personality Leah McSweeney, designer Waris Ahluwalia, artist Debbie Millman, activist Amani al-Khatahtbeh, and esteemed authors such as Jia Tolentino, Roxane Gay, Ashley C. Ford, Eileen Myles, Min Jin Lee, and many more.
A New York Times Notable Book: A policeman chases a falsely accused man on a wild journey around the world in this “utterly involving” novel (The Sunday Times). When eight-year-old Nachiketa Bose first arrives in the East Bengali village of Lalpukur, he receives the name Alu—potato—for the size and shape of his extraordinary head. His uncle Balaram, the local schoolmaster and phrenology enthusiast, sends Alu to apprentice as a weaver, and the boy soon surpasses the skill of his master. But when a tragic bombing leaves Alu suspected of terrorism, he flees across India to Bombay and the Arabian Sea, followed all the way by the dogged policeman—and avid ornithologist—Jyoti Das. From East Bengal to the Persian Gulf and North Africa, Amitav Ghosh’s wild and extraordinary novel “follows in the footsteps of magical realists like Gabriel García Márquez and Salman Rushdie” (The New York Times Book Review). “A novelist of dazzling ingenuity.” —San Francisco Chronicle “A Scheherezade effortlessly spinning tales within tales, the possessor of a strong narrative voice quite like no other.” —Newsday “Ghosh’s writing soars, producing electric images.” —The Baltimore Sun “A wonderful mix of magic and horror, wit and curiosity . . . Ghosh has really woven a fresh world for us to visit.” —Providence Sunday Journal